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Jeffrey Berman: Freudians and
Schadenfreudians

Freudians and Schadenfreudians

Loving and Hating Psychoanalysis

The first collection to provide an overview of the well-known psychoanalytic theory of the death drive in literary and cultural theory, this book features contributions from a range of prominent scholars working in the area of literature and psychanalysis. After its Freudian theorization, the death-drive has been re-interpreted by various psychoanalysts (including Melanie Klein, Jacques Lacan, and Slavoj Zizek), philosophers (Jacques Derrida, Gilles Deleuze, and Jean Baudrillard), political theorists (Judith Butler), queer theorists (Laurent Berlant, Lee Edelman), and posthumanist thinkers (Rosi Braidotti). This volume brings together some of the leading thinkers and theorists about the death-drive as a psychological, aesthetic, and theoretical principle in literary and cultural theory, examining texts by writers such as Plato, Henry James, and Ezra Pound.

Philosophy, Literature, Theory

The Death Drive

‘If we are interested in understanding and challenging the oppression of women, we cannot afford to neglect psychoanalysis."

A Radical Reassessment of Freudian Psychoanalysis

Psychoanalysis and Feminism

Routledge Critical Thinkers

Students in literary studies frequently come across Plato, Aristotle and Longinus, either directly through their names and concepts or indirectly, in the work of writers and theorists responding to them. Eaglestone argues that while great thinkers of antiquity may seem far away, their ideas still shape how we think about literature and culture even today. Contemporary examples illustrate the meaning of the original texts and highlight their continuous relevance.

Plato, Aristotle, Longinus

Classical Philosophers on Literature

Fundamentals of Ecocriticism and Environmental Literature

Franco Moretti and Literature

Experimental Criticism

Playing is an essential part of psychotherapy, and sandplay in particular allows for the development of an active tie between the therapist and the patient. This book analyses the elements that are introduced into therapy through sandplay: implicit memory, the embodied self and empathy, as well as the relationship that is created through the process of this type of therapy. Napoliello focuses on sandplay, but the use of the ideas here extends to the importance of activating a dimension of play in a patient as a way to bridge a link between the conscious and subconscious, on the importance of body language and using past experience to decipher the meaning of physical movements.

Play, alchemy and neuroscience

Sandplay and the Therapeutic Relationship

Bloomsbury Studies in Global Women’s Writing

"Exploring the fiction of Hâeláene Cixous, this open access book highlights the ideas of selfhood and transcultural belonging in her works, demonstrating their vital relevance to decolonial paradigms and the Anthropocene era. Examining Cixous's connection with Algeria, it foregrounds her reflections on colonial, patriarchal and nationalist othering and how her writing takes Echo as a guiding mythology of diffractive selfhood. Using a notion of 'transcultural ec(h)ology', it examines how Cixous performs selfhood within ecologies of cohabitation. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 license on bloomsburycollections.com. Open access was funded by Utrecht University"--

Echo—Subjectivity—Diffraction

Hélène Cixous’s Poetics of Voice

A Psychodynamic Personality Model of Middle Childhood provides a theory of the child's personality based on ongoing research from the application of the Fairy Tale Test (FTT).

A Psychodynamic Approach

A Cross-Cultural Personality Model of Middle Childhood

Edition Voldemeer

Dämonologie und Therapie "Exorzismus und Psychoanalyse" lautet der Titel eines geplanten, aber nicht mehr realisierten Buches von Hugo Ball. Ball war nach abgebrochenem Philosophiestudium und Theaterengagements mit seiner Partnerin Emmy Hennings in Zürich eine der zentralen Gründerfiguren des Dadaismus - bald wandten sie sich jedoch ab und wählten einen religiösen Lebensweg, bis zu Balls frühem Tod. Skizzen, Dispositionen und Notate zu dem Buchprojekt aus dem Nachlass liegen nun erstmals transkribiert und im Faksimile editiert vor. Ball war überzeugt, dass die Psychoanalyse einer Erweiterung durch exorzistisches Wissen bedarf. Sein Ziel war eine kritische Gegenüberstellung moderner Therapieformen mit historischen Austreibungspraktiken. Balls Aufzeichnungen geben Einblick in seine obsessive Beschäftigung mit Dämonologie und Teufelsglauben. <li>Einblick in das nie realisierte Buchprojekt von Hugo Ball (1886-1927), Autor und zentrale Gründerfigur des Dadaismus </li> <li>Aus dem Nachlass herausgegeben </li> <li>Mit Listen von Vokabeln, Namen, Begriffen, Terminologien; eine Litanei des Satans lexikografischer Art </li>

Exorzismus und Psychoanalyse

Manchester Medieval Literature and Culture

Approaches to Emotion in Middle English Literature

Topics in Musical Theatre

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Adaptation in Musical Theatre

Freudians and Schadenfreudians

Informations bibliographiques

Mots-clés

Informations bibliographiques

Mots-clés

Autres titres sur ce thème