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Waszak T: Fiktionsstufen

Fiktionsstufen

Von Sinn und Chance ihrer Nivellierung

Frühe Neuzeit

Von Strittigkeit der Bilder / [Strittigkeit der Bilder, Bände 1-3]

Writing Religion and Politics after Derrida

The Dialectic of Cosmopolitan Time

Palgrave Studies in Life Writing

Contemporary Novelists and their Self-Representations

Literary Autobiography

Imagining Hopeful Futures in Dystopian Times

Saving Utopia

The first collection to provide an overview of the well-known psychoanalytic theory of the death drive in literary and cultural theory, this book features contributions from a range of prominent scholars working in the area of literature and psychanalysis. After its Freudian theorization, the death-drive has been re-interpreted by various psychoanalysts (including Melanie Klein, Jacques Lacan, and Slavoj Zizek), philosophers (Jacques Derrida, Gilles Deleuze, and Jean Baudrillard), political theorists (Judith Butler), queer theorists (Laurent Berlant, Lee Edelman), and posthumanist thinkers (Rosi Braidotti). This volume brings together some of the leading thinkers and theorists about the death-drive as a psychological, aesthetic, and theoretical principle in literary and cultural theory, examining texts by writers such as Plato, Henry James, and Ezra Pound.

Philosophy, Literature, Theory

The Death Drive

Anthem Studies in Gothic Literature

This scholarly monograph explores the published eyewitness testimonies, poetry and literature surrounding the 1986 Chernobyl nuclear disaster. It argues for the contextualisation of the disaster's collective traumatic wound and its Soviet political repression through public articulation of survivor experience and its interpretation by the trauma narratives of Science Fiction and the Gothic.

Testimony, Cultural Memory and Global Literary Perspectives

Chernobyl Trauma and Gothic

Fundamentals of Ecocriticism and Environmental Literature

Studies in Collective Memory

In Remembering Hope, Ann Rigney examines the role of storytelling in transferring hope in social transformation from one generation of activists to another. She uses the tools of cultural memory studies to explain how shared narratives about protest are produced using words, images, video, and performance. Rigney's long-term approach shows that cultural memory and activism are deeply entwined across generations and reveals how cultural memory work has been used as a form of resistance to historical outcomes and as a tool for kick-starting older campaigns in new contexts. Above all, the book challenges the assumption that grievance rather than active citizenship has always been at the heart of collective memory.

The Cultural Afterlife of Protest

Remembering Hope

Routledge Critical Thinkers

Students in literary studies frequently come across Plato, Aristotle and Longinus, either directly through their names and concepts or indirectly, in the work of writers and theorists responding to them. Eaglestone argues that while great thinkers of antiquity may seem far away, their ideas still shape how we think about literature and culture even today. Contemporary examples illustrate the meaning of the original texts and highlight their continuous relevance.

Plato, Aristotle, Longinus

Classical Philosophers on Literature

Routledge Monographs in Classical Studies

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an 'archaeology' of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

The Invention of Self-Conscious Fiction

Metafiction in Classical Literature

Palgrave Shakespeare Studies

“Hugh Grady is the most important US scholar to connect with and develop the UK cultural materialist project under the umbrella of presentism. An exemplary blend of philosophical depth and critical insight characterizes his writing. His explorations of Shakespeare’s relevance to us now feed back into an equally relevant understanding of early modern dramatists’ art. In this sense, Grady enacts a unique dialectic between Shakespeare and us. As such, his oeuvre comprises an exemplary intellectual wisdom. What makes the essays collected here both engaging and important are the diverse ways in which they extrapolate that wisdom.”&nbsp;– JONATHAN DOLLIMORE, Independent Scholar, UK“Hugh Grady’s luminous intelligence and generosity of spirit are everywhere present in this volume. We see them refracted in the incisive and humane essays that friends and colleagues have written to honor the many facets of his intellectual legacy. Politics,aesthetics, utopian dreaming, theoretical speculation, presentist methods, and deep historical knowledge -- Grady was committed to them all, and all appear in fascinating new combinations in this volume. It’s an impressive achievement, one worthy of the person it honors.”– JEAN HOWARD, Columbia University, USAThis edited collection of essays analyses the contributions that presentist theory and criticism have made to the field of Shakespeare studies in recent years while simultaneously highlighting the contributions of Hugh Grady to that intellectual endeavour. The book is comprised of eleven core chapters authored by a mix of renowned Shakespeare scholars and early career scholars in a global context, complemented by a Foreword, an interview with Hugh Grady, and an Afterword.EVELYN GAJOWSKI is Professor of English Emerita and Barrick Distinguished Scholar at the University of Nevada, Las Vegas, USA. She has published five books on Shakespeare, including The Arden Research Handbook of Contemporary Shakespeare Criticism (2021); The Merry Wives of Windsor: New Critical Essays, co-edited with Phyllis Rackin (2015); and Presentism, Gender, and Sexuality in Shakespeare (Palgrave Macmillan, 2009). She serves as Series Editor of the Arden Shakespeare and Theory Series.&nbsp;

Shakespeare, Presentism, and the Legacy of Hugh Grady

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