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Wielgus A: Female Detectives on
Post-Network Television

Female Detectives on Post-Network Television

Mother, Maiden, Cop

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

'A beautifully written eulogy for the loss of a relationship' Joyce Carol Oates How do we go on when a loved one betrays us? On a chilly day in March of 2020, in the early days of the pandemic, Belle Burden's husband of twenty years announced, with no prior warning, that he was leaving her. His decision shocked Belle to her core: she believed he was a happy man, a committed partner, and a devoted father to their three children. She thought he was a man who had settled into the life he had always wanted: a successful career, summers spent at their beloved home on Martha's Vineyard, lots of tennis. Overnight, he transformed from her steady companion into a stranger. As she pieces her life together in the wake of a loss she had never imagined coming, she finds she is much stronger than she ever expected. Exploring the transformation of a shy, quiet girl, nicknamed 'Belle the Good' to a powerful, brave, determined woman who has learned to use her voice to expose the patriarchal structures that have forced women to be discreet and compliant for far too long, Strangers is a must-read memoir of self-discovery.

The story of a marriage

Strangers

The Rise of Extreme Porn and How We Fight Back

Exposed

Why Men Still Win at Work

Patriarchy Inc

This authoritative encyclopedia examines famous and influential depictions of angels, demons, and demigods in film, television, literature, and music.

An Encyclopedia of Supernatural Beings in Story and on Screen

Angels, Demons, and Demigods

From Girl to Woman

The Persephone Myth in Young Adult Fiction

Excelsior Editions

250 Years of Social Change

Revolutionary New York

Why African Autocracies Promote Women as Leaders

How I learned to juggle life, love and the neverending to-do list

The Mental Load Diaries

Sozialtheorie

Soziologische Theorien der Medien

The classic thrillers of Alfred Hitchcock, including Vertigo, North by Northwest and Psycho, achieved much of their power from the music of legendary Academy Award winner Bernard Herrmann (Citizen Kane, Taxi Driver). In this book, author Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann. Their collaboration ended in a bitter break; but today, the music from their movies is more popular than ever, heard in Quentin Tarantino blockbusters and Lady Gaga music videos. Smith takes us inside the friendship between "Benny and Hitch," and explains why Herrmann's pulse-quickening music has become the soundtrack of our own anxious times.

The Friendship and Film Scores That Changed Cinema

Hitchcock and Herrmann

Female Detectives on Post-Network Television

Informations bibliographiques

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