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Echo

Homage à Francis Poulenc

For fans of Ben Macintyre, the gripping story of the assassination of Soviet revolutionary Leon Trotsky and the deadly game of cat and mouse that preceded it On August 20, 1940, Leon Trotsky invited a man he knew only as Jacques Mornard into his study. Mornard waited for Trotsky to sit, then smashed an ice pick he had hidden in his raincoat into his skull. &nbsp; For over a decade, Trotsky’s greatest enemy, Joseph Stalin, had been trying to arrange his murder. His agents had hunted him across Europe and into a lonely, bitter exile in Mexico. He had liquidated Trotsky’s family and friends, and yet Trotsky had always escaped his clutches. The man who changed this all was Ramón Mercader, a minor Spanish aristocrat and Soviet agent who had posed as Mornard, a dissolute Belgian playboy, and infiltrated Trotsky’s inner circle.&nbsp; In The Death of Trotsky, Josh Ireland traces the separate paths walked by each of these protagonists as they steadily draw closer and closer to that fateful encounter on August 20. Blending intimate historical detail and thrilling historical narrative, swinging from Moscow to Paris to Mexico, and taking in a cast of morally conflicted Russian spies, fanatical Mexican painters, and innocent American idealists, The Death of Trotsky delves into the lives of two fascinating, complex men locked in a life-or-death struggle that will bend the course of history.

The True Story of the Plot to Kill Stalin's Greatest Enemy

The Death of Trotsky

Revelations on Stage

Bliss and Dance

Musicians in the Time of Stalin

The Sound of Utopia

The Cambridge China Library

Volume 3 of the official Chinese Communist Party biography of Mao Zedong. This volume covers Mao's career in the period, 1958-1976. This is a unique source through which to view the ways in which the transformative events of the twentieth century have been understood and portrayed in contemporary China.

Mao Zedong

The Brand New Evie Woods Book

Christopher Isherwood Inside Out

Music Theory in Britain, 1500–1700: Critical Editions

The critical edition of John Playford's Introduction to the Skill of Musick (1672, Sixth edition) represents the contents of Playford's seminal pedagogical treatise in the middle of its development. Although Playford's Introduction was one of the most famous music texts of the period, a satisfactory modern edition of its contents has not yet been published. This is due, in part, to the fact that the interior contents of the Introduction changed markedly throughout its publication run from 1654 to 1730 (though post-1694 changes are minimal). This edition addresses this issue by presenting not only the transcription of the 1672 edition, but detailed contents of the entire publication run to better understand the shifting contents of the major sections of the work from its beginnings to the turn of the century. The contents include an introductory essay concerning the development of the series, divided according to the main sections of the text: The Grounds and Rules of Musick, Instructions and Lessons for the Bass Viol, and The Art of Descant. The body is a full transcription of the 1672 edition with images. Two appendices contain 1) critical notes on the text and a comparison of the major changes-section changes, major wording and style changes, repertoire lists, along with significant codicological amendments-between editions using 1672 as the model, and 2) a list of all of the music in the different editions of the Introduction, including information regarding in which editions the pieces may be found and a reference to modern editions on those works.

John Playford’s Introduction to the Skill of Musick, 1672

With empathy, insight, and humor, I’ll Come to You chronicles the intersecting lives of one unforgettable family over the course of a year—1995—anchored by the anticipation and arrival of a child in this&nbsp;"intimate, wise and funny" novel that's "a true gem about life's changing seasons." —People “Rebecca Kauffman writes like a sunbeam, strong and warm on whatever lands in her path. This book only looks short—in reality, it reveals a family so richly drawn, so deep and complex, that it contains the whole world.” —Emma Straub A modern and classic story of family, with I'll Come to You, beloved author Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them, a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now disastrously attempting to woo her, a couple in denial about a looming health crisis, and their son who is fumbling toward middle age and can’t stop lying. Ultimately, these storylines crescendo and converge into a dramatic and harrowing turn of events. With heart, wit, and courage, and through pain, these characters traverse territory that both challenges and defines the bonds of family. Sweeping yet compact, I’ll Come to You investigates themes of intimacy, memory, loss, grief, and reconciliation, and the wonder, terror, frustration, fear, and magic of brushing up against the unknowable—both around us and within us.

A Novel

I'll Come to You

Reinventing the Broadway Musical

Opening Doors

A completely unputdownable golden age murder mystery

The Gatsby Gambit

Music and Sound on the International Screen

Throughout the Cold War, the films produced on both sides of the Iron Curtain both reflected and were shaped by the ideologies of their respective countries. Music played a key role defining the messages sent by these films. The essays in this book offer the first extended look at the relationship between music and ideology in the European cinema of the Cold War era. With contributions from an international array of scholars, this volume examines cinematic productions from Britain, East and West Germany, France, Yugoslavia, Poland, the Soviet Union, and Francoist Spain. The contributors explore the interactions between music, ideology, and cinema that shaped mass culture in the Cold War.

1940s to 1980s

Music, Ideology, and Commerce in European Popular Cinema

A Critical Edition, Volume 1

Thomas Morley: A Plaine and Easie Introduction to Practicall Musick (1597)

Echo

Informations bibliographiques

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