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An exploration of the ways dress and dressed appearance have been used to express identity.

Dress as Biography

Notes on Contributors Introduction: Dress as Biography, Martin Pel (Royal Pavilion &amp; Museums, Brighton &amp; Hove, UK) 1. Death, Dress, and Memorialising in the Tomb of Robert Dudley, Martin Pel (Royal Pavilion &amp; Museums, Brighton &amp; Hove, UK) 2. Elisabeth Vigée Le Brun: Fashioning and Painting the Self, Ingrid E. Mida (Toronto Metropolitan University, Canada) 3. The Londonderry Russian Topaz, Geoffrey Munn (Jewellery expert and historian, UK) 4. Reading the Damage: Biography through the Eyes of a Dress Conservator, Zenzie Tinker (Conservator, UK) 5. Creating Biographies: from Childhood Stories to Family Tales, Aude Campbell Le Guennec (Glasgow School of Art, UK) 6. Miss Augusta Roddis Dresses Up, Jane Bradbury (Dress historian, USA) 7. Pearl Binder, 1904-1990: A Biography of an Individualist Dresser, Lou Taylor (University of Brighton, UK) 8. 'All of Me': Billie Holiday, Carol Tulloch (University of the Arts, London, UK) 9. Charles and Ray Eames: their Everyday as Read through Dress, Alison Moloney (Fashion Curator, UK) 10. The Sartorial Biographer: Using Material Culture to Reveal Identities, Beatrice Behlen (Senior Curator, Fashion and Decorative Arts, Museum of London, UK) Notes List of Illustrations Bibliography Index

Emotion, Evolution, and Expression

In a Sentimental Mood

Practical Constructions for Designers and Makers

Folded Paper Geometry

Interior Design as Lifestyle in the 1970s Home

In Private

Icons of Style

The story of a fashion legend

Icons of Style: Billie Eilish

The Neolithic Revolution, the Indigenous Critique, and the Myths of Civilization

Prehistoric Philosophy

War and Community in Late Antiquity

Fashion in Action

What is cultural appropriation in fashion and how can understanding its causes, consequences and reoccurrences help us to challenge it in the future? As part of the Fashion in Action series of short books aimed at rallying readers on global issues in fashion, Benjamin Linley Wild highlights the long and complicated history of appropriation, guiding us on the pressing question of where we go next. Chapter one considers where we have been - what are the words we have used and what theories continue to frame and potentially hinder discussions about appropriation within the fashion industry? Chapter two moves on to where we are now - what does appropriation look like in the fashion industry and how can understanding this help both educators and consumers overcome the circularity of the current debates? Chapter three draws together the theories and their potential implications to unravel the riddle of appropriation and enable us to look to the future with suggested calls for action. This timely book equips readers with the tools to navigate and reshape the conversation around cultural appropriation, encouraging meaningful action for a more conscious and inclusive fashion industry.

Appropriation

People's History

A concise modern history of Portugal

A People's History of Portugal

Stickerbomb Sneakers

How the Michelin Guide Changed France and Food Forever

Forks in the Road

A Royal Governor, His Black Allies, and the Crisis That Spurred the American Revolution

A Perfect Frenzy

Understanding the source of our current political and social malaise through our emotional responses to it We are in an explosive cultural moment. Whatever explanation for this is offered—inequalities, disaffection of political institutions, traumatic memory, woke culture, the rise of populism, the dominance of technology—it is the inescapable fact that we are in a period of palpable malaise. In Explosive Emotions, sociologist Eva Illouz explores the source of our discontent through a number of key emotions. Hope, disappointment, envy, resentment, jealousy, anger, fear, anxiety, shame, nostalgia, jealousy, and love are all embedded in the institutions of social life. These institutions—corporations, the consumer market, the university, the nation-state, marriage, and sexuality—shape our emotional lives. Illouz argues that hope was the emotional foundation of modernity—shaping ambition and promising improvement. But today, this hope has morphed into disappointment, envy, anger, or nostalgia—because, she contends, advanced techno-capitalism has overseen both a series of transformations in modern democracies and the decay of nationalism. Drawing on the insights of literature and philosophy, Illouz outlines the psychological structure of these emotions; mobilizing data from sociology and political science, she examines how and why they are deployed in society. Unbeknownst to us, she explains, emotions contain and enact the key ingredients of society. Norms, rules, social structures, and cultural guidelines are the invisible yet burning magma of emotions, the heart of their energy. Emotions continue the work of society inside the self. Mapping our epochal malaise, Illouz shows how and why all our previously established structures are unraveling.

How Modern Society Shapes What We Feel

Explosive Emotions

Dress as Biography

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