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Dandyism and Transcultural Modernity

Dandyism and Transcultural Modernity

The Dandy, the Flaneur, and the Translator in 1930s Shanghai, Tokyo, and Paris

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Views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. This book contends that modernity is possible only on 'the transcultural site' - transcultural in the sense of breaking the divide between elite and popular, literary and non-literary, and inside and outside.

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septembre 2010, 264 Pages, Academia Sinica on East Asia, Anglais
Taylor and Francis
978-0-415-58428-9

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