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Chinese Art Theory II

Form and Spirit

Built Traces of Intercolonial Trade, Industry and Labour, 1800s-1950s

Architectural Encounters in Asia Pacific

Fabrication, Forgery, and the Art of Islamic Ceramics

Invisible Hands

The Primacy of Drawing

Bollingen Recollections

Bollingen Series

The Archetypal World of Henry Moore

Art, Theatricality, and the Marketplace in France, 1697–1945

Pierrot and His World

A Tale of Rivalry and Genius

Michelangelo and Titian

Its Mythology and Transformations, Volume 1 (Text)

The Art of Indian Asia

Ethics and Self-Making in Dada, Simultanism, and Surrealism

The Art of Living in Avant-Garde Paris

Critical Craft Studies

Through a focused analysis of work made from textile, ceramic, metal, paper, wood and glass, this book explores how contemporary craftspeople, artists and other creatives identifying as LGBTQ+ use a range of craft materials and processes to explore their identity and queerness. Queer Crafts demonstrates how methods of crafting offer particularly fertile ground for exploring themes of queerness because of their longstanding gendered associations, physical malleability, metaphorical capaciousness and craft's historic position as an 'amateur' form of making. International case studies include the work of well-known and emerging creatives such as Athi-Patra Ruga, LJ Roberts, Nicki Green, Rose Schmits, Khairullah Rahim, Hansel Tai, Troy Michie, Antonius Bui, Raul De Lara, Caroline Woolard, Tim Tate and Hamad Butt. Featuring interviews and oral histories, and richly illustrated throughout with an array of works which refuse binaries and the boundaries of traditional craft practices, contemporary art and design, this book sheds an important light on contemporary LGBTQ+ crafting.

Material Practices and the Making of Identity

Queer Crafts

'Part of me knew what the hungry ghosts wanted all along, what they still want. It is not vengeance. No, they want something else, but we refuse to listen. They want us to face up to our broken obligations.'Every spring during the Qingming Festival, people return to their home villages in China to sweep the tombs of their ancestors, making offerings of food and incense to prevent them from becoming hungry ghosts that could cause misfortune. Yet for the past century, a time ruptured by war and revolution, many tombs have been left unattended. Following a record year of wildfires, Alice Mah returns to her family's rice village in South China, and discovers that her ancestors are almost forgotten, and there are no tombs left to sweep. Instead, there are incalculable clan debts to be paid. Here Mah chronicles her journey from the rice villages of South China to her home in post-industrial England, through the Chinatowns of Western Canada where she grew up, to the isles and industry of Scotland where she now lives. As years pass and fires rage on, she becomes increasingly troubled by her ancestors' neglected graves. Her research on pollution gives way to growing eco-anxiety, culminating in a crisis of spiritual belief. A haunting blend of memoir, cultural history and environmental exploration, Red Pockets confronts the hungry ghosts of our neglected ancestors, while searching for an acceptable offering. What do we owe to past and future generations? What do we owe to the places that we inhabit?

Chinese Art Theory II

Informations bibliographiques

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Informations bibliographiques

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