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This book explores Collingwood's philosophical beliefs on art, taste, history, and others central ideas of his time.

Wertz S: Becoming Collingwood

Becoming Collingwood

Central Themes

AbbreviationsAcknowledgments IntroductionChapter 1: The Nature of PersonsChapter 2: A Theory of Practice in ArtChapter 3: Margaret Hattersley Bulley, Understanding Art, and the Case for ExamplesChapter 4: Artists as PersonsChapter 5: The Capriciousness of PlayChapter 6: A Logic of Question and AnswerChapter 7: Understanding David Hume Chapter 8: Theoretical Topics in HistoryChapter 9: Eating and Dining: An Anthropological PerspectiveChapter 10: Food and the Association of Perceptions Chapter 11: The Evidential Value of TestimonyChapter 12: On Certainty in HistoryChapter 13: Conceptual Change and IncapsulationChapter 14: Mead's Experimental and Pragmatic Philosophy of HistoryChapter 15: Realism and Its DemiseChapter 16: The Nature of ConsciousnessChapter 17: Racial Considerations ConclusionBibliographyIndexAbout the Author

A Biography of Franz Rosenzweig

Love Is Strong as Death

This book gathers a group of scholars whose work has been influenced by the distinctive dialogue between ancient philosophy (and rhetoric) and critical theory promoted by the scholarship of James I. Porter. A classicist who has pushed classics beyond itself - beyond its traditional boundaries - Porter has demonstrated that antiquity cannot be studied without participating in what is sometimes dismissively labeled "reception." The collection here does not simply celebrate the work of a major figure in the field of classics through a series of Porterian writing experiments, but locates the futures of classics in its predisposition to endless transformation, alteration, reconfiguration, and fugitive or exilic deterritorialization. Philology is a practice of philosophy in that contact with the ghosts of antiquity and its diachronic manifestations in modernity confronts the interpreter with opportunities for unlearning as well as learning, unthinking as well as thinking, and for engaging with impossibilities as well as possibilities. The essays gathered here, unified by these themes, include contributions on ancient philosophy (Democritus, the sophists, Aristotle, and Lucretius); reflections on the sublime, which Porter has pivotally elucidated; interventions on the theme of philology and exile (in Nietzsche, Marx, Freud, and Derrida); and theoretical musings on the "agony of immanence," the "biomatic," the "atmospheric," and the relationship between immigration and classical reception.

Essays in Honor of Jim Porter

The Philology of the Future

An international team of experts in Ancient philosophy explore the connections, analogies and differences occurring between Greek and Indian Buddhist traditions.

Ancient Greek and Indian Buddhist Philosophers on Reality and Selfhood

Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde

Runica manuscripta: Die nordische Tradition

Bringing together Michel Foucault's aesthetics of existence and Richard Shusterman's somaesthetics, this volume provides a critical comparison of two of the most influential philosophical theories of the late 20th and early 21st centuries. Introduced by a comprehensive overview of both concepts by editors Stefano Marino and Valentina Antoniol, the ensuing chapters interrogate the affinities and variances between Foucault's and Shusterman's philosophies. Building on the interdisciplinary character of somaesthetics and aesthetics of existence, international scholars explore these ideas through a wide range of topics ranging from care of the self and of the social self to the ethical and political challenges posed by themes as white ignorance, construction of resistances, and production of subjectivities. Given the central role played by the body in both concepts, this volume also affords particular attention to the philosophy of sexuality. Demonstrating the value of reading these two thinkers together through the adoption of radical interpretive perspectives, Foucault's Aesthetics of Existence and Shusterman's Somaesthetics highlights the potentialities and the relevance of Foucault's and Shusterman's theories, even with respect to our actualité.

Ethics, Politics, and the Art of Living

Foucault's Aesthetics of Existence and Shusterman's Somaesthetics

Her Life and Music, Era by Era

Ariana Grande

The Hour of the Wolf

The Love Letters of Dylan Thomas

"Inspired by the philosopher Graham Parkes, this collection provides a distinctive study of aesthetics and the climate crisis. Engaging with Continental European and East Asian traditions, it challenges our definition of self in the West and asks us to re-evaluate our conventional perspectives. Through a valuable and systematic treatment of the thought of Parkes, The Wandering Dance in the Philosophy of Graham Parkes makes the case that a restoration of the intimate relation of self and nature is indispensable in understanding our place in the order of things and achieving balance in the world"--

Comparative Perspectives on Art and Nature

A Wandering Dance through the Philosophy of Graham Parkes

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus &nbsp; Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” &nbsp; Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

The Life of Louise Bourgeois

Knife-Woman

Explorations in Philosophy and Theology

The Indian Years (1939-1957)

The Trinitarian Mysticism of Jules Monchanin

The Fractured Art of British Housebuilding and How to Build the Homes we Need

Where We Live

Becoming Collingwood

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