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Anders Zorn - Schwedens Superstar

Roman - Psychologische Spannung von einer der erfolgreichsten norwegischen Autorinnen

Das Unwetter

Mörderisches Island

Ein Island-Krimi

Verborgen

Warum Reichtum begrenzt werden muss

Limitarismus

ECC Campingführer Skandinavien

Eine radikale Neubetrachtung

Stillen

Brightest Light

Roman | Mit limitiertem Farbschnitt | Grumpy vs. Sunshine: Ballerina trifft auf Physiotherapeuten | New Adult-Romance (Maddie & James)

The Darkest Corner of the Heart

Sarah Pirohl ermittelt

Kriminalroman

Bornholmer Spur

The Palgrave Encyclopedia of Early Modern Women's Writing

Demonstrating a wide array of influences-from Chinese calligraphy to Expressionism-Liu Wei's work deals with universal themes of humanity. With a career spanning over thirty years, he has proved a master of rendering human flesh and combining figuration with text and abstraction. Liu Wei's deft grasp of technique and acute awareness of color and composition is evident in his lush landscapes, in which flora and fauna often escape the confines of the canvas and spill out onto the Rococo-style frames. Featuring texts by distinguished specialists in contemporary Chinese art, this first major English-language monograph provides an in-depth look at the historical context and traces his development from his early paintings reflecting disenchantment with political and artistic utopias through the lenses of skepticism and satire, to lush landscapes, striking portraits, and more recent philosophic and contemplative calligraphic works on paper. LIU WEI (*1965, Beijing), studied printmaking at the Central Academy of Fine Arts in Beijing, where he still lives today. He first rose to prominence as a preeminent figure in China's "cynical realism" movement of the 1990s. His paintings have been shown in museum exhibitions and biennials worldwide, including the Museum of Contemporary Art, Sydney, the Singapore Art Museum, the San Francisco Museum of Modern Art, and the Venice Biennale.

Liu Wei

Earthen Sculpture in South Asia

Clay Works

Atem, Lehm-the German words for "breath" and "clay", a title inspired by a poem by Paul Celan-is the first monograph dedicated to Latvian artist Daiga Grantina.
Grantina's solo show at GAMeC in Bergamo represented a major evolution in her poetics, a decisive and coherent change of palette and pace compared to her amorphous in-situ installations that have characterized her work to date. A mural forms an open-ended structure with its potentially infinite combinations: It seems to breathe, constraining and distending the grounding of space.
The book's structure mirrors this evolution, exploring a before, characterized by large-scale environmental installations in New York's New Museum, the Biennale di Venezia and in Palais de Tokyo, Paris, to name a few, and an after, when the artist's sculptural environments seem to shift their locus of perception.

Anders Zorn - Schwedens Superstar

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