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Catalogue complet

An Apology for the Life of Mr Colley
Cibber, Comedian and Late Patentee of t

An Apology for the Life of Mr Colley Cibber, Comedian and Late Patentee of the Theatre Royal

A Modernized Text

An Apology for the Life of Mr Colley Cibber.

Apparatus, Nostalgia, Obsolescence

Theatre as Technology

Charlie Chaplin rose from the hard streets of Edwardian London to worldwide fame. But his work and outlook were always shaped by the world he came from, a place of cheap entertainments and the threat of the workhouse, radical politics and desperate poverty.Framed through the life of this iconic success story, acclaimed historian Jacqueline Riding reveals working-class London at the turn of the twentieth century. Breathing life into forgotten stories of mothers and sons, labourers and actors, vagrants and sex workers, of suffering, survival and success against the odds, this compelling social history paints a striking portrait of a vanished city.

Working-Class Lives in Charlie Chaplin’s London

Hard Streets

Blackface and the American Way of Entertainment

Darkology

Thinking Through Theatre

What does it mean to teach an ephemeral object like 'performance'? And what might the teaching of performance have to offer to other kinds of teaching and learning in a changing world? Through posing and seeking to answer these questions, this open-access book urges a reconsideration of the relationship between performance and pedagogy. These questions are urgent in the light of profound changes, both institutional and historical, in the larger scope of higher education and the place performance may have in that setting and its peripheries. Each of the chapters considers an object and its role in performance pedagogy. The objects range from the concrete to the conceptual and open new ways of considering how to teach performance and how performance teaches. The book features a unique construction - "interstitial exchanges" - wherein the authors of each chapter pose provocations and responses to each other through short essays between the main chapters, connecting the disparate objects of performance pedagogy and offering dialogues. In this way, the volume opens conversations beyond performance studies, asking what performance might have to say about the objects all around us that shape our lives in the 21st century. The ebook editions of this book are available open access under a CC BY NC-ND-4.0 licence on bloomsburycollections.com.

Objects, Transfers, Formations

Performance Pedagogy

A Practical Guide

Developing New Musicals in University Theatre Programs

Contemporary Critical Approaches

Madness in Print and Visual Culture

Shakespeare and Adaptation

Negotiating Cultural Value

Shakespeare and Comics

Critical Companions

Modern and Contemporary Experiments with Verse Drama

Staging the Lyric

Adventures in Theatre Criticism

New British Drama in 15 Scenes

Topics in Musical Theatre

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Adaptation in Musical Theatre

Gender, Sexuality, Race and Politics on Stage

Shakespeare and Ballet

Take a tour of New York City as inspiration, place and context in the work of America's greatest playwright of the 20th century, brought to life with images from Miller's time and today.

Visions of the City

Arthur Miller’s New York

An Apology for the Life of Mr Colley Cibber, Comedian and Late Patentee of the Theatre Royal

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