This volume reframes the development of US-American avant-garde art of the long 1960s-from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art-in the context of contemporary architectural discourses.
This volume reframes the development of US-American avant-garde art of the long 1960s-from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art-in the context of contemporary architectural discourses.