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Kimmelman L: All Who Are Hungry, Come
and Eat!

All Who Are Hungry, Come and Eat!

A Passover Story

Yiddish Voices

This book provides the first ever English translation of the Yiddish play, Mississippi. Penned in 1935 by Leyb Malakh, it was commissioned for production by a Warsaw-based experimental Yiddish theatre company and was focused on the racial injustice of the Scottsboro Boys case which began with the wrongful arrest of nine African-American youths in Alabama, 1931. The book includes a detailed, multifaceted scholarly introduction which ranges widely and effectively across the various historical and literary contexts in which the play can be appreciated.

As our volume shows, both the writer and the director, Michal Weichert, were keen to depict a dramatic episode from contemporary life that reflected the leftist goals and ideas to which they were devoted. Alyssa Quint examines the fact that while the plight of the Scottsboro Boys lasted throughout the 1930s and inspired works of Communist or leftist struggle by a substantial number of artists and writers in the United States, few beyond America took on the subject. She looks at how Malakh's drama reflects the influence of the African American writer Langston Hughes, who wrote Scottsboro Limited in 1931 after the Boys' first trial when they were sentenced to death. Writing in 1935, after a number of successful appeals, Malakh refers to the rallies that took place throughout Europe in protest of the Boys' arrest and sentencing. The introduction also shows how the play reflects the influence of 'synchronous theater' (akin to immersive theater) as well as other avant-garde theatrical strategies of the time. Quint goes on to consider the substantial success of Mississippi, which played on city stages at least one hundred times throughout Poland and attracted significant critical attention, and what this can tell us about the connection between the Jewish people of Europe and African-Americans around this time.

A Yiddish Play about the Scottsboro Boys

Mississippi (1935) By Leyb Malakh

Hitler, Mussolini, and a true story of murder

The Einstein Vendetta

Tarantula

Studies in Modern French and Francophone History

Elite Jewish Women in Nineteenth-Century France

Herminie and Fanny Pereire

Studies in Imperialism

Bahá’íS, Muslims, Jews and the British State, 1900–20

An Empire of Many Cultures

Nursing History and Humanities

A Gendered Opportunity

Jewish Refugees and the British Nursing Profession

A History

Slavery and the Jews of Medieval Egypt

Early on the morning of October 9, 1944, seven hundred boys, aged between 13 and 17, were taken out of Block 11 at Auschwitz. The night before, during a visit by Dr Josef Mengele, their identification cards had been stamped with a solitary German word - gestorben - "died" in English. They were then marched by 25 bayonet-wielding SS men to Crematorium 5, stripped, and herded into a gas chamber. This book is the story of a true-life miracle of the five boys who were pulled from that gas chamber - the only Holocaust survivors known to have escaped such a close brush with the Nazi killing machine - and given a second chance at life. A life, of course, that would be so horrifically snatched from those around them. Five boys, five survivors whose testimonies have been drawn from extensive interviews and whose story is shared in this book for the very first time. Interweaving the lives of the boys and the grander sweep of history in which they were held, The Miracle of Auschwitz is an unforgettable tale of hope, faith and fortitude in the face of one of the worst crimes against humanity.

The Boys Who Escaped the Gas Chamber in Auschwitz

Miracle

One Man’s Battle to Bring Nazis to Justice

The Prosecutor

Posen Library of Jewish Culture and Civilization

Encountering Christianity and Islam, 600-1200

The Posen Library of Jewish Culture and Civilization, Volume 3

Jewish Lives

A revealing biography of one of the twentieth century’s most influential writers &nbsp; Philip Roth (1933–2018) is one of the most celebrated American writers of his age. Born in Newark, New Jersey—where his short stories and thirty-one books were often set—he wrote with immense ambition and drive, along with a keen awareness of what must be done to produce great literature. Yet despite rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances, he viewed himself as socially withdrawn, living much like an “unchaste monk” (his words). &nbsp; In this original and lucid biography, Steven J. Zipperstein captures Roth’s complex life and the astonishing range of his self-reflective writings—from “Goodbye, Columbus” and Portnoy’s Complaint to the Pulitzer Prize–winning American Pastoral and The Plot Against America. Employing extensive archival research and well over one hundred interviews, including conversations with Roth himself, Zipperstein provides an intimate and probing look at one of the twentieth century’s most influential authors, placing his work in the context of Jewishness, freedom, and sexuality in America.

Stung by Life

Philip Roth

All Who Are Hungry, Come and Eat!

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