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Bester C: Afrikaans Art Song Literature

Afrikaans Art Song Literature

A Translation and Pronunciation Guide

Kritische Gesamtausgabe

Conditio Judaica

In diesem Band wird erstmals die teils nur noch fragmentarisch erhaltene Korrespondenz Gronemanns rekonstruiert und dadurch sein extensives Beziehungsnetzwerk erschlossen. Unter den Korrespondenzpartnern befanden sich bedeutende Politiker, Schriftsteller und Künstler, darunter u.a. bekannte Zeitgenossen wie die Zionisten Theodor Herzl, Max Nordau, Heinrich Loewe, Chaim Weizmann und David Ben-Gurion, oder die Schriftsteller Arthur Schnitzler, Richard Beer-Hofmann, Kurt Tucholsky, Else Lasker-Schüler, Arnold Zweig, und Shaul Tchernichovsky. Außerdem stand er in Kontakt mit den Künstlern des jiddischen Avantgardetheaters Wilnaer Truppe sowie des späteren hebräischen Nationaltheaters Habima, zu deren erfolgreichen Werdegang Gronemann maßgeblich beitrug. 
 
 Die Kommentare der vorliegenden Ausgabe erschließen das bisher unveröffentlichte Archivmaterial kritisch und kontextualisieren es in der zeitgenössischen und geisteswissenschaftlichen Rezeption.

Briefwechsel

Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde

Runica manuscripta: Die nordische Tradition

A scholarly consideration of Akнnwщmн Мsтlб and his anthology, Аfамmт Аti Аwon Аrтfт Mмнrаn, via the analysis of the influential role of traditional forms of praise-singing in Yorщbб contemporary poetry.

The Poetry (Àfàìmò Àti Àwon Àròfò Mìíràn) of Akínwùmí Ìsòlá

Language, Translation, and Poetic Realities

Nafeesa T. Nichols analyzes how racialized and gendered spaces are presented in post-apartheid South African literature. Through the examination of four novels, Kopano Matlwa's Coconut (2007), Zukiswa Wanner's The Madams (2006), Niq Mhlongo's After Tears (2007), and Kgebetli Moele's Room 207 (2006), Popular Spaces in Post-Apartheid Literature highlights the interconnections between space, race, gender, and popular culture within the post-apartheid South Africa. Nichols not only explores how post-1994 literature attempts to represent the realities of the post-apartheid condition, but also reveals the innovative and radical contributions that these young authors of the early twenty-first century made within the literary world. This book mediates the dynamics and complexities of space in connection to race and gender, exemplifies the challenge of working with and in violent masculinist textual spaces, and conceptualizes the popular in connection with class, race, and gender struggles. Drawing on an interdisciplinary mix of Black feminist theory, feminist geographical perspectives, and spatial theory, Nichols provides a close reading of each of the selected texts, offering broader insights into the how Black subjects navigate various spaces of oppression. Through these novels, she shows how we are able to imagine the possibilities of liberatory spaces, celebrate local knowledge, creativity, the popular, and, most importantly, the beauty and resistance found in the everyday. In the end, this book contributes to the academic conversations that continue to take place surrounding gender, space, literature, and liberation in South Africa.

Race, Gender, and Liberation

Osnabrücker Beiträge zu Literatur und Medienkultur

Postdigitale Ästhetik

Heresy, Sedition and Political Pathologies in the XVIth century

Social Diseases

Companion to Central and Eastern European Humanism / Hungary

Bloomsbury Studies in Systemic Functional Linguistics

Australian Stories

Languages of Australia’s First Peoples in Narrative

"This book traces the development of Pushkin's heroines from his youthful Southern Poems to his last published work The Captain's Daughter, placing them within the context of the author's dominant genre models and his own life circumstances"-- Provided by publisher.

Freedom in a Female Frame

Pushkin's Heroines and the Life-Art Connection

Humanidades Digitales y Big Data en Iberoamérica / Digital Humanities and Big Data in Ibero-America

Literature, Theory and Big Data

On Music, Grief and Birdsong

Quartet for the End of Time

With over 40 years' experience in magic and as one of only a handful of professional magic teachers worldwide, Justin Higham is in a unique position to write about the challenges magicians face in learning and performing magic. This book offers valuable insights into why magicians find it hard to perform impromptu: why they forget their tricks and why things so often do not pan out as expected. ‘I have learned the trick, the method, the patter, the misdirection, so why is it not working for me? Drawing from over 3500 individual magic lessons given by Higham over the past 12 years, this guide will help the intermediate student reach their goal of becoming an authentic, spontaneous and confident magician. The real secret as revealed here is to master magic through improvisation.

Mastering Magic Through Improvisation

Intuitive Magician, The

Afrikaans Art Song Literature

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