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Roberts S: 52 Writing Prompts

52 Writing Prompts

Inspiration for the Creative Writer

A creative masterclass for aspiring and established writers alikeAfter decades of writing award-winning books on subjects ranging from poetry to art to liturgical seasons, celebrated author Marilyn McEntyre turns her attention to the vocation that has shaped her life. Start with a Word: On the Craft and Adventure of Writing is a literary masterclass that eschews drills and formulas in favor of close readings and refreshingly playful advice.A veteran teacher, Marilyn understands that the best writing instruction doesn't come from rigid rules or rote approaches to filling the blank page. Instead, she demonstrates how the writers whose works we have enjoyed can become our tutors. She calls us to move beyond asking "What does this text say?" to a more revealing question: "How does this text work?" This shift in perspective--from passive consumption to active apprenticeship--transforms how we encounter literature and how we create it.More than a how-to manual, Start with a Word is an invitation into a way of being that honors both the precision and the mystery of words. It offers short lessons on essential elements of literary craft, close readings of passages from a range of works, writing prompts, and, above all, encouragement for authors to find their unique path into work only they can create. "Reading and writing keep alive in us the desire to be precise, lively, surprising, generous, inviting, challenging, wise. They make us want to be good, if only in the sense that choosing exact and appropriate words is a matter of choosing the good. . . . I don't think you can be an excellent writer without developing some virtues, if only fidelity to a practice that honors the gift of language."

On the Craft and Adventure of Writing

Start with a Word

“Truth Is the Arrow, Mercy Is the Bow is one of the best books on writing I’ve ever read. It’s also the funniest by a country mile.” —Richard Russo, author of the North Bath trilogy The long-awaited craft book from Steve Almond, based on three decades of writing, failing, and trying again. In Truth is the Arrow, Mercy is the Bow, Steve Almond shares the insights gleaned from three decades as a beloved teacher and mentor, and a considerably less-beloved literary rabble rouser. His tone is irreverent. His ideas are iconoclastic. And his approach is stubbornly, radically, empathic. The goal is to explode the well-meaning but misguided myths that hold us back from writing our deepest and most honest work, to awaken the joys of storytelling while also confronting how grueling the process can be. Truth features chapters on plot, character, and chronology, but travels far beyond the earnest aims of most creative writing books, with essays about humor, sex, obsession, and writer’s block, as well as prompts to generate new work and a rollicking Frequently Asked Questions section. You’ll never think about writing the same way again.

A DIY Manual for the Construction of Stories

Truth Is the Arrow, Mercy Is the Bow

Poetry is part of our lives. Any avid reader of Lorca, Neruda, or Miguel Hernández knows this well, but it is also intuited by those who, out of ignorance or excessive respect, believe that this is a forbidden territory for them. This book by Carmen Ramos aims to demonstrate, on the contrary, that anyone with a minimum of sensitivity and training can write poetry and thus enjoy an extremely enriching experience, capable of transforming us and making us more empathetic and fulfilled people. The author has brought together a series of practical exercises whose effectiveness and usefulness have been demonstrated in numerous workshops. Hence, the language used is simple and informal. The teaching approach contained here is far removed from academicism and literary theories, making the practice of poetry accessible to readers of all levels of education. The aim is simply to help those who are new to writing poetry, but also those who are familiar with it and need a little motivation, because, as Ramos points out, the act of writing does not flow in the same way over time, and periods of great productivity are often followed by less fruitful ones. Both novices and experienced writers will find this book a valuable and inspiring stimulus.

MANUAL DE ESCRITURA POÉTICA

A radically liberating collection of essays, ideas and approaches to writing and teaching poetry

Do It Wrong is a short, snappy series of provocations and suggestions designed to help poets think outside the box and foster creativity.

It’s a permission slip to take a path others reject, to do the counter-intuitive thing, to embrace the weird.

It's a guidebook designed to bring poets together, to question our assumptions, and to move past the “business as usual” educational models into the new, the strange, and the “wrong.”

And it's a playful, purposeful contribution toward the building of stronger, more resilient writing communities.

For readers of Beth Pickens’s Make Your Art No Matter What and Austin Kleon’s Steal Like an Artist, Derek Beaulieu distills 20 years of experience teaching creative writing into a joyfully mischievous manifesto on how to write and teach poetry with meaning.

How to Be a Poet in the Twenty-First Century

Do It Wrong

WINNER OF THE CRAFT CATEGORY, THE MEMOIR PRIZE 2025If you want to get your manuscript published, read this book.&nbsp;There's no secret handshake or golden key in these pages, but Imagine a Door offers a more equitable and empowering prize: information delivered with gentleness. Author and publisher Laura Stanfill started working on this project in 2016, ultimately interviewing more than seventy-five authors and industry experts, including Wendy Chin-Tanner, Tove Danovich, Omar El Akkad, Erin Harris, Ari Honarvar, Juhea Kim, Dan Lazar, Fonda Lee, Emme Lund, Daniel A. Olivas, Rosanne Parry, Keith Rosson, Amy Stewart, Sonja Thomas, Addie Tsai, and Lidia Yuknavitch.&nbsp;Is a writing routine worthwhile? How do you pinpoint the why behind your storytelling? What exactly is distribution? Can we reframe success in a less capitalistic way than defining it by sales numbers? While prioritizing genuine community over platform building, Imagine a Door intersperses case studies, sidebars, and checklists with personal stories about writing, revising, and the emotional complexities of sending your work into the world. Foreword by Beth Kephart, author of Handling the Truth.

A Writer's Guide to Unlocking Your Story, Choosing a Publishing Path, and Honoring the Creative Journey

Imagine a Door

An ideal supplemental text for courses in creative writing, professional development, leadership studies, management studies, and publishing, with strategies for leadership- and community-building within academia and beyond its boundaries. This book offers a practical guide to building community, fostering collaboration, and inspiring generosity through the creative arts. This collection of original essays features an accomplished roster of contributors with backgrounds in diverse fields, including literary translation, magazine editing, publishing, higher education, and curriculum design. By featuring successful writers who represent such a wide range of skillsets and career paths, this book helps students envision themselves as leaders in the university and well beyond its boundaries. In a cultural moment where graduates often seek meaningful careers outside of academia, this essay collection also offers an introduction to alt-ac career paths and the unique opportunities for effecting social change in these roles. Focusing on techniques that have broad applications for high school teachers, nonprofit leaders, community outreach organizations, and college classrooms, each chapter includes an original essay from a contemporary writer, editor, or nonprofit leader in the arts, culminating in a set of exercises for individuals and groups, which focus on empathy, citizenship, and community stewardship. Contributors include Traci Brimhall, Chris Campanioni, Wendy Chen, Kristina Marie Darling, Ming Lauren Holden, John James, Dean Rader, and Zach Savich.

Conversations with Writers about Community

Open House

Los principios básicos y los formatos en la Literatura Infantil y Juvenil. Los temas y sus personajes. La acción, la estructura, la tensión. El juego como herramienta creativa. Los géneros y los límites. El humor y la fantasía. Aventuras para todas las edades. La realidad vista por los niños.
Estos son solo algunos de los temas que Chiki Fabregat recorre en este manual (acorde al temario de los cursos oficiales de Escuela de Escritores), pensado para quien quiera internarse y obtener las mejores herramientas del fascinante, arriesgado, complejo y hermoso mundo de la Literatura Infantil y Juvenil, además de desterrar los mitos más comunes que circulan sobre ella.
Los niños, los adolescentes, son los lectores más fieles que un escritor puede encontrar, pero también los más críticos. La literatura que se escribe para ellos no admite rebajas en la calidad ni en la dedicación. Y en este manual aprenderemos cómo hacerlo.

Escribir Literatura Infantil y Juvenil

“Conversational essays on wonder . . . A&nbsp;meditation on what gives life meaning. . . . A loving sermon on the rewards of children’s books.”&nbsp;―Kirkus Reviews Make Believe is bestselling children’s author Mac Barnett’s rallying cry for art and imagination, and a celebration of the power of storytelling in all our lives. It’s anincisive, intimate, and timely invitation to approach children’s literature not only as an art form worthy of deep study and criticism, but as a portal into the lives of the children.&nbsp;Incisive, intimate, and timely invitation to approach children’s literature not only as an art form worthy of deep study and criticism, but as a portal into the lives of the children. And at a time when we are faced with a national literacy crisis,&nbsp;he&nbsp;champions the profound joys of literature and the importance of reading for pleasure. What if children are a great audience for art? What if they are in fact better equipped to engage deeply with stories than adults? What if humans’ ability to appreciate art is, if not innate, awakened early in childhood? Well, then we’d better do our best to make some good kids’ books. Written with humor and academic rigor, Make Believe&nbsp;reads like a letter from your smartest and funniest friend. &nbsp;

On Telling Stories to Children

Make Believe

CE Mackenzie's Achy Affects is a trans-genre memoir that boldly reimagines how we care for ourselves and our communities amidst relentless cultural, political, and ecological upheavals. It feels like we're teetering on the edge of unprecedented crises. In the midst of this, as we wrestle with burnout and exhaustion, capitalism demands we push harder, achieve more, and become better. Mackenzie offers a radical alternative: give up the goal and just feel. Organized into four key emotions--wonder, shame, shyness, and nostalgia, with a final meditation on ache itself--Achy Affects confronts the simplistic idea that feelings are either "positive" or "negative." This tired binary demands we rehabilitate the bad into the good, whether or not this rehab is ethical, or even desirable. Instead, by tuning into the feeling of ache, we can resist these pressures and reclaim our agency through compositions of our own making. In the spirit of public intellectuals like Maggie Nelson and Julietta Singh, Mackenzie weaves their personal experiences of crisis--divorce and coming out, working in drug outreach, top surgery, new parenthood, and traversing the Alaskan tundra--into a nuanced exploration of ache. Through this lens, Mackenzie invites us to live alongside pain, not as something to be fixed, but as something to be understood without judgment or expectation.

Crisis and Compositions of Selfhood

Achy Affects

A perfect gift for a writer, artist, or thinker These have been called the most famous and beloved letters of the 20th century. Rainer Maria Rilke himself said that much of his creative expression went into his correspondence, and here he touches upon subjects that will interest writers, artists, and thinkers. Letters to a Young Poet is a classic that should be read by everyone who dreams of expressing themselves creatively. This luminous translation offers inspiration to all people who seek to know and express their inner truth. This edition features a new foreword by Kent Nerburn, author of Small Graces and Letters to My Son.

Letters to a Young Poet

What is the sound of story?Voice in writing can seem elusive and hard to define. It’s more than just style it’s rhythm, energy, attitude, and the unique fingerprint of a narrator or character. Voice is shaped by culture and history as much as the mechanics of language.&nbsp;In The Sound of Story, author and writing teacher Jordan Rosenfeld demystifies voice and its close companion, tone, offering writers the tools to develop and refine their own. Through contemporary examples, this book explores how syntax, point of view, emotion and more shape voice on the page.Whether you’re crafting fiction or nonfiction, this book will help you shape and refine voice to create compelling, authentic narratives. The Sound of Story empowers writers to wield voice and tone with purpose, increasing their chances of publication, and delivering a compelling story that leaps off every page.Sibylline Press is proud to announce its new imprint, Sibyl Writing Craft, dedicated to providing definitive titles on writing craft and the book business for writers.

Developing Voice and Tone in Writing

The Sound of Story

Complete Fiction

52 Writing Prompts

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