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"Take the body and split it wide open. Fill it with light. See the multiple interiors, the layered death, the familial mythology, the throb and splendor of being, the shedding of the body altogether: this is fox woman get out!"--

Take the body and split it wide open. Fill it with light. See the multiple interiors, the layered death, the familial mythology, the throb and splendor of being, the shedding of the body altogether: this is fox woman get out!&nbsp;&nbsp;Traveling from the corporeal to the cosmic, from life to death and back again, fox woman get out!&nbsp;is a full-throated performance of humanity in search of truth, ancestry, and artistic authenticity. Moving through themes of lineage, twinship, femininity and masculinity, reclamation of Indigeneity, dance, gender roles, and longing, González’s poems are a crescendo on the page.&nbsp;Part ecstatic elegy, part spell, this is a betwixt poetics, a kaleidoscopic, disruptive, and meditative work.

González I: fox woman get out!

fox woman get out!

Poems for Gardeners

A history of Black poets in Washington, DC, reveals how they have reflected and transformed American cultural discourseWashington, DC, has long been home to a dynamic and vibrant African American literary community, despite often being overshadowed by the literary worlds of New York and Chicago. In No More Worlds to Conquer, the local poet Brian Gilmore uncovers the buried legacy of Black poets in Washington. He traces the literary life and politics of Black poets in the nation's capital since Paul Lawrence Dunbar, showing how well-known American poets, such as Sterling Brown and Jean Toomer, were mentored in DC by poets like May Miller and Georgia Douglas Johnson and making the case for the city as a center of American literature.Gilmore draws on meticulous research, personal interviews, and his own deep knowledge of the local literary community to connect generations of writers and document a poetic community that transcends Washington. He reveals the intricate intersections, networks, and influences that have shaped the city's poets and how they have influenced American poetry for a century.More than a historical account, No More Worlds to Conquer is a personal exploration that bridges the past and the present. Gilmore, who was born and raised in DC, illuminates this history and reflects on his own place in its literary tradition. This multigenerational account will resonate with poetry enthusiasts, local DC scholars, and anyone interested in the rich traditions of African American literature.

The Black Poet in Washington, DC

No More Worlds to Conquer

NATIONAL BESTSELLERThe #1 bestselling and beloved poetry anthology, now in paperback!“Whoever you are, you will find yourself and your own world in the expansiveness of this collection.” &nbsp;–Margaret Renkl,&nbsp;New York Times“A lovely book to take with you to read at the end of your next hike.” –Los Angeles TimesPublished association&nbsp;with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.&nbsp;&nbsp;In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about “nature poetry,” illuminating the myriad ways our landscapes—both literal and literary—are changing.You Are Here features fifty previously unpublished poems from some of the nation’s most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author’s local landscape—be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop—offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what “nature” and “poetry” are today, inviting readers to experience both anew.

Poetry in the Natural World

The Lyric Poems of Xin Qiji

If a Mountain Lion Could Sing

The first major and only available collection from John Farris, a seminal Black voice in downtown New York City poetry, featuring his final poems transcribed and in manuscript form, along with the self-portraits and drawings he made at the same time. "Here! This book proves it! John Farris reigns! All hail the Poet Laureate of the Lower East Side!" —BOB HOLMAN "John Farris' poetry masterfully demonstrates the unifying principles of jazz improvisation and poetic transcendence." —DAVID HENDERSON “The muses themselves draw inspiration from John Farris.” —DARIUS JAMES “There is a hidden blessing in knowing John Farris… deeply hidden.” —DAVID HAMMONS “I’ve only heard John Farris’ poems read to me by the poet himself, late at night, out on the street—poems pulled from his pockets and fresh from his head, dissolving beautifully into the darkness. And now I have them in my hands!” —JIM JARMUSCH John Farris (1940–2016) was the ultimate gadfly of the New York poetry scene, a universally known and revered genius. Author of the small press novel The Ass’s Tale (Autonomedia, 2010) and poetry collection It’s Not About Time (Fly By Night Press, 1993), these Last Poems are his first widely available works. A collection of drawings along with facsimile and transcribed poems from the end of his life, these documents were unearthed by AE founders Nicodemus Nicoludis and Chris Molnar (who lived next door to Farris during the last years of his life) along with the artist Andrew Castrucci, who co-founded the Bullet Space Urban Arts Collective. It’s a profound monument to a poet who resolutely lived on the margins, and whose voice is all the more important because of it. It’s some of his best work, short and elegiac but with the unexpected wit and sharpness and kaleidoscopic frame of reference typical of Farris. This is the first collection of many that doubtless will appear from his unpublished, uncollected work, a lifetime’s worth written in defiance of the bullshit, searching for the real unwritten truth—as one poem goes, in its entirety: some- thing’s out there- aft (her the uni- verse). The verse is yet.

Last Poems

Poems for Happiness

The poems in Fuel pick at the weave of oil-soaked world orders to interrogate the ways capitalist death-drive seeps into our unconscious lives. <div>Traversing multivalent intimacies from the underworld of California’s Central Valley oil fields to the quotidian domestic and love’s painful retraction, Stockton’s poems articulate the blurry modes of extraction, fantasy, loss, gender, and labor as they interact and overlap in the shadow of environmental and personal collapse. Between gas station gifts, Venmo requests, and nocturnal love letters, Fuel unravels the self and violent systems of domination, longing for a togetherness that transcends its own ending.</div>

Fuel

Experimental poet and translator Mónica de la Torre’s new collection is a document of both the events of 2020 and the process of a poet rethinking artistic practice as she tracks subtle shifts in her experience during multiple global crises.As the world shuts down, Mónica de la Torre’s poems become gregarious sites of encounter—homages to connections lost and new bonds forged. Shuttling between lyrical and experimental modes, the poems in Pause the Document challenge linear notions of time by looping the temporalities of dreams, art, the natural world, emotion, and odd encounters under extraordinary circumstances. Richer and more playful than straightforward records, these poems are portals into the intangible dimensions of daily life.&nbsp;&nbsp;

Experimental poet and translator Mónica de la Torre’s new collection is a document of both the events of 2020 and the process of a poet rethinking artistic practice as she tracks subtle shifts in her experience during multiple global crises.As the world shuts down, Mónica de la Torre’s poems become gregarious sites of encounter—homages to connections lost and new bonds forged. Shuttling between lyrical and experimental modes, the poems in Pause the Document challenge linear notions of time by looping the temporalities of dreams, art, the natural world, emotion, and odd encounters under extraordinary circumstances. Richer and more playful than straightforward records, these poems are portals into the intangible dimensions of daily life.&nbsp;&nbsp;

Pause the Document

From renderings of sea creatures to maps of ancient battles, Olstein’s latest collection engages the archive, transforming what it reveals about the body, language, and time. A collection of three collage-, cutout, and erasure-based poems, Distinguished Office of Echoes leans into the intersection of word and image, exploring the revelatory language they make together. Each sequence uses an antique reference book as its source text: an 1865 study of marine invertebrates becomes an exploration of physical death and the disorientation of sudden loss; an 1865 proto-medical textbook journeys into the eerie dislocations of illness; and a 1905 primer on ancient Greek history investigates human and geologic time, time of war versus the time of rivers. Olstein brings a combination of reverence and irreverence, wit and tenderness to these archival texts—their taxonomies and lexicons, assumptions and elisions—casting a feminist gaze on outdated histories while discovering new intimacies in their midst. Charged with the magnetic pull of material fascination, each poem enters into and reinvents the realm of its source, undertaking a practice of excavation, collaboration, and transformation to reimagine the field of the page while reconsidering what it means to examine and to be examined.&nbsp;

Distinguished Office of Echoes

Ecopoetics of Community and Justice

Tendrils

"A collection of poems by Alberto Râios"--

Every Sound Is Not a Wolf

Yale Series of Younger Poets

The 119th winner of the Yale Series of Younger Poets prize places science at the heart of his powerful poems

Bees, and After

fox woman get out!

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