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Taylor Sean: Five Little Friends: A
Collection of Finger Rhymes

Five Little Friends: A Collection of Finger Rhymes

PAW Patrol Playtime Pups: A Carry-Along Board Book

TERROR COUNTER&nbsp;is a debut collection of poems which acts against the many languages—interpersonal, legal, literary, rhetorical—constricting the lives and meanings of Palestinians. It moves through sections of varying experimentalism, from an invented visual form (the Gazan Tunnel) to all-caps queer ecstatic, attempting to carve out a space for the negotiation of an alternative subjecthood. The voices in this collection are driven by despair, futility, utopia, vulnerability and the spirit of a collective liberation; they move in search of a lyrical voice which can inhabit both the paranoid preservationist mode that facilitates Palestinian survival, and the imaginative possibilities that might make possible Palestinian life. TERROR COUNTER asks: where and how might a Palestinian subject escape the public consumption of American letters? And, ultimately, how can we continue to love each other amidst the endless terror of the colonial world?

TERROR COUNTER

Vital Poems from Global Majority Writers

Nature Matters

Feelings & Firsts

Won't Go!

The Art of Falling in Love Again is the highly anticipated second collection from poet and internet personality Franny Arrieta that speaks on heartbreak and resurfacing after pain with vulnerably and unbreakable hope. Franny Arrieta has made a name for herself as a poet and creator who speaks openly on the universal experiences of heartbreak and the courage it takes to love in a world of opposition. Relatable in its vulnerability, and guided by Franny's gentle and soothing words, The Art of Falling in Love Again takes readers on a deep dive into the struggles of falling in love again--with someone new and with yourself--and the rollercoaster of emotions we all face along the way from heartbreak to healing. The Art of Falling in Love Again is an earnest reminder that it's okay to not be okay after experiencing deep pain; It's okay to have a heart half full or not full at all; It's okay to feel completely broken and unrecognizable. And even if it feels like it never will, love will find you, and you will fall again.

The Art of Falling in Love Again is the highly anticipated second collection from poet and internet personality Franny Arrieta that speaks on heartbreak and resurfacing after pain with vulnerably and unbreakable hope.

The Art of Falling in Love Again

A Poetry Book Society Recommendation Shortlisted for the Forward Prize for Best First Collection Shortlisted for the T. S. Eliot Prize for Poetry'Fizzing with insistent energy . . . full of crystalline images and metaphors . . . Frears is excellent on sexual politics, the end of girlhood' Guardian Ella Frears's debut is a collection of wry, vivid poems whose power lies in their intimacy. They are as insistent as they are circumspect, drawing close to the reader's ear and bringing them into confidence. The engine of Shine, Darling is one of strength, of fortitude in confronting and surviving the world, of a lifted-chin audacity - 'There was pain,' the speaker allows, 'but it was not new pain.' Frears's work is world-weathered rather than world-weary, delighted by service stations, fucking on bins in Cornwall, in constant communion with the moon. It lives for the power-play of people, of the pull of the sea, the smoky air - 'Stormy, sticky with flies' - and tangled underbrush where the land ends. Her characters test each other, experimenting with the boundaries of physical violence, of punishment, of traps, all the while drawing the reader into a complicity that gives these poems all their daring, electrifying muscularity. In Shine, Darling, the desire to expose and disclose wrestles with defence and defiance. The result is exhilarating, a 'glorious full-bodied' debut collection with the draw of an adamant tide.

Ella Frears' wry, vivid debut collection, shortlisted for the Forward Prize for Best First Collection and the T. S. Eliot Prize for Poetry.

Shine, Darling

Bloomsbury Studies in Philosophy and Poetry

Carefully considering the difference in the philosophical potential of page poetry and performance poetry, Karen Simecek argues that it is only by considering them side by side that the unique cognitive value of each can be realised.
 
 Focusing on spoken word poetry reveals the importance of voice and embodied words to the differing epistemic rewards of engaging with contemporary works of poetry in both private reading and live performance. This concept of embodied voice progresses a new line of thinking in the cognitivism debate and unlocks the philosophical value of engaging with poetry. Simecek's discussion of performed poetry also advances discussions of affect and experience in contemporary analytic aesthetics which raise new insights and connections within the field.
 
 The moral significance of the differing effects of poetry finds comprehensive articulation through a rich philosophical analysis of the thoughts and affects which arise in particular contexts. Simecek concludes that when page poetry is treated as paradigmatic, this enables reflection in the singular, whereas taking poetry in live performance as paradigmatic enables reflection on what is shared and shareable with others.

Carefully considering the difference in the philosophical potential of page poetry and performance poetry, Karen Simecek argues that it is only by considering them side by side that the unique cognitive value of each can be realised.
 
 Focusing on spoken word poetry reveals the importance of voice and embodied words to the differing epistemic rewards of engaging with contemporary works of poetry in both private reading and live performance. This concept of embodied voice progresses a new line of thinking in the cognitivism debate and unlocks the philosophical value of engaging with poetry. Simecek’s discussion of performed poetry also advances discussions of affect and experience in contemporary analytic aesthetics which raise new insights and connections within the field.
 
 The moral significance of the differing effects of poetry finds comprehensive articulation through a rich philosophical analysis of the thoughts and affects which arise in particular contexts. Simecek concludes that when page poetry is treated as paradigmatic, this enables reflection in the singular, whereas taking poetry in live performance as paradigmatic enables reflection on what is shared and shareable with others.

The Cognitive Value of Page and Performance Poetry

Philosophy of Lyric Voice

Guess Who?

The perfect gift for Valentine's Day with animal friends to meet behind each door. Join all the animals in the woods as they give gifts to one another on this special occasion.

Guess Who? I Love You!

Picture Kelpies

Granny returns from her trip to Scotland with an increasingly absurd collection of gifts for the family in this hilarious Scottish twist on the popular memory game, with lively illustrations that are full of character and fun.

My Granny Went to Scotland and she brought back

Look, Baby, Look!

Look, Baby, Look! At Home

Excelsior Editions

From the sanctuary of her one-hundred-and-twenty-acre horse farm in the upper Susquehanna River Valley, essayist and poet Christine Gelineau takes stock of what it means to care for a farm, a nation, a planet--a home--and of how the stories we tell impact our lives.

A Murmuration

Almanac

Five Little Friends: A Collection of Finger Rhymes

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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