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Ruzhnikov A: Fauxbergé

Fauxbergé

Forgery, Fakery and Fabergé

In the heart of New York City, where the glittering lights mask shadows of deception, Halston Graham is about to attempt the impossible. A newly unveiled Picasso, hidden for a century in a dusty French attic, is set to be auctioned at the prestigious House of Echelon. And Halston has a cunning plan. One that could secure millions for her future, and freedom for her wrongly imprisoned father. But to pull off the heist of the century, she must assemble an unlikely team: a master forger, a ruthless Bulgarian mob boss with his own agenda, and an eccentric fashion designer whose flair for the dramatic might be their only ticket into the elite circles of the art world. In a game where trust is a luxury and failure is not an option, will Halston's brilliance be enough to outsmart her enemies and secure her freedom?_________________________________PRAISE FOR JAMES PATTERSON'It's no mystery why James Patterson is the world's most popular thriller writer ... Simply put: nobody does it better.' JEFFERY DEAVER'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades.' LEE CHILD'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.' MICHAEL CONNELLY'James Patterson is The Boss. End of.' IAN RANKIN'Patterson knows where our deepest fears are buried ... there's no stopping his imagination' NEW YORK TIMES BOOK REVIEW'Patterson is in a class by himself' GUARDIAN'The master storyteller of our times' HILLARY RODHAM CLINTON'One of the greatest storytellers of all time' PATRICIA CORNWELL

The Picasso Heist

"The Forger's Creed is the first comprehensive study of forgery practices in early modern China and the underlying cultural, social, and genealogical anxieties that produced this plethora of fabricated texts, forged paintings, and fictitious art histories. J. P. Park's groundbreaking book highlights the ways in which fabrications become legitimate."—Wu Hung, author of Contemporary Chinese Art "The Forger's Creed is a delightful and instructive book that takes a central problem of art history, especially Chinese art history—forgery—and comes at it from surprising directions, turning what we might be tempted to regard as something simple and familiar into something complex and intriguingly unfamiliar. Writing with considerable style and verve, Park brings us inside the issue with insight and grace. This book will be essential reading in the field of Chinese art."—Timothy Brook, author of Great State: China and the World "Based on meticulous reconstruction of a wholesale forgery of an old master painting catalogue and the accompanying invented paintings in seventeenth-century China, Park's study reveals unexpected connections between blatant forgery, creative artistic imitation, early modern Chinese art discourses, and modern art history."—Richard Vinograd, author of Facing China: Truth and Memory in Portraiture "Moving with confidence between the individual artwork and the big picture, this highly readable account of an occasionally astounding project of virtuoso forgery tells us much that is new, and profound, about Ming China, its anxieties, and its aspirations."—Craig Clunas, author of Chinese Painting and Its Audiences

The first in-depth look at the history and legacies of forgeries in Chinese art. &nbsp; In 1634, scholar-official Zhang Taijie (b. ca. 1588) published a book titled&nbsp;A Record of Treasured Paintings&nbsp;(C. Baohui lu), presenting an extensive catalogue of a purportedly vast painting collection he claimed to have built. However, the entire book is Zhang's meticulously crafted forgery; he even forged paintings to match the documentation, and profited from trading them. Furthermore, the book intriguingly mirrors unfounded art-historical claims of its time. Prominent figures like Dong Qichang (1555–1636) made entirely fabricated arguments to assert legitimate lineages in Chinese art, designed to create a fictionalized history shaped by preferred beliefs rather than reality. &nbsp; While presenting the first comprehensive exploration of various forgery practices in early modern China—fabricated texts, forged paintings, and fictitious art history—The Forger's Creed&nbsp;examines the cultural, social, and genealogical desires, anxieties, and tensions prevalent in early modern China. Through thorough scrutiny of the historical irregularities introduced by these forgeries, J. P. Park highlights a peculiar and paradoxical phenomenon wherein forgeries transform into legitimate materials across Chinese history.

Reinventing Art History in Early Modern China

The Forger's Creed

The story of two watchmakers who established a luxury watch brand and in only a few years created some of the most innovative, refined and sought-after timepieces in the world. This is the untold story of how two rebellious master watchmakers, Robert Greubel and Stephen Forsey, learned their craft, met, established a brand, and in a few years created some of the most astonishingly beautiful and mechanically sophisticated timepieces ever made. Today they are recognized as the makers of the most uncompromising designs in the world. The two men met in early 1992 at Renaud et Papi, a hothouse of new watchmaking ideas in Le Locle in the Swiss Jura Mountains. They teamed up and launched Greubel Forsey in 2004 in La Chaux-de-Fonds, Switzerland, refusing to accept that everything had already been invented in watchmaking. Going against the grain, they focused their energy on uncompromising innovation and the most difficult elements of hand finishing, bringing back a level of excellence that would rival the eighteenth- and nineteenth-century masters. Greubel and Forsey are responsible for many inventions that have advanced watchmaking expertise to new levels as well as creating thirty unique and original calibres since 2004.

The Art of Invention

Greubel Forsey

From the watch that helped US soldiers win World War II to the first watch on the moon, the world's most expensive watch to the timepiece that almost destroyed the Swiss watchmaking industry, each entry offers an intimate portrait of why each watch deserves its place in history. The remarkable stories cover the globe and beyond, featuring Hollywood royalty, actual royalty, daring adventurers, war heroes, legendary designers and engineers, and much more. It's a beautifully illustrated window into the watch industry and one that readers are sure to love spending time with.

Over 30 fascinating stories about some of the world’s most coveted watches, the stories behind them and the people who wore them.

& Their Incredible Stories

Iconic watches

"Introduces legal and ethical issues impacting artists, art collectors, dealers, and museums in today's international art markets. Highlights key international treaties and statutes, judicial decisions, and excerpts from scholarly and other publications to make legal and ethical issues in the world of the visual arts accessible and understandable"--

Introduces legal and ethical issues impacting artists, art collectors, dealers, and museums in today's international art markets. Highlights key international treaties and statutes, judicial decisions, and excerpts from scholarly and other publications to make legal and ethical issues in the world of the visual arts accessible and understandable.

Law, Ethics, and the Visual Arts

Eine Familiengeschichte im 20. Jahrhundert

DAS HAUS KOERFER

"An examination of the modern cultural mythology of Leonardo da Vinci that sheds light on the intersections of the academy, the commercial art world, and ideas about attribution and authorship"--

How our image of the Renaissance’s most famous artist is a modern myth Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo’s life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value. In this original and provocative book, Campbell examines the strangeness of Leonardo’s words and works, and the distinctive premodern world of artisans and thinkers from which he emerged. Far from being a solitary genius living ahead of his time, Leonardo inhabited a vibrant network of artistic, technological, and literary exchange. By investigating the politics and cultural tensions of the era as well as the most recent scholarship on Leonardo’s contemporaries, workshop, and writings, Campbell places Leonardo back into the milieu that shaped him and was shaped by him. He shows that it is in the gaps and contradictions of what we know of Leonardo’s life that a less familiar and far more historically significant figure appears.

An Untraceable Life

Leonardo da Vinci

First made and worn 120,000 years ago, beads were originally made of natural materials -- stones, shells, wood -- and have been used for adornment, currency and burial offerings. Trade beads of polished stones and shells have a history thousands of years old, but the first glass beads were made in Egypt. They were meant to be cheaper mimics of precious stones. A thriving glass bead manufacturing industry began in Murano (Venice) in 1291, and the trade spread to Holland, Bohemia and Moravia (Czech) and Germany, and traders brought them to Africa to trade for gold, ivory and spices. To this day, glass beads are prized in West Africa, and the antique beads shown in this book were once very common but are now quite scarce and coveted by collectors around the world. This beautiful book documents early-style beads made of cowrie shells, semi-precious stones and clay, and then shows in splendid detail hundreds of beads made of glass and other human-made materials that have been made by Europeans and Africans and traded for the last 600 years in Central and East Africa. Each is identified as to its origin and manufacture and approximate date. Covering shells, "Konon" (glass beads) and some contemporary beads, African Trade Beads' heart is "Konon" or Venetian trade beads that used to be easily found in his home country but are now scarce. Each is from the author's own collection and was obtained from rural Mali -- but they originated in many African countries and hundreds of years of trade brought them in wide ranges and mixtures, instead of their original uniformity.

Their 10,000-Year History

African Trade Beads

The al-Sabah Collection

"Dar al-Athar al Islamiyyah - The al-Sabah Collection, Kuwait."--Title page.

Metalwork from the Arab World and the Mediterranean

Routledge Focus on the Global Creative Economy

This shortform book analyses transformation in the arts as a result of this era of polycrisis.

Analysing the Impact of the Covid-19 Pandemic

Global Crisis and the Creative Industries

From Christian Dior's 'New Look' to Maria Grazia Chiuri's dazzling tenure as Creative Director, this unique volume explores the colourful history of the luxury monolith that is the house of Dior.

From Christian Dior's 'New Look' to Maria Grazia Chiuri's dazzling tenure as Creative Director, this unique volume explores the colourful history of the luxury monolith that is the house of Dior.

Dior For Ever

Fauxbergé

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Bibliografische Angaben

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