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Bismarck Helene von: Fantastic Kingdom

Fantastic Kingdom

A Stranger's Notes on a Contrary Country

For Valour

For Valour: The Complete History of the Victoria Cross is the first definitive reference detailing every winner of the Victoria Cross, the highest award in the British military honor system, awarded for gallantry in the face of the enemy. This book is the fourth of eight volumes to be published in association with the Victoria Cross Trust. Each volume is divided into two parts. Part one, "Wars, Battles &amp; Deeds," contains descriptions of each war and battle or engagement that involved deeds resulting in the awarding of a Victoria Cross. The deeds are described within the context of the war and battle during which they occurred. Part two, "Portraits of Valour," presents a biography of each recipient of the Victoria Cross. In this offering, Volume Four covers the Colonial Wars from 1896-7. This volume also includes a foreword by Lord Ashcroft, who owns the largest collection of Victoria Crosses, and are part of a limited edition print run numbered 1 to 500.

The Victorian Wars from 1896

For Valour The Complete History of The Victoria Cross Volume Four

Lettre

Mediale und transkulturelle Kontexte in Leben und Werk Otfried Preußlers

Zu Hause in vielen Welten

The Voices of Queer Britain and the Helpline that Listened to Them

The Log Books

Rediscovering Britain’s Forgotten Trails And The People Who Walked Them

The Postal Paths

Activism Without Annoying Everyone Around You

How Not to Save the World

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

Fantastic Kingdom

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