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Anonymous: Famous Orations: Masterpieces
of the World's Greatest Orators, Ancien

Famous Orations: Masterpieces of the World's Greatest Orators, Ancient and Modern; Volume 8

Poetry is part of our lives. Any avid reader of Lorca, Neruda, or Miguel Hernández knows this well, but it is also intuited by those who, out of ignorance or excessive respect, believe that this is a forbidden territory for them. This book by Carmen Ramos aims to demonstrate, on the contrary, that anyone with a minimum of sensitivity and training can write poetry and thus enjoy an extremely enriching experience, capable of transforming us and making us more empathetic and fulfilled people. The author has brought together a series of practical exercises whose effectiveness and usefulness have been demonstrated in numerous workshops. Hence, the language used is simple and informal. The teaching approach contained here is far removed from academicism and literary theories, making the practice of poetry accessible to readers of all levels of education. The aim is simply to help those who are new to writing poetry, but also those who are familiar with it and need a little motivation, because, as Ramos points out, the act of writing does not flow in the same way over time, and periods of great productivity are often followed by less fruitful ones. Both novices and experienced writers will find this book a valuable and inspiring stimulus.

MANUAL DE ESCRITURA POÉTICA

A perfect gift for a writer, artist, or thinker These have been called the most famous and beloved letters of the 20th century. Rainer Maria Rilke himself said that much of his creative expression went into his correspondence, and here he touches upon subjects that will interest writers, artists, and thinkers. Letters to a Young Poet is a classic that should be read by everyone who dreams of expressing themselves creatively. This luminous translation offers inspiration to all people who seek to know and express their inner truth. This edition features a new foreword by Kent Nerburn, author of Small Graces and Letters to My Son.

Letters to a Young Poet

Dialoguing, Decentering, and Co-Storying

Intersectionality in Writing and Language Studies

An ideal supplemental text for courses in creative writing, professional development, leadership studies, management studies, and publishing, with strategies for leadership- and community-building within academia and beyond its boundaries. This book offers a practical guide to building community, fostering collaboration, and inspiring generosity through the creative arts. This collection of original essays features an accomplished roster of contributors with backgrounds in diverse fields, including literary translation, magazine editing, publishing, higher education, and curriculum design. By featuring successful writers who represent such a wide range of skillsets and career paths, this book helps students envision themselves as leaders in the university and well beyond its boundaries. In a cultural moment where graduates often seek meaningful careers outside of academia, this essay collection also offers an introduction to alt-ac career paths and the unique opportunities for effecting social change in these roles. Focusing on techniques that have broad applications for high school teachers, nonprofit leaders, community outreach organizations, and college classrooms, each chapter includes an original essay from a contemporary writer, editor, or nonprofit leader in the arts, culminating in a set of exercises for individuals and groups, which focus on empathy, citizenship, and community stewardship. Contributors include Traci Brimhall, Chris Campanioni, Wendy Chen, Kristina Marie Darling, Ming Lauren Holden, John James, Dean Rader, and Zach Savich.

Conversations with Writers about Community

Open House

Make Believe&nbsp;is a book for adults about books for children, a rallying cry for art and imagination, and a celebration of the power of storytelling in all our lives.&nbsp; Mac Barnett, the beloved, bestselling children's author and U.S. National Ambassador for Young People's Literature, urges us to think expansively about the potential of children’s books—and the particular brilliance of young readers: &nbsp; What if children are a great audience for art? What if they are in fact better equipped to engage deeply with stories than adults? What if humans’ ability to appreciate art is, if not innate, awakened early in childhood? &nbsp; Well, then we’d better do our best to make some good kids’ books. &nbsp; Barnett has published more than 60 children’s books, which have been translated into 30+ languages and have sold more than 5 million copies worldwide, winning many international prizes along the way. Make Believe is his incisive, intimate, and timely invitation to approach children’s literature not only as an art form worthy of deep study and criticism, but as a portal into the lives of the children. And at a time when we are faced with a national literacy crisis,&nbsp;he&nbsp;champions the profound joys of literature and the importance of reading for pleasure. &nbsp; Written with humor and academic rigor, Make Believe&nbsp;reads like a letter from one’s smartest and funniest friend.

On Telling Stories to Children

Make Believe

A creative masterclass for aspiring and established writers alikeAfter decades of writing award-winning books on subjects ranging from poetry to art to liturgical seasons, celebrated author Marilyn McEntyre turns her attention to the vocation that has shaped her life. Start with a Word: On the Craft and Adventure of Writing is a literary masterclass that eschews drills and formulas in favor of close readings and refreshingly playful advice.A veteran teacher, Marilyn understands that the best writing instruction doesn't come from rigid rules or rote approaches to filling the blank page. Instead, she demonstrates how the writers whose works we have enjoyed can become our tutors. She calls us to move beyond asking "What does this text say?" to a more revealing question: "How does this text work?" This shift in perspective--from passive consumption to active apprenticeship--transforms how we encounter literature and how we create it.More than a how-to manual, Start with a Word is an invitation into a way of being that honors both the precision and the mystery of words. It offers short lessons on essential elements of literary craft, close readings of passages from a range of works, writing prompts, and, above all, encouragement for authors to find their unique path into work only they can create. "Reading and writing keep alive in us the desire to be precise, lively, surprising, generous, inviting, challenging, wise. They make us want to be good, if only in the sense that choosing exact and appropriate words is a matter of choosing the good. . . . I don't think you can be an excellent writer without developing some virtues, if only fidelity to a practice that honors the gift of language."

On the Craft and Adventure of Writing

Start with a Word

The only Black girl in her immigrant family, Faith Adiele was raised by grandparents who resisted Russian imperialism and embraced American voting rights. With a cast of family members and characters from beloved (or detested) American movies, Voice/Over: A Memoir Breakout in 7 Movies asks who gets to become American and what does it take to be a hero?

A Memoir Breakout in 7 Movies

Voice/Over

A radically liberating collection of essays, ideas and approaches to writing and teaching poetry

Do It Wrong is a short, snappy series of provocations and suggestions designed to help poets think outside the box and foster creativity.

It’s a permission slip to take a path others reject, to do the counter-intuitive thing, to embrace the weird.

It's a guidebook designed to bring poets together, to question our assumptions, and to move past the “business as usual” educational models into the new, the strange, and the “wrong.”

And it's a playful, purposeful contribution toward the building of stronger, more resilient writing communities.

For readers of Beth Pickens’s Make Your Art No Matter What and Austin Kleon’s Steal Like an Artist, Derek Beaulieu distills 20 years of experience teaching creative writing into a joyfully mischievous manifesto on how to write and teach poetry with meaning.

How to Be a Poet in the Twenty-First Century

Do It Wrong

The American Debater

Portable, accessible, affordable, and packed with engaging examples, Crafting Stories is a friendly introduction to writing short fiction. It encourages students to read fiction actively, with a writer's eye, and to approach their own work in a spirit of adventure without sacrificing rigor. It makes the elements of story-craft more engaging to student readers, so that beginning writers can see greater progress reflected in their short stories over the course of a single semester.

Crafting Stories: A Guide to Creative Writing

Requiem for a Redbird is a collection meant to take its readers through five distinct yet interwoven sections; it's a book, in Bush's own words, that is unapologetically both Appalachian and Black. Bush came to sort their work into poems whose main themes begin in Appalachia, end by reflecting on the country as a whole, and thread throughout the complexities of death, intimacy, politics, and faith. According to the author, it is ultimately meant to be a work of joy and hope that points beyond itself: one that subverts the stereotypes of their home region, speaks truth to power, and seeks an open table of reconciliation. Appalachians of every background, minority communities, communities of faith, and anyone disillusioned with our country's political system can find something good, true, and beautiful in this book.

Requiem for a Redbird

A Mollusk Without a Shell: Essays on Self-Care for Writers offers multiple perspectives and vital insights on caring for the artist behind the creative work. Julie Brooks Barbour and Mary Biddinger have compiled a reader-friendly collection of brief essays that address challenges faced by many contemporary writers. Each essayist also includes a writing prompt to help spark inspiration for readers. This volume is ideal for writers at various stages in their careers, from beginners to mid-career writers, and to those returning to the page after time away. Contributors to this volume are Kelli Russell Agodon, Abayomi Animashaun, Emily Corwin, Mixby Dickon, Sarah Freligh, Suzanne Frischkorn, Jeannine Hall Gailey, Charles Jensen, Lee Ann Roripaugh, and Jenny Sadre-Orafai.

Essays on Self-Care for Writers

A Mollusk Without a Shell

Famous Orations: Masterpieces of the World's Greatest Orators, Ancient and Modern; Volume 8

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