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McClure G: Family, Vocation, and
Humanism in the Italian Renaissance

Family, Vocation, and Humanism in the Italian Renaissance

Eighteenth-Century Political Biographies

It is the few, but brilliant, political writings of his English career - including the collection of five pamphlets featuring the character, John Bull - that form the crux of this biography.

It is the few, but brilliant, political writings of his English career - including the collection of five pamphlets featuring the character, John Bull - that form the crux of this biography.

A Political Biography of John Arbuthnot

Feminist Media Histories

Women’s Film History in France, 1927–1978

Archiving the Past

Routledge Advances in Democratic Theory

Art’s obsession with politics is a problem, even a paradox. The more art there is, the less it shares with the political. Even the radical character of contemporary artistic practices revolves around the idea that there are no alternatives to liberal democracy and capitalist pluralism without risking another dystopia – a paradigm that, in the artistic realm, is articulated as the opposition between modernism and postmodernism. Indeed, with three recent transformations of our understanding; of emancipatory politics; the nature of aesthetics; and the post-Fordist transformation of capitalism, many argue that we overcome the fundamental challenges of aesthetic and political modernities and encounter ‘things’ beyond power relations and beyond aesthetics. However, even at its most creative, art has more in common with hegemony than capitalism. At every hegemonic turn, artwork is directed against itself, only to reinstate another art form in order to continue. This book looks at the problem of hegemony from an aesthetical perspective and argues that there is a ‘hegemonic trap’ pointing us in the direction of the alteration rather than alternative. Julia Svetlichnaja asks: Can art become hegemony? What is proposed is not Paolo Virno's ‘exit', it is the ‘exit’ from thinking about the ‘world-making’ in terms of alternative. What if instead of searching for alternatives we perform an alteration and pluralise modernism? The aesthetic project of the alteration of hegemony through the pluralisation of modernism does not represent hope for a better, different, political order but a space for problematisation, overlapping and contaminations of a number of social orders. The idea is to think about the world not in terms of ‘alternatives,’ but in terms of their absence.

Towards Plural Hegemony

The Art of Democracy

A pioneering, eye-opening investigation into the world of online gambling, its explosive growth and the transformational impact it is having on sport, tech, individuals and society. A little flutter. All part of the game. Get closer to the action. A familiar voice, inviting you to join the real fans and get involved. It has never been easier to place a bet. Wall to wall adverts on repeat surround every sporting event. The smartphone in your pocket all you need to unlock a dizzying array of bets on almost any aspect of any sport. Since its origins as a provincial cottage industry almost twenty-five years ago, UK online gambling has become a globe-straddling behemoth worth more than £10 billion a year. It can sometimes feel as if the point of sport is to bet on it. But it didn't have to be this way. In Imitation Games, academic and BBC New Generation Thinker Darragh McGee travels the world to tell the incredible story of the individuals and companies who brought this brave new world of betting into being (and got very rich doing so). And he traces the devastation and destruction that gambling leaves behind it. The inadequate safeguards and the broken lives that mark the fun stopping. And proffers a series of solutions for how we can create a different future.

How the Gambling Industry Hijacked Sport

Imitation Games

A chronological account of twenty-one women who made French history, from the fifth to the twenty-first century.

A History of France in 21 Women

This book brings to light a neglected program of cosmopolitan normativity in international law - innate cosmopolitanism. Whilst liberal cosmopolitanism is organized around the abstract individual, and constitutional cosmopolitanism is organized around the achievement of a formal arrangement, innate cosmopolitanism, is organized around a naturally-occurring collective whole: comprising all of humanity at any point in time, and understood as a historical phenomenon capable of exhibiting a will, interests or ends of its own. As such, innate cosmopolitanism is, he argues, is the leitmotif of international law. The book thus brings to light an ill-appreciated stream of cosmopolitan normativity in international law, and subject it to critique.

This book brings to light a neglected program of cosmopolitan normativity in international law – innate cosmopolitanism – that holds special significance in this time of competing efforts to define and direct an expanding global public order. Beginning from an intentionally broad use of the term cosmopolitan, derived from etymological roots in the cosmo-polis, Geoff Gordon draws out the main streams of thought associated with cosmopolitanism over time in discourses of international law and politics. The two best-recognized are liberal cosmopolitanism and constitutional cosmopolitanism. And, In addition to these, he introduces a third: innate cosmopolitanism. Whilst liberal cosmopolitanism is organized around the abstract individual, and constitutional cosmopolitanism is organized around the achievement of a formal arrangement, innate cosmopolitanism, is organized around a naturally-occurring collective whole: comprising all of humanity at any point in time, and understood as a historical phenomenon capable of exhibiting a will, interests or ends of its own. As such, innate cosmopolitanism is more central to the historical narrative of international law than either liberal or constitutional cosmopolitanism. It is, he argues, is the leitmotif of international law. Clarifying, consolidating – and critiquing – cosmopolitan thought, the book thus brings to light an ill-appreciated stream of cosmopolitan normativity in international law, and subject it to critique. It will be of huge interest to specialists and students of international law and politics, and especially those concerned with ideas and theories of global order or international society.

The immanent collective in international law

Innate Cosmopolitanism

Penguin Monarchs

When Henry IV seized the throne from his cousin Richard II, people saw it as a hopeful new beginning for England. The first monarch to have English as his mother tongue since the Norman conquest, Henry seemed to embody the ideals of chivalric kingship: mercy, piety, military prowess and learning. Yet deposing a crowned monarch was not a stable foundation on which to build a reign. Henry IV found himself challenged from all sides, plagued by conspiracies, rebellions, assassination attempts and crippling debts, while his tense relationships with Parliament and with his own son, Shakespeare's Prince Hal, saw his grip on power falter. Nevertheless, he was the first king and founder of a Lancastrian dynasty which would go on to shape England for centuries to come. In this lively study, Catherine Nall reappraises a monarch who weathered upheaval and uncertainty and held on to the throne through sheer force of will.

When Henry IV seized the throne from his cousin Richard II, people saw it as a hopeful new beginning for England. The first monarch to have English as his mother tongue since the Norman conquest, Henry seemed to embody the ideals of chivalric kingship: mercy, piety, military prowess and learning. Yet deposing a crowned monarch was not a stable foundation on which to build a reign. Henry IV found himself challenged from all sides, plagued by conspiracies, rebellions, assassination attempts and crippling debts, while his tense relationships with Parliament and with his own son, Shakespeare's Prince Hal, saw his grip on power falter. Nevertheless, he was the first king and founder of a Lancastrian dynasty which would go on to shape England for centuries to come. In this lively study, Catherine Nall reappraises a monarch who weathered upheaval and uncertainty and held on to the throne through sheer force of will.

The Afflicted King

Henry IV (Penguin Monarchs)

A Taste For Murder

Shortest Histories

The Shortest History of Austria

Classic Essays in Jewish History

Jews and Renaissance Culture

In works such as The Mask of Anarchy? and "A Philosophical View of Reform,? Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in the reformist crisis of agency occasioned by the dramatic historical and political violence that characterized Britain during the Romantic period. He shows how Shelley's body or work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

From the French Revolution, Reign of Terror, and Napoleonic Wars abroad to the dramatic social changes wrought by industrialization and political agitation at home, the Romantic age in Britain was characterized by dramatic historical and political violence. As a result, the reform movement of the early nineteenth century faced a crisis of agency, in the wake of both Waterloo and Peterloo, that centered on the role of violence in the hope for social progress. In poems such as The Mask of Anarchy and political writings such as "A Philosophical View of Reform," Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in this reformist crisis of agency with a highly original political program of nonviolence rooted in the redefining of aesthetics as the primary site for a critique of the violence of post-revolutionary Europe. Grounded in the dynamic historical contexts in which Shelley wrote and informed by twentieth-century theory, Shelley’s Romantic Nonviolence shows how Shelley’s body of work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

Aesthetics and Politics in an Age of Revolution

Shelley's Romantic Nonviolence

Elizabeth Elstob's Writings on Anglo-Saxon (1709–1715?)

Family, Vocation, and Humanism in the Italian Renaissance

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