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<div>A selection of the best exhibition reviews and art criticism by Richard Dorment in the London Daily Telegraph 1986-2015.</div>

Over 100 essays by the art critic of the Daily Telegraph about significant art exhibitions throughout the UK, and  in Paris, Amsterdam, New York and Washington, ranging from early prehistoric art of the Ice Age to the performance art of today,

Dorment Richard: Exhibitionist

Exhibitionist

<div>PARTIAL TOC: 1.Ancient and Non-European Art Ice Age Art The Painted Tomb-Chapel of Nebamun Egypt's Dazzling Sun Kingdom of Ife: Sculptures from West Africa Aztecs The Padshahnama 2.European Art before 1800 Pieter Bruegel the Elder Caravaggio: the Final Years Johannes Vermeer Jean-Baptiste Siméon Chardin Goya's Portrait of the Condesa de Chinchón Citizens and Kings: Portraits in the Age of Revolution, 1760-1830 3. British Art before 1800 Alexander Pope François Roubiliac and the Portrait William Hogarth Thomas Gainsborough Vases and Volcanoes Thomas Jones Art On the Line Swagger Portraits 4.Nineteenth-Century Europe and America Fierce Friends: Artists and Animals 1750-1900 Light! Jean-Baptiste Camille Corot Christen Købke American Sublime Manet and the Sea Manet's Luncheon Winslow Homer Cézanne: The Card Players Renoir at the Theatre Henri Rousseau Thomas Eakins Gustave Caillebotte Vincent Van Gogh John Singer Sargent Georges Seurat Impressionism: Painting Quickly in France 1860-1890 Henri de Toulouse-Lautrec Vilhelm Hammershøi Symbolist Landscape 1900: Art at the Crossroads 5.Nineteenth-Century Britain Thomas Lawrence Turner and the Sea Turner's Fighting Temeraire Late Turner John Constable Edwin Landseer William Bell Scott Edward Burne- Jones Frank Holl Fairy Paintings Aubrey Beardsley The Aesthetic Movement The Age of Enchantment 6. Photography La Divine Comtesse Eadweard Muybridge Julia Margaret Cameron 7.Twentieth-Century Europe Matisse Matisse Picasso Matisse: the Cut-Outs Mondrian: Nature to Abstraction The Stein Family Picasso: the Early Years Georges Braque Joan Miró René Magritte 7.Twentieth-Century America American Art in the 20th Century Alexander Calder George Bellows Arshile Gorky Jackson Pollock 8. Post-War America Roy Lichtenstein Cy Twombly The Warhol Look: Glamour, Style, Fashion Andy Warhol: Outer and Inner Space Jasper Johns Brice Marden Richard Serra Susan Hiller Bruce Naumann Fluxus 9. Twentieth-Century Britain Algernon Newton The Sitwells Stanley Spencer Herbert Read Douglas Cooper The Art that Dare Not Speak its Name Picasso and Modern British Art Neo-Romantics 10. Post-War and Contemporary International Modern Art On Kawara Eva Hesse Bas Jan Ader Jeff Wall Gary Hill Francesco Clemente [Sophie Calle] Felix Gonzales-Torres Matthew Barney (Il Tempo del Postino) Olafur Eliasson Francis Alÿs 11.Post-War and Contemporary Britain David Hockney Gilbert and George Andy Goldsworthy Mark Wallinger Tracey Emin Marcus Coates 12. Art Politics Tate Modern William Hogarth's Sigismunda The Lure of the East Thomas Gainsborough British Iconoclasm Renaissance The Elgin Marbles Closer Examination: Fakes, Mistakes and Discoveries </div>

Cultural Histories of Theatre and Performance

Culture and Experiment in the Irish Free State

Performing Modernity

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Material Culture of Art and Design

Making Material Histories

The Australian Object

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

Bollingen Series

Its Mythology and Transformations, Volume 1 (Text)

The Art of Indian Asia

The Female Body in Art

The Collected Essays of Erich Neumann, Volume 1

Art and the Creative Unconscious

The Art of Collecting Books

Tsundoku

Its Mythology and Transformations, Volume 2 (Plates)

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer’s overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey’s mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the ’Jupiter and Ganymede’ motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle’s knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

Exhibitionist

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