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Norton T: Excavate! / LF

Excavate!

The Wonderful and Frightening World of The Fall

The Mixtape Series

<div>In&nbsp;Go All The Way, today's best and brightest writers go deep on what certain Power Pop bands and songs mean and have meant to them. </div><div> </div><div>Fun, bright, and playful, Power Pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the 70s and 80s to its resurgence in the 90s and 00s, Power Pop has meant many things to many people. Whether they love or hate it, Go All The Way is a dive into the Beatles-inspired pop rock of the last five decades. Featuring: Heather Havrilesky on Blondie Carrie Courogen on Liz Phair Michael Chabon on Big Star Jeff Rougvie on Cheap Trick David Yaffe on XTC Kate Sullivan on Jeff Lynne and ELO Dylan Champion on Guided By Voices Joe Clifford on The Hold Steady David Bash on His So-Called (Power Pop) Life Justin Fielding on The Road to Power Pop Paul Myers on Sloan Jeff Whalen on Power Pop as Beatles Obsession S. W. Lauden on Fountains of Wayne Ira Elliot on Putting the Pow! in Power Pop Rex Weiner on September Gurls Marko DeSantis on Surrender Ken Sharp on The Secret Power Pop History of KISS's Paul Stanley Tom Petty on The Strange Magic of Jeff Lynne (as told to Ken Sharp) John M. Borack on The Women of Power Pop Dave Holmes on Tommy Keene Daniel Brummel on Weezer Nancy Rommelmann on Analog Anthems Allison Anders on Nick Lowe's Pub Rock Roots Annie Zaleski on How Jelly Fish Changed the Game Chris Holm on The Brainy Power Pop of Allan Carl Newman Scott Miller excerpts from Music: What Happened? Kurt Baker on Pop Punk to Power Pop </div>

<div>In&nbsp;Go All The Way, today's best and brightest writers go deep on what certain Power Pop bands and songs mean and have meant to them. </div><div> </div><div>Fun, bright, and playful, Power Pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the 70s and 80s to its resurgence in the 90s and 00s, Power Pop has meant many things to many people. Whether they love or hate it, Go All The Way is a dive into the Beatles-inspired pop rock of the last five decades. Featuring: Heather Havrilesky on Blondie Carrie Courogen on Liz Phair Michael Chabon on Big Star Jeff Rougvie on Cheap Trick David Yaffe on XTC Kate Sullivan on Jeff Lynne and ELO Dylan Champion on Guided By Voices Joe Clifford on The Hold Steady David Bash on His So-Called (Power Pop) Life Justin Fielding on The Road to Power Pop Paul Myers on Sloan Jeff Whalen on Power Pop as Beatles Obsession S. W. Lauden on Fountains of Wayne Ira Elliot on Putting the Pow! in Power Pop Rex Weiner on September Gurls Marko DeSantis on Surrender Ken Sharp on The Secret Power Pop History of KISS's Paul Stanley Tom Petty on The Strange Magic of Jeff Lynne (as told to Ken Sharp) John M. Borack on The Women of Power Pop Dave Holmes on Tommy Keene Daniel Brummel on Weezer Nancy Rommelmann on Analog Anthems Allison Anders on Nick Lowe's Pub Rock Roots Annie Zaleski on How Jelly Fish Changed the Game Chris Holm on The Brainy Power Pop of Allan Carl Newman Scott Miller excerpts from Music: What Happened? Kurt Baker on Pop Punk to Power Pop </div>

A Literary Appreciation of Power Pop

Go All The Way

33 1/3 Brazil

1976, Rio de Janeiro. Revered Brazilian pop musician Jorge Ben Jor, known for his 'samba-rock' fusions and hits such as 'País Tropical' and 'Mas que Nada', picks up the electric guitar and records the album África Brasil. With grooves structured around guitar and horn riffs, funk drumming, samba percussion, and hypnotic vocal refrains, this album has become a favorite of connoisseurs of 1970s Brazilian vinyl. It was part of the growing cultural negritude of the time in Brazil, especially in Rio. American musicians such as James Brown were increasingly influential there; meanwhile, disco began to reach the city's nightclubs, and a few musicians were getting hip to Afrobeat. 

Through a close examination of the tracks on this seminal album, this book explores how Jorge Ben Jor and fellow musicians created a new sound, and it probes how ideas about blackness, Africa, and Brazilian identity were evolving during the mid-1970s. Written in a clear style and based on new research, it offers an engaging narrative that will appeal to fans, students, and scholars.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

1976, Rio de Janeiro. Revered Brazilian pop musician Jorge Ben Jor, known for his 'samba-rock' fusions and hits such as 'País Tropical' and 'Mas que Nada', picks up the electric guitar and records the album África Brasil. With grooves structured around guitar and horn riffs, funk drumming, samba percussion, and hypnotic vocal refrains, this album has become a favorite of connoisseurs of 1970s Brazilian vinyl. It was part of the growing cultural negritude of the time in Brazil, especially in Rio. American musicians such as James Brown were increasingly influential there; meanwhile, disco began to reach the city’s nightclubs, and a few musicians were getting hip to Afrobeat. 

Through a close examination of the tracks on this seminal album, this book explores how Jorge Ben Jor and fellow musicians created a new sound, and it probes how ideas about blackness, Africa, and Brazilian identity were evolving during the mid-1970s. Written in a clear style and based on new research, it offers an engaging narrative that will appeal to fans, students, and scholars.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

Jorge Ben Jor’s África Brasil

A raucous, funny and deeply insightful memoir from the godfather of modern music PR in Britain

Dispatches from a Life in Rock and Roll

I Was There

New Approaches to Sound, Music, and Media

"An examination of the relationship between audiovisual soundtracks and the "sonic haunting" of trauma, anxiety, and nostalgia"--

The turn of the millennium has heralded an outgrowth of culture that demonstrates an awareness of the ephemeral nature of history and the complexity underpinning the relationship between location and the past. This has been especially apparent in the shifting relationship between landscape, memory and sound in film, television and other media. The result is growing interest in soundtracks, as part of audiovisual culture, as well as an interest in the spectral aspects of culture more generally. 

This collection of essays focuses on audiovisual forms that foreground landscape, sound and memory. The scope of inquiry emphasises the ghostly qualities of a certain body of soundtracks, extending beyond merely the idea of 'scary films' or 'haunted houses.' Rather, the notion of sonic haunting is tied to ideas of trauma, anxiety or nostalgia associated with spatial and temporal dislocation in contemporary society. Touchstones for the approach are the concepts of psychogeography and hauntology, pervasive and established critical strategies that are interrogated and refined in relation to the reification of the spectral within the soundtracks under consideration here.

Audiovisual Cultures of Memory, Landscape, and Sound

Haunted Soundtracks

The followers - this book is not for you. The salt of the earth - this book is not for you. The worthy - this book is not for you. The ideologists - this book is not for you. Hedonists and bohemians - this book is not for you. The middlebrow - this book is not for you. The highbrow - this book is not for you. Dilettantes - this book is not for you. 1970s middle school RE teachers - this book is not for you. The England football team (women's and men's) - this book is not for you. The litanists - this book is not for you. Gatekeepers - this book is not for you. Gamekeepers - this book is not for you. (Not even for the poachers...)The curators - this book is not for you. The left, the right - this book is not for you. The list-makers - lists are for shoppers not rockers, and this book is not for you. This is not a list - this is a manifesto, and this book is for ... the Freaks. Musician and author Luke Haines embarks on an odyssey through the ages, exploring how the 'freaks' infiltrated modern culture - and almost won the rock 'n' roll wars - only to lose to the rise of Cool Britannia and TV 'talent' shows that turned the strange and the outsiders into fodder for laughter. In this ultimate celebration of freakdom, Haines tells the story of pivotal freaks - including Johnnie Ray, Gene Vincent, Hank Marvin, Syd Barrett, the Incredible String Band and Big Youth - through the prism of rock 'n' roll and explains how freaks infiltrated wider culture through history in the form of the Cathars, the Ranters, Hells Angels and the Yippies. Part memoir, part manifesto, Freaks Out! is a righteous alternate history of rock 'n' roll.

Weirdos, Misfits and Deviants – The Rise and Fall of Righteous Rock ’n’ Roll

Freaks Out!

"Brand Lady Gaga: Storytelling in the Context of Music Stardom offers a close reading of Lady Gaga's branding. Nelligan uses discourse and textual analyses to examine Gaga's media interviews, product marketing, live performances, films and documentaries, songs, albums, and music videos, and she teases out the many narratives that shape Gaga's public image. These themes provide the basis for what Nelligan argues is Gaga's central brand narrative of authenticity. The book contributes to ongoing debates on persona and image construction in popular music studies and provides insight into the political economy of stardom in 21st century pop music"--

This book is about Lady Gaga’s branding—the stories that inform it and the ideas that shape her public image. 
 
Who is Lady Gaga and how does she connect with her fans and audiences via storytelling? These questions guide Nelligan’s discourse and textual analyses of Gaga’s media interviews, product marketing, songs, albums and documentaries to reveal numerous themes and messages that inform her brand. These themes include: stories about monsters, self-love bravery, kindness and pride; distinctive and outlandish fashion and boundary-pushing performance art; LGBTIQA+ activism and support of queer communities; mental-health advocacy and philanthropy (which, as Nelligan shows, is powerfully underpinned by Gaga’s own mental-health challenges); and personal reflections on the significance of family and kinship in shaping her identity as a songwriter and artist. Nelligan demonstrates how Gaga, in a considered yet heartfelt manner, weaves these themes together to form the overarching story of Brand Lady Gaga, offering insights into the star’s extraordinary life and the dynamics of twenty-first-century branding in music.

Brand Lady Gaga

33 1/3 Oceania

A study of Eyeliner's Buy Now, a vaporwave homage to the kitsch electronic sounds of the 80s and 90s.

Brimming over with fake wind-chimes, dreamy synth pads, and hyperactive slap-bass, Eyeliner's Buy Now is an ebullient homage to the kitsch sounds of the 80s and 90s. Self-released in 2015 on Bandcamp and on cassette by US label Beer on the Rug, the album has come to be regarded as a vaporwave classic. The perfect product for an anxious, hyperreal world, Buy Now poses the question: what is the appeal of the "fake" and "uncool" sounds of the past?

 Born in 1983, New Zealand computer-musician Luke Rowell came of age as the digital revolution upturned the music industry and helped shape the outlook of the millennial generation. Buy Now epitomizes a new kind of album for our times: DIY, all-digital, free, licensed as Creative Commons, and belonging to a "virtual" genre, an internet-based scene without geographic center. Drawing on the album's production archive and interviews with Rowell, this book argues that Buy Now offers both musical pleasure and mental survival-training for an era when sincerity and irony can appear dangerously indistinguishable.

Michael Brown undertakes a thorough study of Eyeliner’s BUY NOW, a vaporwave homage to the kitsch electronic sounds of the 1980s and 1990s.

Eyeliner’s BUY NOW (2015) belongs to a new genre for our times: vaporwave. Emerging in the early 2010s on the Internet, vaporwave originated with a cohort of millennial artists who reimagined the musical soundtracks of 1980s-1990s consumerism with an adroit mixture of irony and sincerity. One of these was Eyeliner, the alias of New Zealand computer musician Luke Rowell (a.k.a. Disasteradio). For his vaporwave masterpiece, Rowell harnessed computer software to craft a unique album, a catchy, funky, and witty tour through the utopias of advertising at “the end of history.” BUY NOW epitomizes a new kind of album for the Internet age: made DIY-style, all digital, free, licensed under Creative Commons, and released to a “virtual” community, an online scene without geographic center.

Drawing on original interviews and the album’s production archive, this book uses BUY NOW’s story to investigate what it means to create, distribute, and consume independent music in an era of global networks and digital technology. It places the album in both the real-world and online contexts of Rowell’s life and career, from early websites to the Spotify era, from Lower Hutt to the world.

Eyeliner's Buy Now

33 1/3 Europe

"Jarmark is Taco Hemingway's fifth album, and his most political to date, coming soon after he became the first Polish artist to be streamed a billion times on Spotify. Previously described as the voice of a generation with nothing to say, Hemingway's political turn can be read as an intervention, not least because Jarmark was released two days before the presidential election in 2020, which had the potential to end PiS (Law and Justice)'s reign. As such, the book examines the album as a response to a crisis point in Polish society, with a country divided about its future"--

Examining the cultural significance of the rap album Jarmark (2020) as a reflection of Polish politics and history during the country’s populist turn and migration following EU enlargement.
 
Taco Hemingway is the first Polish artist to be streamed a billion times on Spotify. His fifth studio album, Jarmark, is his most political work to date. Previously described as the voice of a generation with nothing to say, Hemingway’s shift towards political themes can be seen as an intervention, especially as Jarmark’s lead single ‘Polskie Tango’ was released just two days before the 2020 presidential election. 

As such, this book examines the album as a response to a crisis point in Polish society, with the country divided about its future, both politically and socially. It also explores the album’s textual and musical characteristics while situating Hemingway’s career within the broader context of Polish rap history as well as Polish migration. Additionally, the book discusses the album’s impact through its critical reception, sales, awards, and social media commentary.

Taco Hemingway's Jarmark

An unforgettable portrait of an extraordinary life-one forged through a poverty-stricken childhood in 'slummy, one-horse towns'; obsessive desire; bursts of comedy; and indispensable friendships, reflecting on the way art, music, and a deep connection to nature helped her on a singular journey to become a beloved, Grammy-nominated artist.

An unforgettable portrait of an extraordinary life-one forged through a poverty-stricken childhood in 'slummy, one-horse towns'; obsessive desire; bursts of comedy; and indispensable friendships, reflecting on the way art, music, and a deep connection to nature helped her on a singular journey to become a beloved, Grammy-nominated artist. Neko Case has long been revered as one of music's most influential artists, whose authenticity, lyrical storytelling, and sly wit have endeared her to a legion of critics, musicians, and lifelong fans. In The Harder I Fight The More I Love You, Case brings her trademark candour and precision to a memoir that traces her evolution from an invisible girl 'raised by two dogs and a space heater' in rural Washington state to her improbable emergence as an internationally-acclaimed talent. In luminous, sharp-edged prose, Case shows readers what it's like to be left alone for hours and hours as a child, to take refuge in the woods around her home, and to channel the monotony and loneliness and joy that comes from music, camaraderie, and shared experience into art. The Harder I Fight The More I Love You is a rebellious meditation on identity and corruption, and a manifesto on how to make space for ourselves in this world, despite the obstacles we face.

The Harder I Fight The More I Love You

Despite the well-known fact that some pieces of Bach's WTC II existed in early forms, there has been no thorough discussion to date as to how the work evolved over the years. Based on an in-depth study of source materials, this book discusses how these sources were produced and how we can use them to evaluate more firmly the origin of the pieces. Tomita and Rastall reveal that the early version of WTCII appear in two distinct phases, reflecting various factors that surrounded the composer's life

Despite the well-known fact that some pieces of Bach's WTC II existed in early forms, there has been no thorough discussion to date as to how the work evolved over the years. Based on an in-depth study of source materials, this book discusses how these sources were produced and how we can use them to evaluate more firmly the origin of the pieces. Tomita and Rastall reveal that the early version of WTCII appear in two distinct phases, reflecting various factors that surrounded the composer's life

Volume II: Aspects of Afterlife

The Genesis and Early History of Bach's Well-Tempered Clavier, Book II

Isms

The description for this book, Lennon-isms, will be forthcoming.

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

A deeply personal account of Laura's journey to Graceland, through the American South, exploring the role music played in saving her life.

A deeply personal account of Laura's journey to Graceland, through the American South, exploring the role music played in saving her life.

Sad Songs

Excavate!

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