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Inhalt
Dispels the idea that postwar British comedies were apolitical, arguing instead that they presented subversive, iconoclastic, queer experiments in living for a country that was rebuilding and reimagining itself after years of conflict.
Bibliografische Angaben
November 2024, ca. 272 Seiten, SUNY series, Horizons of Cinema, Englisch
Ingram Publishers Services
979-8-8558-0003-6
Schlagworte
Inhalt
Dispels the idea that postwar British comedies were apolitical, arguing instead that they presented subversive, iconoclastic, queer experiments in living for a country that was rebuilding and reimagining itself after years of conflict.
Bibliografische Angaben
November 2024, ca. 272 Seiten, SUNY series, Horizons of Cinema, Englisch
Ingram Publishers Services
979-8-8558-0003-6