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NIYAMA: Du lässt mich zittern

Du lässt mich zittern

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

Dark Paladin 06

Der exzentrische Ruslan und Kriminalpolizist Sanajima ... Welches Schicksal verbindet die beiden wirklich? Offenbar ist etwas in der Vergangenheit vorgefallen, das ihre Begegnung herbeigeführt hat. Was ist "normal", was nicht? Ruslans Frage bleibt weiter im Raum stehen ...

Der exzentrische Ruslan und Kriminalpolizist Sanajima  … Welches Schicksal verbindet die beiden wirklich? Offenbar ist etwas in der Vergangenheit vorgefallen, das ihre Begegnung herbeigeführt hat. Was ist „normal“, was nicht? Ruslans Frage bleibt weiter im Raum stehen …

Der dystopische Krimi-Abenteuer-Manga, der dich nicht mehr loslassen wird

Conviction Dragnet: Fangnetz des Schicksals 03

Süße Bisse 03

The first effort to reconstruct the history of the Pacific War exclusively from internal Japanese sources, from the renowned historiansA magisterial work of political, social, and military history,&nbsp;Sacred War&nbsp;sets a new standard for understanding the events that forever transformed America, Japan, and the world. Celebrated historians Theodore F. and Haruko Taya Cook, whose oral history of the Pacific war was called "one of the essential books about World War II" (Philadelphia Inquirer), now offer a shattering new history of Japan's long war in the Pacific, told exclusively from the perspective of the Japanese.&nbsp;Sacred War&nbsp;draws on a rich trove of documents, much of it first-person and almost all of it previously inaccessible to Western scholars. Based on painstaking research, here is World War II through the eyes of the Japanese themselves: ordinary people on the home front, soldiers on the front lines, and the military and political leadership who drove Japan to near annihilation by 1945. Sacred War&nbsp;reveals both the internal logic of an authoritarian society bent on victory at all costs-including, in the final twelve months of the war, over one million civilian deaths-as well as heartrending accounts of the unfolding conflict, from the disease-ridden beaches on Guadalcanal to the burnt-out streets of Hiroshima, following the nuclear attacks by the United States that brought the war to its devastating end.

The first effort to reconstruct the history of the Pacific War exclusively from internal Japanese sources, from the renowned historians A magisterial work of political, social, and military history, Sacred War&nbsp;sets a new standard for understanding the events that forever transformed America, Japan, and the world.Celebrated historians Theodore F. and Haruko Taya Cook, whose oral history of the Pacific war was called “one of the essential books about World War II” (Philadelphia Inquirer), now offer a shattering new history of Japan’s long war in the Pacific, told exclusively from the perspective of the Japanese. Sacred War&nbsp;draws on a rich trove of documents, much of it first-person and almost all of it previously inaccessible to Western scholars. Based on painstaking research, here is World War II through the eyes of the Japanese themselves: ordinary people on the home front, soldiers on the front lines, and the military and political leadership who drove Japan to near-annihilation by 1945.

Sacred War&nbsp;reveals both the internal logic of an authoritarian society bent on victory at all costs—including, in the final twelve months of the war, over one million civilian deaths—as well as heart-rending accounts of the unfolding conflict, from the disease-ridden beaches on Guadalcanal to the burnt-out streets of Hiroshima, following the nuclear attacks by the United States that brought the war to its devastating end.

Inside the Japanese Experience, 19371945

"Sacred War"

'Enemy cities were pulverized or fried to a crisp. It was something they asked for and something they got.'In the closing months of the Second World War hundreds of thousands of Japanese, mostly civilians, died in a final outburst of violence from the air. American planes were beginning to run low on plausible targets when it was decided to use two atomic weapons in a final, terrible flourish to try to end the war. What place the firebombing and atomic bombs have in explaining Japan's surrender has remained a hot area of debate ever since. Richard Overy's remarkable new book rethinks how we should regard this last stage of the war and the role of the bombs. The popular view that bombing worked in this case has now to be set in a broader context of what was happening in Japan in the months before surrender. The easy equation 'bombing equals surrender' is no longer viable. This book explores the way in which the willingness to kill civilians and destroy cities became normalized in the course of a horrific war as moral concerns were blunted and scientists, airmen, and politicians endorsed a strategy of mass destruction they would never have endorsed before the war began, But it also engages with the new scholarship that shows how complex the effort to end the war was in Japan, where 'surrender' was entirely foreign to Japanese culture. This book puts together firebombing, atomic bombing, and the Japanese search for an end to the war into a single, striking narrative.

‘Enemy cities were pulverized or fried to a crisp. It was something they asked for and something they got.’ In the closing months of the Second World War hundreds of thousands of Japanese, mostly civilians, died in a final outburst of violence from the air. American planes were beginning to run low on plausible targets when it was decided to use two atomic weapons in a final, terrible flourish to try to end the war. What place the firebombing and atomic bombs have in explaining Japan’s surrender has remained a hot area of debate ever since. Richard Overy’s remarkable new book rethinks how we should regard this last stage of the war and the role of the bombs. The popular view that bombing worked in this case has now to be set in a broader context of what was happening in Japan in the months before surrender. The easy equation ‘bombing equals surrender’ is no longer viable. This book explores the way in which the willingness to kill civilians and destroy cities became normalized in the course of a horrific war as moral concerns were blunted and scientists, airmen, and politicians endorsed a strategy of mass destruction they would never have endorsed before the war began, But it also engages with the new scholarship that shows how complex the effort to end the war was in Japan, where ‘surrender’ was entirely foreign to Japanese culture. This book puts together firebombing, atomic bombing, and the Japanese search for an end to the war into a single, striking narrative.

Tokyo, Hiroshima and the Surrender of Japan

Rain of Ruin

Basic Art

Von Edouard Manets Porträt des Schriftstellers Émile Zola, der inmitten seiner japanischen Kunstfunde hockt, bis hin zu Van Goghs akribisch gesammelten Hiroshige-Drucken – Pioniere der europäischen Moderne machten im 19. Jahrhundert kein Geheimnis aus ihrer Liebe zur japanischen Kunst. In all seiner sprudelnden Sinnlichkeit und Freizügigkeit schreibt man den Trend des Japonismus allein dem Holzschnitt zu, der zunächst Frankreich und später ganz Europa in seinen Bann zog – oft missverstandene, "exotische" Artefakte, die der westlichen Kreativität als Inspiration dienten.
 
 Tatsache ist, dass der japanische Holzschnitt ein Phänomen darstellt, zu dem es kein westliches Äquivalent gibt. Einige wegweisende Ideen der Moderne – darunter Karl Marx’ Diktum, dass "alles, was fest ist, sich in der Luft auflöst" – wurden im Japan des 17. Jahrhunderts entwickelt und im frühen 19. Jahrhundert erstmals in den Werken von Meistern wie Hokusai, Utamaro und Hiroshige zum Ausdruck gebracht.
 
 Dieses Buch lüftet den Schleier dieser beliebten, aber wenig verstandenen Kunstform und präsentiert die außergewöhnlichsten japanischen Holzschnitte in ihrem historischen Kontext. Die hier versammelten Werke reichen von den Anfängen über den Höhepunkt der Entwicklung im Ukiyo-e, den "Bildern der schwebenden Welt", im 17. Jahrhundert bis zum Niedergang und späteren Wiederaufleben der Drucke im frühen 20. Jahrhundert. Dokumentiert wird nicht nur ein einzigartiges Genre der Kunstgeschichte, sondern auch die sich wandelnden Sitten und die kulturelle Entwicklung Japans.
 
 Wir entdecken die vier Säulen des Holzschnitts – Schönheiten, Schauspieler, Landschaften sowie Vogel- und Blumenkompositionen – neben Darstellungen von Sumo-Ringern, Kabuki-Schauspielern oder Edelkurtisanen – Popstars, welche die "schwebende Welt" bevölkerten und deren wachsende Anhängerschaft die explosive Produktion der Holzschnitte beflügelte. Wir tauchen ein in bedrohlich-obskure Szenen, in denen Dämonen und Geister Angst und Schrecken verbreiten und die japanische Mangas, Filme und Videospiele bis heute beeinflussen. Wir erleben, wie technische Meisterschaft und das unfehlbare Auge ihrer Schöpfer diese Werke in ihrer unglaublichen Breite – von Alltagsszenen über Erotik, Kampfkunst bis hin zur Mythologie – vereint und wie Verleger und Künstler mit enormem Einfallsreichtum und Augenzwinkern gleichermaßen darum gekämpft haben, die staatliche Zensur zu umgehen.
 
 Diese Ausgabe vereint die besten erhaltenen Drucke aus Museen und Privatsammlungen weltweit und bietet Beschreibungen, die uns durch diese rasante Periode der japanischen Kunstgeschichte führen.

Xilografías japonesas

Thirteen-year-old Nanami Kosaki loves reading. With ill health forcing her to spend a lot of time indoors, the local library she has been visiting ever since she was a little girl is a home from home and books have become her best friends. When Nanami notices lots of books disappearing from the library shelves, she's particularly curious about the suspicious man in a grey suit whose furtive behaviour doesn't feel right. Should she follow him to see what he's up to? When a talking tabby cat called Tiger appears to warn her about how dangerous that would be, together they're brave enough to follow the frightening trail to find out where all the books have gone. Will Nanami and Tiger overcome the challenges of the adventure ahead? The Cat Who Saved the Library is the second novel in the bestselling The Cat Who . . . series by Sosuke Natsukawa. A tale that's warm, wonderful and wise, it's also a powerful lesson never to underestimate the value of great literature, and a reminder always to think for ourselves, no matter what our charismatic leaders might say. Translated from Japanese by Louise Heal Kawai

The Cat Who Saved the Library

Penguin Modern Classics

'An absolute classic, and a whole new world to explore ... irresistible' Lee Child 'Beautiful and melancholic, Inspector Imanishi Investigates is not just an ingenious and elegant mystery, but a fascinating window into 1960s Japan' Paula Hawkins A thrilling crime classic, from the bestselling author of Tokyo Express Tokyo, 1960. As the first rays of morning light hit the rails at Kamata Station, a man's body is found on the tracks. With only two leads - a distinctive accent and a single word, 'kameda' - senior inspector Imanishi Eitaro is called in to solve the puzzle. Setting aside his beloved bonsai and haikus, he must cross Japan in search of answers, from Osaka to Akita, accompanied by junior detective Yoshimura. At each new town, they encounter traces of the avant-garde Nouveau Group - young Tokyo artists who are bringing new ideas from the West. What to make of this modern collective? And how to stop another mysterious death occurring? Inspector Imanishi investigates... A fascinating glimpse into Japanese society at a time of great change, this is one of Seicho Matsumoto's best-loved novels - a riveting mystery from the master of Japanese crime.

'An absolute classic, and a whole new world to explore ... irresistible' Lee Child 'Beautiful and melancholic, Inspector Imanishi Investigates is not just an ingenious and elegant mystery, but a fascinating window into 1960s Japan' Paula Hawkins A thrilling crime classic, from the bestselling author of Tokyo Express Tokyo, 1960. As the first rays of morning light hit the rails at Kamata Station, a man’s body is found on the tracks. With only two leads – a distinctive accent and a single word, ‘kameda’ – senior inspector Imanishi Eitaro is called in to solve the puzzle. Setting aside his beloved bonsai and haikus, he must cross Japan in search of answers, from Osaka to Akita, accompanied by junior detective Yoshimura. At each new town, they encounter traces of the avant-garde Nouveau Group – young Tokyo artists who are bringing new ideas from the West. What to make of this modern collective? And how to stop another mysterious death occurring? Inspector Imanishi investigates… A fascinating glimpse into Japanese society at a time of great change, this is one of Seicho Matsumoto’s best-loved novels – a riveting mystery from the master of Japanese crime.

Du lässt mich zittern

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