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SUNY series, Studies in the Long Nineteenth Century

Montz Amy L.: Dressing for England

Dressing for England

Fashion and Nationalism in Victorian Novels

Explores the coevolution of Absolute idealist philosophy and British fiction from the Romantic period forward.

Idealist Philosophy and British Literature

Absolute Fiction

Explores Victorian writers' conception of the novel's potential to become serious knowledge and differentiate itself from other educational genres.

The Novel and Educational Publications in Victorian Britain

Novel Pedagogy

Combines historical, literary, art historical, and archaeological perspectives to explore the idea of the Hindu temple in the British colonial imagination.

The Hindu Temple in the British Imperial Imagination

Ruling Devotion

SUNY Press Open Access

Shows how nineteenth-century discoveries in acoustical science shaped Victorian literary representations of gender, sexuality, and intimacy.

Acoustical Science and Musical Erotics in Victorian Literature

Sounding Bodies

Empire of Culture brings together contemporary representations of Victorian Britain to reveal how the nation's imperial past inheres in the ways post-imperial subjects commodify and consume "culture" in the late twentieth and early twenty-first centuries. The globalization of English literature, along with British forms of dress, etiquette, and dining, in the nineteenth century presumed and produced the idea that British culture is a universal standard to which everyone should aspire. Examining neo-Victorian texts and practices from Britain, the United States, Japan, and Singapore-from A. S. Byatt's novel Possession and its Hollywood film adaptation to Japanese Lolita fashion and the Lady Victorian manga series-Waiyee Loh argues that the British heritage industry thrives on the persistence of this idea. Yet this industry also competes and collaborates with the US and Japanese cultural industries, as they, too, engage with the legacy of British universalism to carve out their own empires in a global creative economy. Unique in its scope, Empire of Culture centers Britain's engagements with the US and East Asia to illuminate fresh axes of influence and appropriation, and further bring Victorian studies into contact with various sites of literary and cultural fandom.

Neo-Victorian Narratives in the Global Creative Economy

Empire of Culture

Is the novel a category of knowledge that merits serious study? Even if the novel has shed the stigma of being mindless entertainment, one might easily assume that reading a novel is not "studying," unless one reads closely and carefully, preferably from a scholarly edition or for a scholarly purpose. Novel Pedagogy explores how Victorian writers envisioned the novel's potential to become knowledge long before the form's ascendence into the ivory tower. Liwen Zhang argues that Victorian novelists' constant critique of schooling, on the one hand, and their frequent invocation of deep knowledge, on the other, are not self-contradictory. Instead of offering a blissful escape from education, writers such as William Thackeray, Charles Kingsley, Charles Dickens, Elizabeth Gaskell, George Eliot, and George Gissing seek to offer uniquely novelistic pathways to knowledge. Novel Pedagogy offers a new model of novelistic epistemology by showing how the novel, unlike other educational genres, reflects on the unpleasant realities of learning-and of not learning-amid the ubiquity of ineffective textbooks, reluctant students, and false motivations.

Shows how Britain's trans-imperial engagements in the long nineteenth century have come to shape global cultural commodity flows today.

Offers a new, Spinozist framework for understanding encounters with otherness in Romantic literature as experiences of immanence.

Interventions in Alterity, 1780–1840

Romantic Immanence

Explores how Victorian women writers used the popular science of phrenology to challenge socially constructed forms of power.

Popular Brain Science and Victorian Women's Writing

Equal Natures

Ranges widely and deeply across William Blake's oeuvre to show how his post-Newtonian vision of space-time anticipates Einsteinian relativity.

William Blake and Geometry

A Bastard Kind of Reasoning

Taking the period from the collapse of the Ottoman Empire and the establishment of the Turkish Republic in 1923 to the present day, this book examines Turkey's political trajectory, its economic developments and downturns and its positioning in the international arena. Breaking away from the Cold War paradigm and its focus on military coups and international security as well as approaches to Turkey which over emphasise the Ottoman past, this book also engages with cultural and social aspects of the period. Following a clear chronology, the book charts the rise of the Turkish nation-state, Turkey in the Second World War, the beginning of multi-party politics, the political plurality of the 1960s, the upheavals of the 1970s, the neo-liberal politics of the 1980s, the crumbling of the 1990s and the religious politics and presidentialism of the 2000s. Each period is divided into three sections and each chapter is accompanied by boxes inserted into the text which provide more extensive information on one particular aspect, such as cinema, political satire and social media. The book takes readers through the period providing both a clear chronological structure and an understanding of each period both from the perspective of its political and economic development and its cultural and social concerns.

A History from 1918 to the Present

The Republic of Turkey

A Neuroscientific Approach

The Bilingual Brain

Fury, Tragedy, and Our Romance with Boxers

Bad Man

A new compass for global reading: looking at the world from the far southern latitudes A northern viewpoint is most often the default, while the south—the far southern latitudes occupied by Australia, New Zealand, Argentina and southern Africa, among others—seems far away and ignorable. In Southern Imagining, Elleke Boehmer offers an alternative perspective, using literary, scientific and cultural material to explore how we look at the world from the south. Reading, she argues, is a transformative means of reversing our usual planetary perspective and rearranging our perceptual geography. Boehmer examines writing from across southern continents and islands, considering how we imaginatively inhabit the farthest reaches of our planet. Writers ranging from the Portuguese epic poet Luís de Camöes to Samuel Taylor Coleridge, Charles Darwin, Katherine Mansfield, Jorge Luis Borges and ancient Indigenous scribes, Boehmer finds, capture the edgy and austere experiences of the far south. Boehmer argues that imaginative work stimulates and shapes our phenomenological understanding. Southerners often see themselves as if far away from where things count, as outsiders, internalising the wider global sense of their relative insignificance. Conversely, when northerners read or hear legends, narratives, songs and poems from the south, it is as if they are located in the south, at least for the duration of the reading or listening. Boehmer suggests that the south-tilted world map, re-centred through song and story, invites us to claim a more involved sense of belonging to our planet, both its north and its south. The writers of the south disrupt conventional ways of seeing and invite us to inhabit our globe differently.

A Literary and Cultural History of the Far Southern Hemisphere

Southern Imagining

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

The questions posed by disability studies scholarship are increasingly of interest to medieval studies scholars and there have been a wealth of books published on the intersection of these two fields of research over the past two decades. More recently, medieval scholars have developed a framework for considering more specifically medieval ways of thinking about disability, analyzing the medieval conception of the different or 'othered' body and thinking through 'medieval things': such as the responses to injury and resulting impairment in contemporary law, literature, and art; the impaired body as a site for miraculous transformation; the presence of physical and mental difference in different cultural modes than exist in the modern world; and the role of theosophical thought in characterizing difference. This is the first volume to survey this field as a whole, bringing together the most notable scholars in the field alongside up-and-coming academics, to analyse recent studies and to suggest directions for future research. Chapters are organized into four categories that treat broadly the current questions of the field as they apply to each contributor's area of expertise: Articulations of Difference; Critical Perspectives; Traditions of Medieval Thought; and Disability and Material Cultures. Each category is introduced by a leading figure in the field, and the volume is concluded with an Afterword.

The questions posed by disability studies scholarship are increasingly of interest to medieval studies scholars and there have been a wealth of books published on the intersection of these two fields of research over the past two decades. More recently, medieval scholars have developed a framework for considering more specifically medieval ways of thinking about disability, analyzing the medieval conception of the different or ’othered’ body and thinking through ’medieval things’: such as the responses to injury and resulting impairment in contemporary law, literature, and art; the impaired body as a site for miraculous transformation; the presence of physical and mental difference in different cultural modes than exist in the modern world; and the role of theosophical thought in characterizing difference.   This is the first volume to survey this field as a whole, bringing together the most notable scholars in the field alongside up-and-coming academics, to analyse recent studies and to suggest directions for future research. Chapters are organized into four categories that treat broadly the current questions of the field as they apply to each contributor’s area of expertise: Articulations of Difference; Critical Perspectives; Traditions of Medieval Thought; and Disability and Material Cultures. Each category is introduced by a leading figure in the field, and the volume is concluded with an Afterword.

The Ashgate Research Companion to Medieval Disability Studies

Anti-Fascists in Search of the Beloved

The Captive Maternal

Routledge Corpus Linguistics Guides

Research and Practice

Corpus Linguistics for Forensic Linguistics

The Selected Writings of David Williams Vol 5

Als ,Nachkriegsliteratur' wird generell die Literatur ab dem Ende des Zweiten Weltkriegs bis 1989 gefasst - mit einem Fokus auf die 1950 bis 1970er Jahre. Angesichts der Vielzahl an deutschsprachigen Autor/innen im deutschsprachigen Bereich (inkl. DDR, Schweiz und Österreich) konzentriert sich der Band auf die zentralen kulturpolitischen Ereignisse sowie Entwicklungen des Literaturbetriebs und auf die Gattungen, die typisch für das jeweilige Jahrzehnt sind (mit ca. 6 Musterinterpretationen).

Als ‚Nachkriegsliteratur‘ wird generell die Literatur ab dem Ende des Zweiten Weltkriegs bis 1989 gefasst – mit einem Fokus auf die 1950 bis 1970er Jahre. Angesichts der Vielzahl an deutschsprachigen Autor/innen im deutschsprachigen Bereich (inkl. DDR, Schweiz und Österreich) konzentriert sich der Band auf die zentralen kulturpolitischen Ereignisse sowie Entwicklungen des Literaturbetriebs und auf die Gattungen, die typisch für das jeweilige Jahrzehnt sind (mit ca. 6 Musterinterpretationen).

Lehrbuch Germanistik

Nachkriegsliteratur

Sex, Gender, and Politics explores how to think about political behavior based on empirical evidence of sex differences in attitudes and behaviors within the context of gendered norms and institutions. Drawing upon advancements in fields such as social psychology, cognitive neuroscience, behavioral economics, and even behavioral genetics, Rebecca J. Hannagan uses a biosocial approach to think about sex, gender, and political behavior.

Increasingly research shows that women and men not only perceive people and situations quite differently, but that we might expect different political attitudes and behaviors from them as a result. Recent studies suggest gender-balanced group dynamics can impact decision making in ways that old models of politics and leadership do not capture. Previous models were based on notions of socialized gender roles, as well as notions about leadership being gendered masculine, but these notions are evolving. From both scholarly and practical standpoints, our thinking about sex, gender, and politics needs an update. Sex, Gender, and Politics explores how to think about political behavior based on empirical evidence of sex differences in attitudes and behaviors within the context of gendered norms and institutions. Although "women in politics" as a subfield of political science and a political agenda is important, this book shows that there are reasons beyond equality and representation to pay attention to sex and gender. Drawing upon advancements in fields such as social psychology, cognitive neuroscience, behavioral economics, and even behavioral genetics, Rebecca J. Hannagan uses a biosocial approach to think about sex, gender, and political behavior. The book also addresses the political problem that women do not serve in public office at the same rate as their male counterparts, arguing that the issue is not merely one of concern to women’s rights movements or a matter of equality, but one that leaves political deliberation and democratic politics sorely lacking based on current research on gender balance and group dynamics. This book takes categories typical of any course in political psychology and political behavior—as well as women and politics or gender politics—and reframes them, not only by focusing on sex differences, gender roles, and gendered institutions, but via a biosocial approach to attitudes and behaviors. This reframing is essential for courses on political behavior and gender and politics and presents an updated way of thinking about politics that should appeal to students and scholars alike.

A Biosocial Approach to Political Behavior

Sex, Gender, and Politics

The Selected Writings of David Williams Vol 1

Dressing for England

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel der Reihe: SUNY series, Studies in the Long Nineteenth Century

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