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Foundation J: Donald Judd Furniture

Donald Judd Furniture

An essential guide to choosing furniture that works best for you, from the international bestselling author of The Interior Design Handbook. Award-winning blogger Frida Ramstedt is back with practical tips and insider secrets from the world of furniture design. In The Furnishing Handbook, she shares insights and advice on what to look out for to ensure the furniture we buy doesn't just look good but is also well-made, long-lasting and, most importantly, comfortable to use every day. The Furnishing Handbook is an indispensable guide for anyone investing in new pieces for their home.

A new way of thinking about furniture, from the international bestselling author of The Interior Design Handbook Award-winning blogger Frida Ramstedt shares insights and advice on how to make sure the furniture you buy doesn’t just look good but is also well-made, long-lasting and, most importantly, comfortable to use every day. Inspired by her rich Scandinavian furniture design heritage and filled with insider tips, The Furnishing Handbook is an indispensable guide to finding the pieces that work best for your body and home. ‘Ramstedt advises us to look away from social media to create the nurturing homes we need’ The Times

The Furnishing Handbook

"In this lively book, Maggie Taft tells the story of how Danish modern furniture emerged in the wake of WWII and became all the rage in the US. By the 1950s Danish Modern furniture was everywhere-in living rooms and on the political stage. A Danish Modern chair was chosen for the first televised presidential debate, in 1960, between JFK and Richard Nixon. When the broadcast began, there were Nixon and Kennedy, sleekly seated in Hans Wegner's "Round Chair." Thanks to that broadcast, an international star, nicknamed simply "the Chair," was born. The story of Danish Modern that Taft tells is anchored in the biographies of two notable chairs: "the Chair" and another one known rather grandly as "The Chieftain" (based on Viking folklore) designed by Finn Juhl. Like Nixon and Kennedy, like Buckley and Vidal, like Elvis and the Beatles, these chairs and their designers and manufacturers duked it out for the hearts and minds and rumps of Americans sitting in front of their TV sets, drinking cocktails, getting frisky on the Danish sofas in their living rooms (and, yes, Mad Men fans, in their offices). These chairs serve as the opportunity for Taft to tell the broader tale of our love affair with Danish Modern-and with our continuing admiration for the innovative style of the early postwar period"--

The Rise of Danish Design in Postwar America

The Chieftain and the Chair

Now back in print, a revealing look at the visionary French furniture designer and architect, highlighting his virtuoso designs and versatile creativity

Now back in print, a revealing look at the visionary French furniture designer and architect, highlighting his virtuoso designs and versatile creativity

Modern Architecture and Design

Pierre Chareau

The 1970s is often considered the period that design forgot. In Private sets out to challenge this view, offering a cultural history of domestic interior design in Britain and America over the course of a decade that shaped the contemporary relationship between fashion and interiors. 

With each chapter dedicated to a different room in the house, this collection explores style, design and socio-cultural influence from the sitting room to the sauna, and from the kitchen to the conservatory. Considering the key critical discourses which arise from the style and function of each space, In Private looks at how the public sphere informed the decorating styles, furniture and furnishing of the private home, from shag pile carpets to Swedish duvets.

Demonstrating how the cultural environment of the 1970s sparked the ideas, styles and practices that have become common currency in today's interior design, the book examines questions of sensuality, tactility, fashion, fantasy and gender. Beautifully illustrated and packed with original research, it provides an insight into 1970s innovation and eclecticism in fashion, textiles and the domestic interior.

The 1970s is often considered the period that design forgot. In Private sets out to challenge this view, offering a cultural history of domestic interior design in Britain and America over the course of a decade that shaped the contemporary relationship between fashion and interiors. 

With each chapter dedicated to a different room in the house, this book explores style, design and socio-cultural influence from the sitting room to the sauna, and from the kitchen to the conservatory. Considering the key critical discourses which arise from the style and function of each space, In Private looks at how the public sphere informed the decorating styles, furniture and furnishing of the private home, from shag pile carpets to Swedish duvets.

Demonstrating how the cultural environment of the 1970s sparked the ideas, styles and practices that have become common currency in today’s interior design, the book examines questions of sensuality, tactility, fashion, fantasy and gender. Illustrated throughout and packed with original research, it provides an insight into 1970s innovation and eclecticism in fashion, textiles and the domestic interior.

Interior Design as Lifestyle in the 1970s Home

In Private

By examining storytelling, palimpsestic characteristics and techniques, the book argues that these devices play a central role in the consideration of the designed interior. It is essential reading for students and professionals interested in interior design, interior decoration, interior architecture and architecture.

By examining storytelling, palimpsestic characteristics and techniques, the book argues that these devices play a central role in the consideration of the designed interior. It is essential reading for students and professionals interested in interior design, interior decoration, interior architecture and architecture.

Rehabilitating the Old to Design the New

Interior Interruptions

"In this one-of-a-kind organizing book, the projects are as simple as recipes, with "ingredient" lists and clear step-by-step directions. There are smart, stylish solutions for every room in the house, including quick wins that can be accomplished in just twenty minutes as well as larger overhauls that may take an hour or more..."--

"A master class in functional style" (Billy Cotton), by the founders of NEAT Method In this one-of-a-kind organizing book, the projects are as simple as recipes, with “ingredient” lists and clear step-by-step directions. There are smart, stylish solutions for every room in the house, including quick wins that can be accomplished in just twenty minutes as well as larger overhauls that may take an hour or more, including: <ul><li> A “drop zone” for dirty shoes and sports gear at the garage door </li><li> Compartmentalized drawers for everything from kitchen utensils to makeup to socks </li><li> A color-coded bedroom closet </li><li> A playroom kids will actually keep tidy </li><li> And much more! </li></ul> The end result is transformative:&nbsp;By implementing solutions that emphasize beauty as much as function, you’ll create a home that’s well arranged, a true place of calm and simplicity.

75 Simple Projects to Take Your Home from Chaos to Composed

The Neat Method Organizing Recipe Book

The Cultural Histories Series

The 19th century in Western culture was a time of both confidence and turbulence. Industrial developments resulted in a number of benefits from a growing middle class to efficiency, convenience and innovation across a range of fields from engineering to architecture. Alongside these improvements, the century began with the extended period of the Napoleonic Wars and was further disrupted by rebellions and revolutions both within Europe and in India, South America and other parts of the world. Slavery was abolished and urbanization increased dramatically. These myriad developments were reflected throughout the period in the proliferation of types of furniture, along with their categorization as 'industrial art' at the international exhibitions and world fairs and the increasingly adventurous range of materials that were sometimes used in their construction. Nonetheless, a strong antiquarian/historicist strand also prompted interest in the revival of past styles in areas of art and design, including furniture. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.

The 19th century in Western culture was a time of both confidence and turbulence. Industrial developments resulted in a number of benefits from a growing middle class to efficiency, convenience and innovation across a range of fields from engineering to architecture. Alongside these improvements, the century began with the extended period of the Napoleonic Wars and was further disrupted by rebellions and revolutions both within Europe and in India, South America and other parts of the world. Slavery was abolished and urbanization increased dramatically. These myriad developments were reflected throughout the period in the proliferation of types of furniture, along with their categorization as 'industrial art' at the international exhibitions and world fairs and the increasingly adventurous range of materials that were sometimes used in their construction. Nonetheless, a strong antiquarian/historicist strand also prompted interest in the revival of past styles in areas of art and design, including furniture. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.

A Cultural History of Furniture in the Age of Empire and Industry

A special survey published to celebrate 100 years of the influential and innovative Swedish design company Svenkst Tenn

Interiors

Svenskt Tenn

This unprecedented angle on the oeuvre of Robert Wilson reveals the importance of chair design for his cross-medium artFor American experimental theater stage director and playwright Robert Wilson (born 1941), theater is a totality of visual, textual and performative mediums. Wilson has incorporated furniture designs into his scenography since his earliest productions in the 1960s. "In almost all of my plays, there is a chair specially designed," he said. "Often, the chairs are much like an actor." Wilson's chairs, with their frequently referential names (the Kafka Chair, Queen Victoria Chairs, the Mondrian Chair), assume expanded significance as the surviving artifacts of each performance. The works in this publication range from 1969 to 2011, from the stainless steel mesh Parzival Sofa (1987) to the painted wood Clementine Hunter Rocker (2011). Wilson's practice as a designer is illuminated by his practice as a collector, with pieces in materials ranging from wood, bronze and steel to taxidermied legs, tempered glass and neon. This publication includes several works never previously exhibited.

This unprecedented angle on the oeuvre of Robert Wilson reveals the importance of chair design for his cross-medium artFor American experimental theater stage director and playwright Robert Wilson (born 1941), theater is a totality of visual, textual and performative mediums. Wilson has incorporated furniture designs into his scenography since his earliest productions in the 1960s. "In almost all of my plays, there is a chair specially designed," he said. "Often, the chairs are much like an actor." Wilson’s chairs, with their frequently referential names (the Kafka Chair, Queen Victoria Chairs, the Mondrian Chair), assume expanded significance as the surviving artifacts of each performance. The works in this publication range from 1969 to 2011, from the stainless steel mesh Parzival Sofa (1987) to the painted wood Clementine Hunter Rocker (2011). Wilson’s practice as a designer is illuminated by his practice as a collector, with pieces in materials ranging from wood, bronze and steel to taxidermied legs, tempered glass and neon. This publication includes several works never previously exhibited.

Robert Wilson: Chairs

A design monograph series on Charlotte Perriand: a historical-critical essay discussing his life and work, followed by an illustrated appreciation of groundbreaking work.

A design monograph series on Charlotte Perriand: a historical-critical essay discussing his life and work, followed by an illustrated appreciation of groundbreaking work.

Design Monograph: Perriand

The design gallery's latest triennial celebration of US-made objects that straddle art, design and craftR &amp; Company's landmark triennial exhibition and accompanying publication, Objects: USA, returns in 2024, featuring 55 makers from across the United States whose works blur the traditionally understood boundaries of art, design and craft. The exhibition's curators and the book's authors, Angelik Vizcarrondo-Laboy and Kellie Riggs, have organized these works into archetypes that engage with makers' intentions and driving interests rather than categories related to medium, proposing a new conceptual framework for understanding 21st-century objecthood. The book includes a preface by R &amp; Company principals Evan Snyderman and Zesty Meyers, an introduction by curator Glenn Adamson, an essay by the authors and richly illustrated profiles for each of the featured artists. Artists include: Venancio Aragon, Richard Chavez, Jason McDonald, Ryan Decker, Wally Dion, Nik Gelormino, Joyce Lin, Linda Lopez, Luam Melake, Anina Major, Kim Mupangilaï, Jordan Nassar, Jolie Ngo, Cammie Staros, Matthew Szösz, Norman Teague, Lonnie Vigil, Mallory Weston.

The design gallery's latest triennial celebration of US-made objects that straddle art, design and craftR &amp; Company’s landmark triennial exhibition and accompanying publication, Objects: USA, returns in 2024, featuring 55 makers from across the United States whose works blur the traditionally understood boundaries of art, design and craft. The exhibition’s curators and the book’s authors, Angelik Vizcarrondo-Laboy and Kellie Riggs, have organized these works into archetypes that engage with makers’ intentions and driving interests rather than categories related to medium, proposing a new conceptual framework for understanding 21st-century objecthood. The book includes a preface by R &amp; Company principals Evan Snyderman and Zesty Meyers, an introduction by curator Glenn Adamson, an essay by the authors and richly illustrated profiles for each of the featured artists. Artists include: Venancio Aragon, Richard Chavez, Jason McDonald, Ryan Decker, Wally Dion, Nik Gelornimo, Joyce Lin, Linda Lopez, Luam Melake, Anina Major, Kim Mupangilaï, Jordan Nassar, Jolie Ngo, Cammie Staros, Matthew Szösz, Norman Teague, Lonnie Vigil, Mallory Weston.

Objects: USA 2024

The 18th century saw the height of court culture in Europe as well as the beginnings of its demise with conflicts such as the American and French Revolutions. The Scientific Revolution, which had begun in the preceding centuries, also ushered in a new intellectual era which advocated the use of reason to effect change in government and to advance progress in society. For furniture, this meant ever-higher standards of luxury in the designs, techniques and materials utilized for the best pieces, and more structure and specialization in the furniture-making process itself. Furniture also came into its own during this period as a collectable work of art on its own merits. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.

The 18th century saw the height of court culture in Europe as well as the beginnings of its demise with conflicts such as the American and French Revolutions. The Scientific Revolution, which had begun in the preceding centuries, also ushered in a new intellectual era which advocated the use of reason to effect change in government and to advance progress in society. For furniture, this meant ever-higher standards of luxury in the designs, techniques and materials utilized for the best pieces, and more structure and specialization in the furniture-making process itself. Furniture also came into its own during this period as a collectable work of art on its own merits. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.

A Cultural History of Furniture in the Age of Enlightenment

Donald Judd Furniture

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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