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Diversifying the Space of Podcasting

Access, Identity, and Reflective Practices

A media scholar&nbsp;critically examines how US establishment media ran interference for Israel’s genocide in Gaza, with reporting that called the Flour Massacre “aid-related deaths,” and the Tent Massacre a “tragic mistake.” Over eight months, media coverage aligned with Israeli military narratives, condoning Israeli war crimes and the massacres of Palestinians as the world responded in outrage.
The Complicit Lens&nbsp;scrutinizes US media's portrayal of Israel’s war on Gaza post-October 7, 2023 Hamas attacks, contrasting it with social media reports and international news coverage. It reveals how reporting mystified Israeli bombings, used passive language to deflect blame, and repeated Israeli talking points. The analysis identifies consistent war tropes and atrocity propaganda—beheaded babies and mass rape—used to justify Israeli actions and obscure culpability.&nbsp;Israeli violence was presented as defensive and justified, either by the October 7 attacks, or by claims that Israel was targeting Hamas fighters and commanders not civilians. Later reporting included false claims that war crimes and massacres were mistakes or accidents.
The book&nbsp;documents the targeted killings of journalists and aid workers, underreported in US media, and critiques the editorial censorship that avoided terms like "genocide" and "massacre" for Palestinian deaths. As global protests against the Gaza genocide rose, the book also analyzes the biased media portrayal of these uprisings, particularly those led by young people and Jewish organizations. Examining specific incidents and language, the book exposes how media coverage facilitated the ongoing genocide in Gaza.&nbsp;

US Media Coverage of Israel's Genocide in Gaza

The Complicit Lens

Laura Hope and Philippa Kelly make use of first-hand interviews with directors, actors, designers, and critics, as well as their own experiences in the theatre, to open up feminist dramaturgy as a field of enquiry and performance possibility. Resisting dogma, the authors cast a critical eye on past and present practices as they argue for the feminist dramaturg's role in shaping a theatre company's sense of its production potential.

In their lively invocation of a feminist dramaturgy that can lead to innovative and challenging directions in modern theatre-making, Laura Hope and Philippa Kelly make use of first-hand interviews with directors, actors, designers, and critics, as well as their own experiences in the theatre, to open up feminist dramaturgy as a field of enquiry and performance possibility.   The authors begin by discussing what happens when a dramaturg's performance strategies are vastly different from what a director envisions. This discussion moves naturally to Hope and Kelly's analysis of canonical plays they hope to re-think in terms of gender at the same time that they resist the implication that a feminist perspective is a prescription for a political and social agenda. Casting a critical eye on "mainstream" approaches to classical plays, the authors revisit casting practices, editing philosophies, and directorial concepts that provide thin, stereotypical depictions of male and female characters, arguing for closer textual and cultural analyses of misguided ventures such as the Lysistrata Project. Their commentary on appeals to audience involvement highlights the difficulty of challenging audience preconceptions and the possibilities for expanding audience reception, while the counterproductive rigidity with which organizations like the Beckett estate resist new  approaches to theatrical production are exposed in a discussion of feminist dramaturgy's potential to reinvigorate a play like Waiting for Godot. Adventures in Dramaturgy concludes with the authors' personal journey to forge new directions within a specific theatre company and in the professional world at large.

The Road Less Traveled

Adventures in Feminist Dramaturgy

Bloomsbury Studies in Digital Cultures

Looking at the phenomenon of visibility labour and attention economies on social media, this open access book focuses on the Asia Pacific region to examine the use of 'drama' online for internet fame/infamy and financial gain. On social media, the attention economy shapes and governs our engagement. Social media actors use a variety of tactics to gain our attention, to 'go viral', and to become 'internet famous'. They manufacture extraordinary events, curate their lives for us to consume, and play on our emotions to draw us in. But relying on only the picture perfect, the pristine, and the prestigious a la 'aspirational' role-modelling is fast becoming stale to audiences in this very saturated space. Enter the use of 'online drama' to wrestle for the attention spans of audiences, when social media actors use discursive and visual narratives centred on angst, shock, fear, shame, pity to generate visibility, yield interest, and provoke conversations in the gladiatorial arena of social media. Through a range of lively case studies spanning platforms like Instagram, TikTok, Twitter, and YouTube, and popular online for a in the Asia Pacific region, this book explores topics such as 'shamelebrity', the 'influencer apology', 'call out culture', 'cancel culture', and 'meme factories' to unpack that peculiarly contemporary online phenomenon: the culture and economy of online drama. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by an Australian Research Council Discovery Early Career Researcher Award (DECRA) from the Australian government.

Looking at the phenomenon of visibility labour and attention economies on social media, this open access book focuses on the Asia Pacific region to examine the use of ‘drama’ online for internet fame/infamy and financial gain.
 On social media, the attention economy shapes and governs our engagement. Social media actors use a variety of tactics to gain our attention, to 'go viral', and to become 'internet famous'. They manufacture extraordinary events, curate their lives for us to consume, and play on our emotions to draw us in. But relying on only the picture perfect, the pristine, and the prestigious a la ‘aspirational’ role-modelling is fast becoming stale to audiences in this very saturated space.

Enter the use of ‘online drama’ to wrestle for the attention spans of audiences, when social media actors use discursive and visual narratives centred on angst, shock, fear, shame, pity to generate visibility, yield interest, and provoke conversations in the gladiatorial arena of social media.
 Through a range of lively case studies spanning platforms like Instagram, TikTok, Twitter, and YouTube, and popular online for a in the Asia Pacific region, this book explores topics such as 'shamelebrity', the ‘influencer apology’, ‘call out culture’, ‘cancel culture’, and ‘meme factories’ to unpack that peculiarly contemporary online phenomenon: the culture and economy of online drama.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by an Australian Research Council Discovery Early Career Researcher Award (DECRA) from the Australian government.

How Attention Economies are Changing

Provoking Online Drama

Rewrites the history of the development of film and TV industries and cultures through questions of gender during the critical decade of the 1970s Spain.

A feminist cultural history of Spain of the 1970s, exploring the work of women in the audio-visual industries who joined the workforce in significant numbers over this decade of Transition.

Leading Women in Spanish Cinema and Television, 1970-1980

Notes From A Late Bloomer

Paper Doll

Routledge Contemporary Southeast Asia Series

This book demonstrates how social policy in Singapore has in fact been a key part of a larger overall project in state building and economic growth undertaken by Singapore's ruling People's Action Party.

This book demonstrates how social policy in Singapore has in fact been a key part of a larger overall project in state building and economic growth undertaken by Singapore's ruling People's Action Party.

Social Policy, State Making and the Quest for Economic Success

Social Engineering in Singapore

International Forensic Science and Investigation

An in-depth examination of the empirical knowledge base on violence and criminal offending in girls and women provides scholars and policy makers with critical information on this neglected topic.

An in-depth examination of the empirical knowledge base on violence and criminal offending in girls and women provides scholars and policy makers with critical information on this neglected topic.

Handbook of Assessment and Treatment of Female Crime and Violence

Genders & Sexualities in Minds & Cultures

In this landmark collection of original essays, originally published in 1989, outstanding feminist critics in Britain, France, and the United States present new perspectives on feminism and psychoanalysis, opening out deadlocked debates. The discussion ranges widely, with contributions from feminists identified with different, often opposed views on psychoanalytic criticism. The contributors reassess the history of Lacanian psychoanalysis and feminism and explore the significance of its institutional context and write against the received views on 'French feminism' and essentialism. This Classic Edition of the book features a new introduction.

In this landmark collection of original essays, originally published in 1989, outstanding feminist critics in Britain, France, and the United States present new perspectives on feminism and psychoanalysis, opening out deadlocked debates. The discussion ranges widely, with contributions from feminists identified with different, often opposed views on psychoanalytic criticism. The contributors reassess the history of Lacanian psychoanalysis and feminism and explore the significance of its institutional context and write against the received views on 'French feminism' and essentialism. This Classic Edition of the book features a new introduction.

Between Feminism and Psychoanalysis

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

Judy Tuwaletstiwa: Mapping Water (Reprint)

Matters of the Image introduces a new framework for thinking about digital images.

Matters of the Image introduces a new framework for thinking about digital images.

Designing Digital Images with Materiality, Energy, and Living Matter

Archaeological Orientations

Art and Archaeology

Routledge Communication Series

This book presents the situational theory of problem solving (STOPS). This situational theory describes human problem-solving approaches that people adopt in dealing with almost any kind of life problem.

This book presents the situational theory of problem solving (STOPS). This situational theory describes human problem-solving approaches that people adopt in dealing with almost any kind of life problem.

Communicative, Cognitive, and Perceptive Bases

Situational Theory of Problem Solving

Diversifying the Space of Podcasting

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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