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Ursula, Hades, Scar, and a whole calculating cast of Disney Villains are here to compete for cutest crochet pattern and claim their rightful place on your shelf.

Insight Editions: Disney Villains
Amigurumi

Disney Villains Amigurumi

20+ Crochet Patterns for the Unapologetic Crafter

Knit 35 GORGEOUS and COLORFUL baby blankets, whether for your own little one or to give as cherished gifts. Features patterns for the NURSERY, TRAVEL, and PLAY, from a newborn cocoon to a lightweight shawl and a tactile bobble blanket. From the first car journey to an outing in a stroller, a knitted blanket will accompany a baby wherever they go. Laura Strutt has designed a teddy bear travel blanket that cleverly folds away into a pillow and a hooded wrap for keeping cozy in a sling. For the nursery there is a soft crib cover and an overalls-style sleeping bag in breathable merino wool–perfect for a peaceful night’s rest. For playtime, there’s a cotton-backed blanket that can double up as a rug to take out and about and a tiny comforter blanket guaranteed to become their closest companion. With beautiful yarns, stunning designs, and a handy guide to all the techniques you'll need, there is a blanket here ready for you to make and for the new arrival to treasure for years to come.

35 gorgeous and sustainable knitting projects that use natural or recycled yarns.&nbsp;

With over 35 stunning designs, this collection will not only help you slow down and be in the moment, but also uses only natural or recycled yarns, allowing you to be kind to the planet too. The projects include items to make for yourself and your home, such as textured facecloths, reusable make-up removers and a classic market bag. You’ll also learn how to make garments and accessories including a striped stash-buster jumper, yoga socks and a stylish bucket hat. Finally, there is a range of practical and eye-catching decorations, from a chunky floor cushion and cosy throw to a striking wall hanging. All of the projects use recycled yarns or natural fibres such as eco-friendly cotton, wool and bamboo, and many are perfect for using up leftover yarns from other projects. With practical designs in gorgeous colour palettes, these patterns show you how to knit beautiful pieces while also reducing your impact on the environment.

Beautiful Covers, Cute Comforters, Fun Playmats, and More

Knitted Baby Blankets: 35 patterns to make

Discover the secrets of titans including Godzilla, Kong, Mothra, King Ghidorah, and many more, with this in-universe artifact!

The Monarch Files: A Monsterverse Manual

Cinema Two

Hirokazu Koreeda

Why Sewing Matters

The Point of the Needle

The story of Scottish knitting: the first critical history and analysis of a local craft turned international icon.

From Fair Isle patterning to Pringle jumpers, Scottish knitwear is internationally renowned and instantly recognisable. This open access study unpicks the distinctive place of knitting in the Scottish landscape, economy, and culture from the 19th century to today.

Recent reappraisals of the industrial revolution and traditional craft economies, and the recent revival of hobby knitting during the Covid-19 pandemic, have raised new questions about the roles of social communities, sustainability and women's domestic work in the textile industries. Tracing its story from raw material to final product, from home-spun clothes and crafts to luxury markets and industrial-scale production, Knitting in Scotland investigates the Scottish knitting trade's remarkable survival across two centuries of economic and cultural modernisation.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by UKRI.

Culture, Craft and Industry c.1880-2020

Knitting in Scotland

Library of Gender and Popular Culture

Stories of Repentance and Defiance

Gay Conversion Practices in Memoir, Film and Fiction

This showcases the production art, character and vehicle designs, planets, storyboards, and other breathtaking work created during the production of the hit Disney+ series.

The Art of Star Wars: The Acolyte

Jason Bourne

Robert Ludlum's™ The Bourne Revenge

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

This comprehensive volume dives into the making and legacy of James Cameron's legendary film Titanic, featuring new interviews, filmmaking facts, and behind-the-scenes photography.

James Cameron's Titanic

KINO - The Russian and Soviet Cinema

Observing the Body in Physical and Visual Culture

Soviet Spectatorship

Through a re-examination of the theoretical study of time and embodiment, this collection proposes an innovative new discourse in which to situate film. Each of its essays, written by a host of renowned international scholars, demonstrate the embodiment of time to be a vital part of the aesthetic experience of cinema. Analysing a broad range of films such as Beasts of the Southern Wild (USA, 2012), Talk to Her (Spain, 2002), Millennium Actress (Japan, 2001), Jab Tak Hai Jaan (India, 2012), and Jinpa (China, 2018), they each draw specific attention to moments of change and transformation, so as to explore how films operate as dynamic carriers of social meaning. Contributors examine key questions of embodied time as represented on screen; as a way of rethinking the centrality of the individual, of depicting gendered differences, of decentring western perspectives to consider embodied time in a widened global context, and as a way of expanding what embodiment means in post-human narratives. In doing so, this study not only highlights specific discourses of radical, lived experience in film, but also considers how distinctions of race and class, gender and sexuality, migration, religion, and indigeneity affect these depictions of embodied subjectivity.

Time and the Cinematic Body

Radical Embodiment on Film

Disney Villains Amigurumi

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