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Landreth J: Dirty Laundry

Dirty Laundry

Unravelling the Threads of a Marriage

Untitled JC

If there's one thing that Joanne McNally knows it's that we may have smart phones, Prozac and Prosecco, but we're still just animals trying to survive. And in Femme Feral, she explores the chaos and exhilaration that results from following our basic instincts. Blending stories from her life with wider observations about what it means to be a 'single, unfertilised female in her 30s'. Femme Feral is both hilarious and reassuring, boldly revealing that Joanne knows exactly the BS that most of us grow up with and can never quite escape. Whether it's body image, booze, fashion, dodgy boyfriends, withholding therapists, weak pelvic floors or figuring out how to be enough - this book shows that no woman is out there on her own. Raucously funny and infinitely insightful, Femme Feral is Joanne McNally's dazzling survival manifesto.

LUST, GREED, PRIDE, ENVY...WHATEVER YOUR SIN OF CHOICE, THIS BOOK WILL SHOW YOU HOW TO DO IT RIGHT If there's one thing that Joanne McNally knows how to do, it's how to have a good time - and in Seven Deadly Sins, she explores how much fun being bad can be. Using each of the original seven deadly sins as a mirror, she blends stories from her life with wider observations about what it means to be a 'single, unfertilised female in her 30s' living in the modern world. This book is full of everything that the world throws at women with the expectation that they take it in their stride: from observations on celebrity, sex and wine, to stories of being an outcast, facing eating disorders and - yes - being ghosted by your therapist, this book shows that no woman is out there on her own. Raucously funny, relatable and infinitely insightful, Seven Deadly Sins is Joanne McNally's manifesto on womanhood, from an actual human woman, for other human women of every age.

Femme Feral

Oscar-winning writer Steve Tesich masterfully creates and destroys the sad, mad world of Saul Karoo. Karoo is an alcoholic who can't get drunk, a loving father who can't bear to be alone with his son, a fixer of film scripts who admits that he ruins every one of them. Calamity and comedy accompany Saul on his odyssey through sex, death and showbusiness as he seeks to 'fix' both a master director's greatest film and his own broken life at the same time.

Oscar-winning writer Steve Tesich masterfully creates and destroys the sad, mad world of Saul Karoo. Karoo is an alcoholic who can't get drunk, a loving father who can't bear to be alone with his son, a fixer of film scripts who admits that he ruins every one of them. Calamity and comedy accompany Saul on his odyssey through sex, death and showbusiness as he seeks to 'fix' both a master director's greatest film and his own broken life at the same time.

Karoo

Journalism has an awkward relationship with innovation. On the one hand, as networked media keep disrupting business-as-usual, news organizations and journalism schools have been forced to celebrate and invest in innovation. And journalists on all beats increasingly report on innovation because of tectonic cultural, economic, and political shifts happening around the world. On the other hand, knowledge about how innovation works is perilously scattered and uneven across the field of journalism. Innovation tends to be viewed through a technology lens that unduly emphasizes newly commercialized news products and other digital breakthroughs. Often, innovation is just dismissed as jargon. This book aims to rescue innovation from misuse and leverage its power for solving problems. Drawing on ideas and techniques from a new source¿social innovation¿the books maps out a way forward for readers interested in changing and sustaining journalism. The social innovation solution isn¿t about a single answer to journalism¿s problems¿that answer doesn¿t exist. Instead, the social innovation solution is about tapping into our collective capacity for innovation. Having stood the test of time and academic scrutiny, social innovation is no fad or gimmick. The ideas and techniques presented in this book allow readers to try out social innovation for themselves¿for reporting on innovation and social change, for innovating a newsroom or organization, or for reimagining the meaning and function of journalism in today¿s networked world. The book will be a resource for media workers, educators, researchers, or students who have embraced the challenge of revitalizing journalism.

Journalism has an awkward relationship with innovation. On the one hand, as networked media keep disrupting business-as-usual, news organizations and journalism schools have been forced to celebrate and invest in innovation. And journalists on all beats increasingly report on innovation because of tectonic cultural, economic, and political shifts happening around the world. On the other hand, knowledge about how innovation works is perilously scattered and uneven across the field of journalism. Innovation tends to be viewed through a technology lens that unduly emphasizes newly commercialized news products and other digital breakthroughs. Often, innovation is just dismissed as jargon. This book aims to rescue innovation from misuse and leverage its power for solving problems. Drawing on ideas and techniques from a new source—social innovation—the books maps out a way forward for readers interested in changing and sustaining journalism. The social innovation solution isn’t about a single answer to journalism’s problems—that answer doesn’t exist. Instead, the social innovation solution is about tapping into our collective capacity for innovation. Having stood the test of time and academic scrutiny, social innovation is no fad or gimmick. The ideas and techniques presented in this book allow readers to try out social innovation for themselves—for reporting on innovation and social change, for innovating a newsroom or organization, or for reimagining the meaning and function of journalism in today’s networked world. The book will be a resource for media workers, educators, researchers, or students who have embraced the challenge of revitalizing journalism.

Social Innovation Journalism

Stop apologizing for who you are and get the life you want

How to be a Boss Bitch

'India Knight is a LEGEND in the beauty industry. I am OBSESSED with her column because you can trust her to get it right every single time!' Charlotte TilburyWith beauty, as with so much else, knowledge is power. Here's all of mine. Why has my favourite eyeliner stopped looking flattering?What can I do about the skin on my neck?Am I too old for contour? What is contour?Every week, tens of thousands of women turn to India Knight's beauty column in the Sunday Times Style Magazine, to be directed to beauty products that really work by someone they can trust - and who understands how much this stuff matters. It matters because looking, and therefore feeling, like yourself at every stage of life is fundamental. In this brilliant, essential, reassuring book, India has distilled her beauty wisdom into practical advice for every part of the face and beyond: from tips for thinning lips and thinning hair, to the best skincare for older faces, to the make-up products that really make a difference, to demystifying the scientific jargon beloved by the beauty industry. If you would rather not use 35 products on your face every morning or watch how-to videos on TikTok, or if you have ever looked in the mirror and found yourself thinking 'Who is that?', then India Knight's Beauty Edit is the book you've been waiting for. It is a glorious and indispensable celebration of how to be old(er) with minimum fuss and a generous helping of grace, confidence and style. 'Women shouldn't aim to look younger, they should aim to look better, and India Knight totally gets that. Her beauty advice is solid gold' Bobbi Brown'I love India's beauty advice' Victoria Beckham

'India Knight is a LEGEND in the beauty industry. I am OBSESSED with her column because you can trust her to get it right every single time!' Charlotte Tilbury With beauty, as with so much else, knowledge is power. Here's all of mine. <ul><li>Why has my favourite eyeliner stopped looking flattering?</li><li>What can I do about the skin on my neck?</li><li>Am I too old for contour? What is contour?</li></ul>Every week, tens of thousands of women turn to India Knight's beauty column in the Sunday Times Style Magazine, to be directed to beauty products that really work by someone they can trust - and who understands how much this stuff matters. It matters because looking, and therefore feeling, like yourself at every stage of life is fundamental. In this brilliant, essential, reassuring book, India has distilled her beauty wisdom into practical advice for every part of the face and beyond: from tips for thinning lips and thinning hair, to the best skincare for older faces, to the make-up products that really make a difference, to demystifying the scientific jargon beloved by the beauty industry. If you would rather not use 35 products on your face every morning or watch how-to videos on TikTok, or if you have ever looked in the mirror and found yourself thinking 'Who is that?', then India Knight's Beauty Edit is the book you've been waiting for. It is a glorious and indispensable celebration of how to be old(er) with minimum fuss and a generous helping of grace, confidence and style. 'Women shouldn't aim to look younger, they should aim to look better, and India Knight totally gets that. Her beauty advice is solid gold' Bobbi Brown 'I love India's beauty advice' Victoria Beckham

India Knight's Beauty Edit

Andrei Sinyavsky wrote In Gogol's Shadow while serving time in a Soviet labor camp. Opening with Gogol's funeral, this unorthodox biography strips the man away from the myth. Sinyavsky challenges the deeply held Russian and Soviet view—promoted by Gogol—that Gogol was first and foremost a political writer, whose biting satire was part of a quest for his country's salvation. In Gogol's Shadow reveals a writer more obsessed with language than with politics. Gogol's attempt to force his art neatly into the function of exposing social ills is undermined by his uncanny imagination and inventiveness. Over the course of his investigation, Sinyavsky's own style comes to recall the digressive, free-flowing prose of the author of Dead Souls and The Government Inspector. This irreverent and incisive analysis of Gogol's life and work is a path-breaking exploration of literary creativity in times of strict censorship and ideological control.

In Gogol's Shadow

Essays on Women

The new edition of Comparative Media Law and Ethics further explores differing legal and ethical systems as they relate to media practice and regulation around the world. Updated material in this expanded edition includes exploration of different approaches to libel law on social media, assessment of the impact of WikiLeaks on state and national security law, libel law developments in US and UK, changes to privacy media law and media regulation in the UK in light of the Leveson Inquiry and more international analysis of media law issues in countries including Denmark, India, Indonesia, China and Hong Kong. Additional updates include an expanded glossary and new companion website materials.

The new edition of Comparative Media Law and Ethics further explores differing legal and ethical systems as they relate to media practice and regulation around the world. Updated material in this expanded edition includes exploration of different approaches to libel law on social media, assessment of the impact of WikiLeaks on state and national security law, libel law developments in US and UK, changes to privacy media law and media regulation in the UK in light of the Leveson Inquiry and more international analysis of media law issues in countries including Denmark, India, Indonesia, China and Hong Kong. Additional updates include an expanded glossary and new companion website materials.

Comparative Media Law and Ethics

How I shed my shame to find sexual freedom and you can too

Feeling Myself

Focusing on social types during the July Monarchy, Pauline de Tholozany argues that the popularity of typologies in France participated in the construction of a national ideal conceived as a sum of individual parts. Tholozany shows that types such as the dandy, flâneur, and grisette abounded in plot-riven literary genres and in journalistic sketches, signaling a fear of obsoleteness that continually evolving printing technologies cast on social thought, thereby inaugurating a new way of thinking about society.

Focusing on social types during the July Monarchy, Pauline de Tholozany argues that they played a role in the construction of a national ideal in France during the period. As Tholozany shows, types such as the dandy, flÃ¢neur (including the child flÃ¢neur), and  grisette abounded, both in plot-driven literary genres and in journalistic sketches. At the same time, in classifying and describing these types, writers such as Jules Janin and Honoré de Balzac in collaboration with graphic artists insisted on the impossibility of establishing a stable social taxonomy. This paradoxical gesture, Tholozany claims, has larger consequences, since the social type’s resistance to a stable classification ultimately points to the difficulty of defining national identity as the sum of its typological parts. Reminding us that character, type, and stereotype are all words borrowed from printing technologies, Tholozany suggests that the types in what Walter Benjamin called panoramic literature signal a fear of obsoleteness that continually evolving printing technologies cast on social thought, a response that inaugurated a new way of thinking about society.

The (Un)Making of National Identity in France

Social Types in Nineteenth-Century French Literature and Journalism

Dirty Laundry

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