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Lee J: Design Thinking

Design Thinking

Creativity, Collaboration and Culture

Arte

Arte 20

God's Architect

Gaudi

A Grass Roots Designer’s Guide to Working Abroad

Design Beyond Borders

Unter den hochtechnologischen Bedingungen der Gegenwart wird Materialität in Wissenschaft wie Kunst zunehmend als Agent aufgefasst, der jenseits bewusster menschlicher Wahrnehmung in ökologischen, digitalen oder neuronalen Umwelten angesiedelt ist. In diesem Zusammenhang bezeichnet der Begriff des nonconscious (N. Katherine Hayles) sowohl Formen computergestützter Erfahrung als auch neuronale körperliche Prozesse. Die Beiträge dieser interdisziplinären Publikation fragen nach den Konsequenzen des Nicht-Bewussten als Werkstoff und Vorstellung für ästhetische Praktiken. So öffnen sie insbesondere die an Vorstellungen von Reflexivität und Intentionalität orientierte Theorie, Geschichte und Praxis zeitgenössischer Kunst für neue kritische Lesarten. <ul> <li>Gibt es eine Kunst ohne Bewusstsein? </li> <li>Neue Lesarten von Theorie und Geschichte zeitgenössischer Kunst </li></ul>

Under the present day's highly technological conditions, materiality in science as well as art is perceived increasingly as an agent located beyond conscious human perception in ecological, digital or neuronal environments. In this context, the term nonconscious (N. Katherine Hayles) refers to forms of computer-based experience as well as neuronal bodily processes. The contributions to this interdisciplinary publication enquire into the consequences of the nonconscious as material and imagination for aesthetic practices. In particular, they encourage new critical readings of the theory, history and practice of contemporary art oriented towards notions of reflexivity and intentionality. <ul><li>Is there art without consciousness?</li><li>New interpretations of the theory and history of contemporary art</li></ul>

Beiträge zur technologischen Ästhetik der Gegenwart

Kunst ohne Bewusstsein?

An in-depth exploration of the work of Frederick Kiesler, the visionary architect, with a special focus on his Mobile Home Library. Frederick Kiesler: Vision Machines explores the work of Austrian architect, theater designer, and theorist Frederick Kiesler (1890–1965). The book’s centerpiece is a close examination of Kiesler’s iconic but unrealized Mobile Home Library, which will be fabricated for the first time and photographed for the publication. Built around a speculative essay by Mark Wasiuta, tracing Kiesler’s visionary, even obsessive interest in sight, dreams, looking, and reading, the book covers Kiesler’s research and teaching at Columbia University’s School of Architecture in the late 1930s and 1940s, focusing on the main projects he developed at his Design Correlation Laboratory, the Mobile Home Library and the Vision Machine. The Vision Machine was imagined as an ambitious device intended to visualize human sight, from optics and nerve stimuli to dream content and hallucinations. The Mobile Home Library was conceived as a dynamic, modular object—part device, part furniture—whose repertoire of rotating, spinning movements allowed variable forms of interaction with readers and users. At first glance these two projects barely resemble each other. Yet together they illustrate the strange and astonishing scope of Kiesler’s correalism, which spanned and confused his biotechnique (a biologically-oriented design process aimed at fostering human health) and his techno-oneiric surrealism. The book is published in conjunction with an exhibition at the Graham Foundation in Chicago in Fall 2024, but is a stand-alone volume. It presents Wasiuta’s substantial research and thinking on Kiesler, a wealth of photographs, drawings, documents, film stills, and pedagogical experiments from Kiesler’s laboratory, as well as photographs of the exhibition’s centerpiece, the (re)construction of the never-built Mobile Home Library. Frederick Kiesler was born in Czernowitz, Austria-Hungary (now Ukraine) in 1890 and died in New York in 1965. For a short time, he was a member of De Stijl, he briefly partnered with Adolf Loos in the 1920s, and he was an associate of many avant-garde artists, including Man Ray and Fernand Léger.

An in-depth exploration of the work of Frederick Kiesler, the visionary architect, with a special focus on his Mobile Home Library. Frederick Kiesler: Vision Machines explores the work of Austrian architect, theater designer, and theorist Frederick Kiesler (1890–1965). The book’s centerpiece is a close examination of Kiesler’s iconic but unrealized Mobile Home Library, which will be fabricated for the first time and photographed for the publication. Built around a speculative essay by Mark Wasiuta, tracing Kiesler’s visionary, even obsessive interest in sight, dreams, looking, and reading, the book covers Kiesler’s research and teaching at Columbia University’s School of Architecture in the late 1930s and 1940s, focusing on the main projects he developed at his Design Correlation Laboratory, the Mobile Home Library and the Vision Machine. The Vision Machine was imagined as an ambitious device intended to visualize human sight, from optics and nerve stimuli to dream content and hallucinations. The Mobile Home Library was conceived as a dynamic, modular object—part device, part furniture—whose repertoire of rotating, spinning movements allowed variable forms of interaction with readers and users. At first glance these two projects barely resemble each other. Yet together they illustrate the strange and astonishing scope of Kiesler’s correalism, which spanned and confused his biotechnique (a biologically-oriented design process aimed at fostering human health) and his techno-oneiric surrealism. The book is published in conjunction with an exhibition at the Graham Foundation in Chicago in Fall 2024, but is a stand-alone volume. It presents Wasiuta’s substantial research and thinking on Kiesler, a wealth of photographs, drawings, documents, film stills, and pedagogical experiments from Kiesler’s laboratory, as well as photographs of the exhibition’s centerpiece, the (re)construction of the never-built Mobile Home Library. Frederick Kiesler was born in Czernowitz, Austria-Hungary (now Ukraine) in 1890 and died in New York in 1965. For a short time, he was a member of De Stijl, he briefly partnered with Adolf Loos in the 1920s, and he was an associate of many avant-garde artists, including Man Ray and Fernand Léger.

Vision Machines

Frederick Kiesler

Creating for Playing, Learning and Growing

Designing for Kids

Hatje Cantz Text

Where is Charles Simonds? Throughout the 1970s, his

diminutive Dwellings, tiny architectural ruins of an imaginary civilization, could be found throughout the crumbling

infrastructure of downtown New York. Preoccupied with
the relationship between the grown and the built, the
archaeological and the urban, Simonds shared friendship
and ideas with Gordon Matta-Clark and Robert Smithson.
Like Lucy Lippard, with whom he lived during that decade,
Simonds believed in combining art and activism, always
preferring what he called the "real world" to the art world.
Yet despite taking part in many of the seminal exhibitions
and art events of 1970s New York, Simonds has left few
traces on art history. In order to explain Simonds's absence
while simultaneously arguing for his central place within it,

Jules Pelta Feldman reconsiders the decade's self-conception, finding that Simonds exemplifies much of what has

been ignored in 1970s art¿and much of what establishes
it as a unique period of experimentation and possibility.

Where is Charles Simonds? Throughout the 1970s, his

diminutive Dwellings, tiny architectural ruins of an imaginary civilization, could be found throughout the crumbling

infrastructure of downtown New York. Preoccupied with
the relationship between the grown and the built, the
archaeological and the urban, Simonds shared friendship
and ideas with Gordon Matta-Clark and Robert Smithson.
Like Lucy Lippard, with whom he lived during that decade,
Simonds believed in combining art and activism, always
preferring what he called the “real world” to the art world.
Yet despite taking part in many of the seminal exhibitions
and art events of 1970s New York, Simonds has left few
traces on art history. In order to explain Simonds’s absence
while simultaneously arguing for his central place within it,

Jules Pelta Feldman reconsiders the decade’s self-conception, finding that Simonds exemplifies much of what has

been ignored in 1970s art―and much of what establishes
it as a unique period of experimentation and possibility.

Charles Simonds and the Seventies

Blue Period

Yatora ist als einer der Gewinner aus dem AOJ-Kunstwettbewerb hervorgegangen. Doch so recht freuen kann er sich darüber nicht. Denn als Inspiration diente ihm Sanadas tragische Geschichte - die er als Außenstehender für sich benutzt hat. Geplagt von seinem schlechten Gewissen fragt Yatora sich, ob er jemals "ehrliche" Kunst erschaffen kann ...

Blue Period 16

BASICS

In Zeiten des Klimawandels rücken neben dem Einsatz ressourcenschonender Materialien auch die Auswirkungen der klimatischen Bedingungen auf die Zusammensetzung von Baustoffen, Bauelementen und innerhalb der Baukonstruktion in den Vordergrund. Der Wärmeschutz als Bestandteil der bauphysikalischen Lehre spielt hierbei eine besondere Rolle. Ziele, wie die Reduzierung des Wärmeeintrags in Gebäude und eine Verhinderung der Auskühlung von Innenräumen bei geringen Außentemperaturen durch konstruktive Maßnahmen und die Wahl richtiger Materialien reduzieren den Einsatz zusätzlicher Energien für die Klimatisierung. In diesem Band werden die weiteren Ziele des Wärmeschutzes ausgearbeitet, durch bauphysikalische Grundlagen hinterlegt und die Umsetzung im Rahmen der Baustofflehre und Baukonstruktion dargestellt. <ul> <li> Ergänzung des Bereichs Bauphysik innerhalb der Reihe </li> <li> Grundlagenwissen für alle Studierende der Architektur </li> <li> Fächerübergreifende Betrachtung Bauphysik, Baustofflehre, Baukonstruktion </li> </ul>

In these times of climate change, the effects of climatic conditions on the composition of building materials, components and structures are coming to the fore alongside the use of resource-efficient materials. Of particular importance is the role of thermal insulation in structural physics. Approaches such as reducing heat influx, using design features to prevent interior cooling in low outdoor temperatures, and the choice of materials can reduce the need for energy-intensive air conditioning. This volume looks at various objectives of thermal insulation, grounded in principles of structural physics, materials science, and structural design. <ul><li> A valuable addition to the Basics series on the theme of structural physics </li><li> Foundational knowledge for all students of architecture </li><li> Interdisciplinary view of structural physics, building materials, and structural design </li></ul>

Basics Wärmeschutz

Let these cutting-edge tools revolutionize your architectural problem-solving Recent technological advances, including rapid development of high-performance computing power, have produced computational tools for architects and designers that are swiftly revolutionizing the field. Two of these tools, parametric analysis and generative design, can be used together to model complex problems and test solutions with extraordinary speed and efficiency. The next generation of architects and designers will bring these tools to bear in a transformed professional landscape. Parametric Analysis and Generative Design in Architectural Practice offers a detailed introduction to these tools and their applications. Balancing theory and practice, it is replete with useful examples and provides algorithms for three different architectural scales: urban design, building design, and interior design. A foundational discussion on machine learning in architectural practice is presented, along with examples of machine learning applications for energy analysis and solar analysis. It is a must-own for architects looking to leverage an unprecedented level of computational power. The book also includes: <ul> <li>Detailed guidelines for building performance simulation for energy analysis and daylight analysis</li> <li>Algorithms for scales from interiors to buildings to entire cityscapes</li> <li>Discussion of how to implement machine learning in order to solve complex problems</li> </ul> Parametric Analysis and Generative Design in Architectural Practice is ideal for professionals and students at every level looking to diversify their architectural toolkit.

Parametric Analysis and Generative Design in Archi tectural Practice

This bestselling user guide offers an extensive and visually appealing outline of all creative processes and thinking tools. It is suitable for beginners as well as for those ready to widen their thinking horizon, but also for creative professionals looking for a useful hands-on compendium.

This manual offers a comprehensive and visually well-prepared overview of creative processes and thinking tools.
This bestselling user guide offers an extensive and visually appealing outline of all creative processes and thinking tools. It is suitable for beginners as well as for those ready to widen their thinking horizon, but also for creative professionals looking for a useful hands-on compendium.
As an innovation coach, Florian Rustler helps the creativity of individuals and groups and provides tools and structures with which ideas can be systematically developed. The content is based on over 50 years of scientific research on creativity and innovation and over 10 years of consulting and moderation experience of the author. All approaches have been tried and tested in real customer projects worldwide. The methods are always embedded in a larger framework that shows how they can be anchored in innovation processes such as design thinking and creative problem solving. The reader learns exactly when, how and why which procedure is used.

The Little Handbook of Innovation Methods

Thinking Tools for Creativity and Innovation

Design Thinking

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