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Routledge Advances in Popular Culture Studies

Depicting the Afterlife in Contemporary
Film and Media

Depicting the Afterlife in Contemporary Film and Media

Morality, Religion and Death

Icon, Brand, Celebrity and Fandom

The Barbie Phenomenon, Volume 2

Gender, Identity, Race and Sexuality

The Barbie Phenomenon, Volume 1

Conjuring American Popular Culture

Ouija

From the Tudors to the Windsors

The British Royals in Popular Culture

Critical Approaches to The Golden Girls

Down the Road and Back Again

This book provides a critical overview of the cultural impact of the Murder, She Wrote TV series and it's paratextual elements including board and video games, podcasts, fan conventions, collectible figures, and ghostwritten novels.

This book provides a critical overview of the cultural impact of the Murder, She Wrote TV series and it’s paratextual elements including board and video games, podcasts, fan conventions, collectible figures, and ghostwritten novels.

The Afterlives of a Popular Culture Phenomenon

Reassessing Murder, She Wrote

This book interrogates the significance of the revival and reformulation of the romance genre in the postmillennial period.

This book interrogates the significance of the revival and reformulation of the romance genre in the postmillennial period. Emma Roche examines how six popular novels, published between 2005 and 2015 (Twilight, Fifty Shades of Grey, Gone Girl, Sharp Objects and The Girl on the Train), reanimate and modify recognisable tropes from the romance genre to reflect a neoliberal and postfeminist cultural climate. As such, Roche argues, these novels function as crucial spaces for interrogating and challenging those contemporary gender ideologies.Throughout the book, Roche addresses and critiques several key attributes of neoliberal postfeminism, including a pervasive emphasis on individualism and personal responsibility; an insistent requirement for self-monitoring, self-surveillance, and bodywork; the celebration of consumerism and its associated pleasures; the prescription of mandatory optimism and suppressing one’s ‘negative’ emotions; and the endorsement of choice as a primary marker of women’s empowerment. While much critical attention has been devoted to those attributes and their pernicious effects, Roche argues that one crucial repercussion has been largely overlooked in contemporary cultural criticism: how these ideologies function together to effectively sanction gender-based violence. Thus, Roche exploits textual analysis to demonstrate the subtle ways in which neoliberal postfeminism can augment women’s vulnerability to male violence.

Women, Violence and Postmillennial Romance Fiction

This book explores the ways in which the current metatextual turn, in both the usual genres in which it appears and its movement into drama and sitcom, represents the next turn in television's inherent self-awareness.

This book explores the ways in which the current metatextual turn, in both the usual genres in which it appears and its movement into drama and sitcom, represents the next turn in television’s inherent self-awareness.

A History of US Popular Television's Self-Awareness

Meta Television

This multinational, multidisciplinary collection of essays focuses on Hallmark Channel movies and Hallmark's position in the changing North American media landscape.

This multinational, multidisciplinary collection of essays focuses on Hallmark Channel movies and Hallmark’s position in the changing North American media landscape.

Countdown to Romance

Critical Perspectives on the Hallmark Channel

This book interrogates the significance of the revival and reformulation of the romance genre in the postmillennial period.

A Cultural History of Mainstream Emo

Tell All Your Friends

The definitive guide to manga, from renowned manga historian Helen McCarthy.

The definitive guide to manga, from renowned manga historian Helen McCarthy.

The Manga Bible

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career.

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career. George Michael hated having his photo taken, which makes this stunning collection of images spanning over 20 years such an unusual and beautiful tribute to one of the most consummate performers the music world has ever seen. Brian Aris first met George when he shot him and his Wham! colleague Andrew Ridgeley in 1984. He gained George's trust and subsequently took some of the most iconic shots of the star that provide an illuminating document of a complex character. With text documenting George's life and Brian's memories of his sessions and meetings with the star, together with iconic images, contact sheets and previously unseen images, this is a beautiful tribute to pop's most likeable and talented singer.

George Michael: A Life in Pictures

Britain Between The Wars

Shellshocked

The Summer of 1976 – Britain at Boiling Point

Heatwave

Discourses of Law

In response to the rise of administrative rationality, this book draws on history, social anthropology and political theology, to examine the current crisis of faith in the legal and political constitutional imagination. Through a close reading of developments in crisis-stricken Greece and beyond, Marinos Diamantides maintains that the totalizing idea of an absolute but relational power of self-constitution applicable everywhere is the result, not of discarding but, attributing to man, the power of God. Forging a new vocabulary and new instruments by which to understand and respond to various crises in the contemporary state form, this book will be of enormous interest to scholars, students and others with an interest in current legal and political theory.

In response to the rise of administrative rationality, this book draws on history, social anthropology and political theology, to examine the current crisis of faith in the legal and political constitutional imagination. An important body of law and society research has helped move jurisprudence beyond legal formalism. While the debt of law to more fundamental social and political phenomena has been established, the link between contemporary thinking of society, politics and law to pre-modern philosophical and religious metaphysics was and is still denied both by formalists and anti-formalist realists promoting the rise of social sciences in law. This book contests the premises of such secular optimism, arguing that modern constitutionality still involves legal and political values, rights entitlements and social formations that reflect the particular metaphysical postulates of a bygone era. Even as the constitution of world society is widely described as the result of fragmented and impersonal processes, the occidental fantasy of a sovereign power remains operative. Succinctly – and through a close reading of developments in crisis-stricken Greece and beyond – Marinos Diamantides maintains that the totalizing idea of an absolute but relational power of self-constitution applicable everywhere is the result, not of discarding but, attributing to man, the power of God. Forging a new vocabulary and new instruments by which to understand and respond to various crises in the contemporary state form, this book will be of enormous interest to scholars, students and others with an interest in current legal and political theory.

Sociality, Political Theology and the Modern Constitutional Imagination

Beyond Law and Revolution

Routledge Methodist Studies Series

This book examines two main themes which had national significance in eighteenth-century British Methodism. First, the interaction between the two distinct theological expressions of Methodism; Calvinist and Arminian. The 'parting of the ways' marks the first major split in Methodism as the differences of theological understanding changed into the demarcation of religious organisations. The core of the book will feature a series of case-studies which explore Calvinist and Arminian Methodists in a number of key locations, where competition and even religious take-over bids were used by John Wesley's movement to gain religious dominance. Secondly, the book explores the nature of John Wesley's leadership of his movement, and especially how the competition between the Calvinist and Arminian strands of Methodism made it necessary for Wesley to change the way he exercised his leadership and authority. This will be examined through Wesley's role as connexional leader and his relationships with individual preachers and society members. Hart also explores both the reasons his leadership changed over the period of the study and the impact these changes had in the local context. The book will explore how these changes were made necessary by the increasing size of his 'Connexion' and the attendant changes in the application of Wesleyan discipline especially on the itinerant preachers. Whilst much has been written about Wesleyanism, and more specifically about John Wesley as a religious leader, and there is now an increase of interest in George Whitefield and the Calvinist branch of Methodism. This book is unique in examining how the two affected each other at the local level. The book shows that, however united were the leaders of early Methodism even in their theological diversity, in promoting evangelical revival their unity was not strong enough to hold together the religious movements they founded.

This book examines two main themes which had national significance in eighteenth-century British Methodism. First, the interaction between the two distinct theological expressions of Methodism; Calvinist and Arminian. The ’parting of the ways’ marks the first major split in Methodism as the differences of theological understanding changed into the demarcation of religious organisations. The core of the book will feature a series of case-studies which explore Calvinist and Arminian Methodists in a number of key locations, where competition and even religious take-over bids were used  by John Wesley’s movement to gain religious dominance. Secondly, the book explores the nature of John Wesley’s leadership of his movement, and especially how the competition between the Calvinist and Arminian strands of Methodism made it necessary for Wesley to change the way he exercised his leadership and authority. This will be examined through Wesley’s role as connexional leader and his relationships with individual preachers and society members. Hart also explores both the reasons his leadership changed over the period of the study and the impact these changes had in the local context. The book will explore how these changes were made necessary by the increasing size of his ’Connexion’ and the attendant changes in the application of Wesleyan discipline especially on the itinerant preachers.    Whilst much has been written about Wesleyanism, and more specifically about John Wesley as a religious leader, and there is now an increase of interest in George Whitefield and the Calvinist branch of Methodism. This book is unique in examining how the two affected each other at the local level. The book shows that, however united were the leaders of early Methodism even in their theological diversity, in promoting evangelical revival their unity was not strong enough to hold together the religious movements they founded.

Calvinist and Arminian Theology in Eighteenth-century British Methodism

Reclaiming Intimacy in a Disconnected World

The Love Fix

Commonly known as Dalits, or Untouchables, Paraiyar Christians are a large socially marginalised group living in India within a dynamic and complex social matrix dominated by the caste system. This book presents a detailed exploration of Paraiyar communities, focusing on their religious and cultural identity and examining their worldview within the dominant 'Hindu' religious worldview. Exploring Dalits' wider social context and boundaries, ascribed and achieved identity, and the use of religious symbolism and ritual, this book highlights various tensions and areas of creativity among Paraiyar Christians and how they negotiate their lives within a hierarchical system. Anderson Jeremiah argues that the category 'religion' is inadequate, and he sheds light on the complexity of religious belief in marginalised indigenous communities. This inter-disciplinary, socio-ethonographic study of Dalit Christian community presents a significant anthropological study of Christianity as it is lived out in the grass roots of a marginalised society.

Commonly known as Dalits, or Untouchables, Paraiyar Christians are a large socially marginalised group living in India within a dynamic and complex social matrix dominated by the caste system. This book presents a detailed exploration of Paraiyar communities, focusing on their religious and cultural identity and examining their worldview within the dominant 'Hindu' religious worldview. Exploring Dalits' wider social context and boundaries, ascribed and achieved identity, and the use of religious symbolism and ritual, this book highlights various tensions and areas of creativity among Paraiyar Christians and how they negotiate their lives within a hierarchical system. Anderson Jeremiah argues that the category 'religion' is inadequate, and he sheds light on the complexity of religious belief in marginalised indigenous communities. This inter-disciplinary, socio-ethonographic study of Dalit Christian community presents a significant anthropological study of Christianity as it is lived out in the grass roots of a marginalised society.

Dalit Culture, Identity and Theology

Hybrid Christianity

An Ancient Tool in a Modern World

The Evolving Brain

Routledge Interdisciplinary Perspectives on Literature

This book explores zombies, vampires, and witches in contemporary popular culture from a feminist perspective, analyzing a range of novels, television series, and films. Though some popular texts (from Harry Potter to Twilight) still use historically inherited conventions, many millennial texts (like True Blood, Maleficent, and The Walking Dead) utilize feminist-friendly monster-figures to critique regressive patriarchal ideologies, champion female monstrosity and female agency, and/or envision alternative socio-cultural formations. This book contributes to discussions in feminism, popular culture, gender and sexuality studies, cultural studies, film studies, and contemporary literature.

This book explores three monstrous figures prominent in contemporary popular culture—zombies, vampires, and witches—from a feminist perspective, visiting a range of novels, television series, and films from the 1990s-2010s. Though some popular mainstream texts (from Harry Potter to Twilight) still participate in historically inherited conventions, feminist analysis reveals that many millennial texts utilize monster-figures to critique regressive patriarchal ideologies and/or champion female monstrosity and (human) female agency. Rather than using zombies, vampires, and witches to conserve the status quo, millennial monsters and human heroes, especially female ones, are often deployed to envision a more feminist, egalitarian future with less violence and more social justice. In a culture in which post-feminist voices contend that feminists have achieved their aims and are thus no longer needed, this book argues instead that there still is a dire need for critical, active feminism. Monsters, creatures both incredibly potent and popular, can serve as conduits through which to lay bare existing problems and reveal possible ways forward. Popular texts like True Blood, Frozen, Maleficent, World War Z, and The Walking Dead use powerful female monsters and heroes not only to resist those forces that wish to maintain the status quo, but also to envision alternative socio-cultural formations. This book will contribute to essential discussions in feminism, popular culture, gender and sexuality studies, cultural studies, film studies, and contemporary literature.

Radical Monstrosity in Literature, Film, and TV

Feminist Perspectives on Contemporary Zombies, Vampires, and Witches

Toward a New Sociology of Religion

Religious Change in Post-Mao China

Depicting the Afterlife in Contemporary Film and Media

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Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel der Reihe: Routledge Advances in Popular Culture Studies

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