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Dance

Schaefer I: Dancers

Dancers

Choreographers in Dialogue

Cambridge Companions to Music

"A Companion not only to Stravinsky's path-breaking score, but to the ballet's legacy across the centuries. It illuminates the controversial Ballets Russes premiere in 1913 and the complex artistic developments and scholarly debates it set in motion, intertwining music, theatrical ballet and modern dance with the wider world of ideas"--

The Cambridge Companion to the Rite of Spring

MM City

100% authentisch, aktuell und vor Ort recherchiert. Inkl. App

MICHAEL MÜLLER REISEFÜHRER Prag MM-City

Die aufgeweckte Mizzi möchte Tanzen lernen. Doch als sie ihre Freund*innen zu einem Ballett-Schnupperkurs einlädt, kommen Zweifel auf: 'Ist Ballett nicht nur etwas für Mädchen?' oder 'Muss man dafür nicht ganz dünn sein?'. Geplagt von Gedanken über Erwartungen und Körperformen fragt sich Mizzi, ob sie denn wirklich tanzen kann. In einem inspirierenden Tanzkurs entdeckt sie, dass Tanzen für alle da ist.
Ein Buch, das dazu anregt, den ersten Tanzschritt zu wagen und von veralteten Ansichten loszulassen.

Ballett & Tanz für alle

Mizzi tanzt mit

Shakespeare and Adaptation

Gender, Sexuality, Race and Politics on Stage

Shakespeare and Ballet

Routledge Advances in Theatre & Performance Studies

The Dancer's Handbook offers a holistic exploration of the dance industry's challenges, authored by dancers intimately familiar with its complexities.

The Dancer’s Handbook offers a holistic exploration of the dance industry's challenges, authored by dancers intimately familiar with its complexities.

A Practical Guide to Reimagining Dance, Body, and Society by OFEN Co-Arts

The Dancer's Handbook

A terrible accident forces Natalia to make a devastating choice about her future as a dancer, in this sweeping novel of love and redemption

A Reese's Book Club Pick

City of Night Birds

The Choreography of Environments traces how the objects and architectural features of our homes and gardens shape who we are. Specifically, this book focuses on the 1950s iconic mid-century modern home and gardens of urban designer Lawrence Halprin and dancer Anna Halprin as a hidden archive. It explores four objects from their house and gardens - staircase, deck, chair, and window --to trace how, despite the conservative postwar climate, this intimate domestic space became a radical laboratory reshaping postmodern dance invention urban design and their expansion into civic, social, and environmental awareness in the twentieth and twenty-first centuries.

The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design explores how objects and the domestic spaces seep into the aesthetic consciousness of movement-based artists, like dancers and urban designers, significantly shaping their approach to movement invention and choreography. If these objects and spaces happen to have been designed by a leading modernist architect and landscape designer working with the dancer, then the aesthetic imprint is amplified. Dance innovation becomes pressed into dialogue with spatial, environmental, and urban agendas. The Choreography of Environments builds on this premise to consider the use of ordinary objects from a private residence as lenses into viewing dance innovation. 

Author Janice Ross posits the Halprins' 1950s iconic mid-century modern home and expansive outdoor dance deck as a hidden archive. She explores four objects from their house and gardens -- staircase, deck, chair, and window -- to trace how, despite the conservative postwar climate, this intimate domestic space became a radical template reshaping postmodern dance invention and its expansion into civic, social, and environmental engagement in the twentieth and twenty-first centuries. The work that happened in this white, middle class, Jewish-American home in a San Francisco suburb paved the way for changes that continue to resonate today across contemporary dance, performance, and urban design. These include: defamiliarizing urban landscape and gardens as cloistered theaters where civic identities are rehearsed, orchestrating collective problem solving and invention, normalizing the nude body, privileging a utilitarian and responsive rather than sentimental approach to dance in the environment, and re-positioning choreography as a vital medium for urban problem solving.

These four representative objects in the Halprin home are also used to trace the burgeoning of dance as a forceful medium for civic engagement, and its valorization of the ordinary in movement. As a whole, this book shows how dance, architecture, and landscape design would have a profound confluence through these shared domestic spaces and objects of the Halprins' lives.

How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design

The Choreography of Environments

Writing on Raving is the definitive mix of voices from the Brooklyn underground rave scene and beyond, providing fresh language for the shared and infinitely varied experience of dancing through the night until the morning.
New York rave culture is having a moment. The music, mostly, is techno, certain flavors of which became the soundtrack to a dancefloor culture that is queer in a different way to house music centered gay nightlife.&nbsp;Wark, Mak and Beery want to document and annotate and celebrate, but also critique, this world in the making. Writing on Raving centers the New York scene, but isn’t limited to it.
This is a book for all of those who need the rave. Who need to dance. Who have at some point needed that beat in their lives. This is a book for all those who have journeyed through the night, through sound, through movement, through chemistry, into other places, other times, other encounters.
This seeking gives us hours, years, on the dance floor to think about why we rave, to locate these reasons in our bodies and the space around us. But the rave is not the place to articulate them. It is too loud; our friends are too distracted, or too high. At the afters, tired and drained and covered in schmutz, we think some more. We look around at our raver friends, and wonder: How did we get here? What happened to us? What is this tentacular, thrashing, swelling thing that we all made together? That thing that is now slumped and aching and coming down now into our fragmentary, singular lives?
Between all of us, there are many answers to such questions. Wark, Mak and Beery have gathered their favorite ones to share in this first-ever anthology of writing on raving. 
Writing on Raving is a night of readings and performances about nightlife, dancing, and techno, about why we love these things, but also how that love is complicated. It brings together a diverse range of writers whose dispatches from dance floors, bedrooms, and their own histories hold a mirror to a community whose cultural preservation is still emergent. The series was founded in 2021 by Geoffrey Mak, Zoë Beery and McKenzie Wark and has included events in Brooklyn, San Francisco, and Los Angeles.

Writing on Raving

This book is a seminal seated dance guidebook for global dance and health practitioners. Seated dance is an inclusive and diverse form of physical activity, suitable for all, regardless of age or disability.

Take Your Seat!

The Practitioner’s Essential Guide to Teaching Seated Dance Across the Lifespan

As principal dancer with Montréal-based company La La La Human Steps, Louise Lecavalier was among the most iconic dancers of her generation: strong, muscled, androgynous, punk. Moving with spectacular speed, precision and an athletic physicality, her commitment to dancing would ultimately transform the potential of what bodies within Western concert dance could do.
 
 Drawing on extensive oral history accounts and archival material, the book follows Lecavalier's impact on the evolving aesthetic of La La La Human Steps, via the development of its early repertoire, and offers the first sustained account of her 1982 solo Non, Non, Non, je ne suis pas Mary Poppins. More, it tracks diverse influences and sources for the repertoire, complicating understandings of nationalism in Québec, while marking the significance of the collective in generating new aesthetics. What emerges is a portrait of the dancer as artist, icon, labourer and mover of cultural discourse. 
Featuring an expansive set of photos and ephemera, including performance documentation by photographer/activist Linda Dawn Hammond, production images by choreographer Édouard Lock and street photography by key players in the 1980s Montréal scene, this study offers a critical and celebratory appraisal of Lecavalier's unique contribution and the role of the dancer more broadly as a producer of culture.

As principal dancer with Montréal-based company La La La Human Steps, Louise Lecavalier was among the most iconic dancers of her generation: strong, muscled, androgynous, punk. Moving with spectacular speed, precision and an athletic physicality, her commitment to dancing would ultimately transform the potential of what bodies within Western concert dance could do.
 
 Drawing on extensive oral history accounts and archival material, the book follows Lecavalier’s impact on the evolving aesthetic of La La La Human Steps, via the development of its early repertoire, and offers the first sustained account of her 1982 solo Non, Non, Non, je ne suis pas Mary Poppins. More, it tracks diverse influences and sources for the repertoire, complicating understandings of nationalism in Québec, while marking the significance of the collective in generating new aesthetics. What emerges is a portrait of the dancer as artist, icon, labourer and mover of cultural discourse. 
Featuring an expansive set of photos and ephemera, including performance documentation by photographer/activist Linda Dawn Hammond, production images by choreographer Édouard Lock and street photography by key players in the 1980s Montréal scene, this study offers a critical and celebratory appraisal of Lecavalier’s unique contribution and the role of the dancer more broadly as a producer of culture.

Dance, Labor, Culture

Louise Lecavalier

Broadway Lights

Regel 1: Kein Sex. Regel 2: Keine Gefühle. Regel 3: Einmal ist keinmal ...&nbsp;Unser Theater am Broadway brennt. Und ich bin mittendrin. Meine Verletzungen sind oberflächlich, doch die Flammen bleiben in meinem Kopf. Das Problem meines Mitbewohners kommt mir so gerade recht: Er braucht eine Fake-Freundin und ich eine Ablenkung. Um seine Karriere als Musical-Darsteller weiterverfolgen zu können, muss Seth seine Familie und mit ihr die High Society von New York zufriedenstellen. Dafür benötigt er einen perfekten Plan, eine perfekte Freundin. Sollte uns nicht schwerfallen, immerhin sind wir beste Freunde. Und wir kennen das Fake-Dating-1x1 - kein Sex, keine Romantik. Doch vor allem Regel 1 ist gar nicht so leicht zu befolgen, wenn wir beide versuchen, die Realität zu vergessen, und schon die kleinste seiner Berührungen meine Welt ins Schleudern bringt ...&nbsp;Knisternde Fake Dating Romance meets High Society Vibes: 'Faded Glow' ist der Abschluss der Broadway-Dilogie von Elle Ellis. Die Liebesgeschichte zwischen Zelda und Seth gibt es als hochwertig veredelte Klappenbroschur mit dreiseitigem Farbschnitt - nur solange der Vorrat reicht!&nbsp;&nbsp;Persönliche Leseempfehlung von SPIEGEL-Bestsellerautorin Sarah Stangewitz: 
'Ich bin dem schillernden Broadway-Setting und dem Knistern zwischen Zelda und Seth beim Lesen restlos verfallen. Elle Ellis hat sich mit ¿Faded Glow¿ direkt in mein Herz geschrieben und damit ein absolutes Must-Read für alle Fake-Dating-Fans gezaubert.'//Beide Bände der fesselnden Musical Romance in New York sind unabhängig voneinander lesbar. Alle Romane der 'Broadway Lights': &nbsp; 
-- Band 1: Broken Shine&nbsp; 
-- Band 2: Faded Glow//&nbsp;

Regel 1: Kein Sex. Regel 2: Keine Gefühle. Regel 3: Einmal ist keinmal ...&nbsp;Unser Theater am Broadway brennt. Und ich bin mittendrin. Meine Verletzungen sind oberflächlich, doch die Flammen bleiben in meinem Kopf. Das Problem meines Mitbewohners kommt mir so gerade recht: Er braucht eine Fake-Freundin und ich eine Ablenkung. Um seine Karriere als Musical-Darsteller weiterverfolgen zu können, muss Seth seine Familie und mit ihr die High Society von New York zufriedenstellen. Dafür benötigt er einen perfekten Plan, eine perfekte Freundin. Sollte uns nicht schwerfallen, immerhin sind wir beste Freunde. Und wir kennen das Fake-Dating-1x1 – kein Sex, keine Romantik. Doch vor allem Regel 1 ist gar nicht so leicht zu befolgen, wenn wir beide versuchen, die Realität zu vergessen, und schon die kleinste seiner Berührungen meine Welt ins Schleudern bringt ...&nbsp;Knisternde Fake Dating Romance meets High Society Vibes: »Faded Glow« ist der Abschluss der Broadway-Dilogie von Elle Ellis. Die Liebesgeschichte zwischen Zelda und Seth gibt es als hochwertig veredelte Klappenbroschur mit dreiseitigem Farbschnitt – nur solange der Vorrat reicht!&nbsp;&nbsp;Persönliche Leseempfehlung von SPIEGEL-Bestsellerautorin Sarah Stankewitz: »Ich bin dem schillernden Broadway-Setting und dem Knistern zwischen Zelda und Seth beim Lesen restlos verfallen. Elle Ellis hat sich mit ›Faded Glow‹ direkt in mein Herz geschrieben und damit ein absolutes Must-Read für alle Fake-Dating-Fans gezaubert.«//Beide Bände der fesselnden Musical Romance in New York sind unabhängig voneinander lesbar. Alle Romane der »Broadway Lights«: &nbsp; -- Band 1: Broken Shine&nbsp; -- Band 2: Faded Glow//&nbsp;

Broadway Lights 2: Faded Glow

Dancers

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Weitere Titel der Reihe: Dance

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