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Ursyn A: Dance Code

Dance Code

Dance Steps As A Code

Afro-Latin America

Art and Anti-Racism in Latin America

How We Gave Computers the Power to Choose for Us

The Irrational Decision

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Thinking Through Theatre

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The Victoria Theatre in Stoke-on-Trent, 1962-1986

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A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. What if we could start over and build the internet from scratch? How could it be rebuilt or reimagined as more equitable and just? For more than eight years, Britt S. Paris investigated alternative internet infrastructure projects, conducting interviews, site visits, and policy analysis. In this expansive and interdisciplinary study, Paris critically examines the myriad and contradictory promises, utility, and obstacles to building a completely new internet.&nbsp;Radical Infrastructure locates and analyzes the boundaries of how people and groups imagine, build, deploy, maintain, and use the internet as they survive-and even dare to thrive in-challenging political, economic, and environmental contexts. Ultimately, Paris encourages active reflection among scholars, policymakers, and activists and reveals more grounded imaginaries, tactics, and opportunities for future people-centered projects.

Imagining the Internet from the Ground Up

Radical Infrastructure

Adventures in Theatre Criticism

New British Drama in 15 Scenes

Embedded Systems in Automotive Applications

Shakespeare in Performance

Boika Sokolova and Kirilka Stavreva's second edition of the stage history of The Merchant of Venice interweaves into the chronology of James Bulman's first edition richly contextualised chapters on Max Reinhardt, Peter Zadek, and the first production of the play in Mandatory Palestine, directed by Leopold Jessner. The main focus of the book is on post-1990s productions across Europe and the USA. The Segue provides a broad survey of the interpretative shifts in performance from the 1930s to the second decade of the twenty-first century. Informative chapters on productions of the play by major contemporary directors present the work of Trevor Nunn, Robert Sturua, Edward Hall, Rupert Goold, Daniel Sullivan and Karin Coonrod's staging in the Venetian Ghetto. An extensive section engages with the cinematic history of the play, from silent-era adaptations, like Peter Paul Felner's Der Kaufmann von Venedig (The Jew of Mestri), through Pierre Billon's talkie Le Marchand de Venise; it includes a close analysis of Don Selwyn's Te Tangata Whai Rawa or Weniti (The Maori Merchant of Venice) and Michael Radford's William Shakespeare's The Merchant of Venice. This broad picture of key theatrical and film transformations of The Merchant of Venice will prove essential to students of the history of performance, scholars interested in the general trends and local specificities of the play's staging and reception, as well as to theatre practitioners and all those who are prepared to look into the dark history of anti-Semitism and oppression, reflected in the stage fortunes of Shakespeare's play.

The Merchant of Venice

Triangulating AI Security

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Python Practice Lab

Dance Code

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