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Dance and Sociability in the Long
Eighteenth Century

Dance and Sociability in the Long Eighteenth Century

Tracing the genre through fiction, visual art, film and videogames from the 1980s to the present, this book offers a comprehensive exploration of the intersection between neo-Victorianism, urban spaces and Steampunk. Characterised by its interplay between past and present and its anachronistic retro-speculation, Neo-Victorian-infused Steampunk remixes modern collective memory to produce a re-imagined vision of Victorian London. Investigating how Steampunk's re-calibrated Londons both source from and subvert Victorian discourse about the city, Steampunk London offers a deeper understanding of how a popular cultural memory of the Victorian past is shaped and transmitted in light of present-day identity politics. Covering key themes including retrofuturism, gender and sexuality, colonialism and postcolonialism, it considers such ideas as how early Steampunk synthesizes Victorian urban ethnography; how Victorian urban Gothic shapes shared transmedia memory to challenge reactionary, nostalgic meta-narratives; how Steampunk video games mobilize urban space as an immersive storytelling device with cities open to play; and how Steampunk interprets the modern metropolis as an opportunity for feminist and queer agency. Through examination of Victorian-era writers from Charles Dickens to Arthur Conan Doyle, the book digs into works of fiction and media alike, looking at The Difference Engine, Soulless, and The League of Extraordinary Gentlemen, From Hell, Guy Ritchie's Sherlock Holmes, cyberpunk classic Blade Runner, and Assassin's Creed: Syndicate and The Order 1886. An important intervention in the study of steampunk, Helena Esser demonstrates how the works explored invite participatory consumption and considers the genre's potential- and failures- to interrogate and challenge our relationship with the Victorian past.

Neo-Victorian Urban Space and Popular Transmedia Memory

Steampunk London

The Lost Lives and Hidden Stories of England’s Churches

Church Crawling

How a Nonbinary Minister Became America's Most Radical Revolutionary

Not Your Founding Father

Bracingly original... Hayek's Bastards demonstrates how a history of ideas can be riveting. Slobodian grounds intellectual abstractions in the lives of the people who espoused them... His book offers an illuminating history to our current bewildering moment, as right-wing populists join forces with billionaire oligarchs to take a chain saw to the foundations of public life, until there's nothing left to stand on' - Jennifer Szalai, The New York Times A revelatory exploration of how today's rightwing authoritarianism emerged not in opposition to neoliberalism, but from within it After the end of the Cold War, neoliberalism, with its belief in the virtues of markets and competition, seemed to have triumphed. Communism had been defeated - and Friedrich Hayek, the spiritual father of neoliberal economics, had just about lived to see it. But in the decades that followed, Hayek's disciples knew that they had a problem. The rise of social movements, from civil rights and feminism to environmentalism, were now proving roadblocks in the road to freedom, nurturing a culture of government dependency, public spending, political correctness and special pleading. Neoliberals needed an antidote. In this illuminating new book, historian Quinn Slobodian reveals how, from the 1990s onwards, neoliberal thinkers turned to nature, in an attempt to roll back social changes and to return to a hierarchy of gender, race and cultural difference. He explores how these thinkers drew on the language of science, from cognitive psychology to genetics, in order to embed the idea of 'competition' ever deeper into social life, and to advocate cultural homogeneity as essential for markets to truly work. Reading and misreading the writings of their sages, Friedrich Hayek and Ludwig von Mises, they forged the alliances with racial psychologists, neoconfederates, ethnonationalists that would become known as the alt-right. Hayek's Bastards shows that many contemporary iterations of the Far Right, from Javier Milei to Donald Trump, emerged not in opposition to neoliberalism, but within it. As repellent as their politics may be, these supposed disruptors are not defectors from the neoliberal order, but its latest cheerleaders.

The Neoliberal Roots of the Populist Right

Hayek's Bastards

From the enclosures in seventeenth-century England to the food forests in modern Amsterdam, this is a big history of little spaces, of nature in urban life, and of gardeners and their gardens through time In the heart of bustling European and American cities lies an overlooked yet vibrant corner of resilience, ingenuity and magic: our gardens. From pre-Industrial England to modern-day Washington, via the Paris Commune, Barrackia in pre-war Berlin, Soviet allotments in Estonia, the orchards tended by Black migrants in Washington and food forests in contemporary Amsterdam, ordinary people, working with each other and with nature, cultivated life in the unlikeliest of places. Over the past three hundred years, these tiny gardens, often born from necessity and shaped by precarity, immigration and environmental crisis, thrived by recycling nutrients, remedying contaminated soil and transforming how we think about our relationship to the earth. Tiny Gardens Everywhere is a hymn to the most fertile agriculture in recorded human history, showing that it occurred not on farms - the product of gigantic exertions of fossil fuels and technology - but with little effort in small garden beds. And the resourcefulness, intuition and inherited methods of their growers accomplished many of today's sustainability goals in producing local, diverse and organic food. Acclaimed historian Kate Brown unearths the long and battered story of gardeners and their gardens, asking what happens when these urban Edens are not seen as retreats from the city but become part of its social fabric, alive with histories of displacement, conflict and resistance. This is a book about land, but also about community, repair and the quiet revolutions that begin when someone plants a seed in unloved ground.

A History of Urban Resilience

Tiny Gardens Everywhere

Grandma, Me and Our Diaries at 23

Life Is Rosi

The Biography

Hugh Trevor-Roper

Harvard Papers in Ukrainian Studies

Omeljan Pritsak and the Intellectual Origins of the Ukrainian "Harvard Miracle"

The Enduring Search by Formerly Enslaved People to Find Their Lost Families

Last Seen

A photographic celebration of the great Spanish city, from Alfonso to Thomas StruthThis volume features more than 150 photographs by some of the greatest names in photography, both Spanish and international, together with an exhaustive essay by the writer Antonio Muñoz Molina on Madrid's illustrious history as a subject for photography. It includes the brilliant photographs of Alfonso, perhaps the greatest graphic chronicler of Madrid at the beginning of the 20th century; the prewar and wartime images of Henri Cartier-Bresson, Robert Capa and Gerda Taro; the postwar portraits of William Klein, Francesc Català-Roca and Ramón Masats, among others; the post-Franco developing society immortalized by photographers from Spain and elsewhere such as Gianni Ferrari; the mythical images of the Movida in Madrid by Alberto García-Alix; and the cultural and economic environment of the 21st century through the eyes of Cristina García Rodero and Thomas Struth.

Madrid: Portrait of a City

"We are a much-lectured people," wrote Robert Spence Watson in 1897. Beginning at mid-century, cities and towns across England used the popular lecture for purposes ranging from serious education to effervescent entertainment and from regional pride to imperial belonging. Over time, the popular lecture became the quintessential embodiment of Victorian knowledge-based culture, which itself ranged from the production of new knowledge in the most elite of learned societies to the consumption of established knowledge in middle-class clubs and the hundreds of humble mechanics' institutions initially founded to provide scientific instruction to workers. What did the "average" Victorian talk and think about? How did the knowledge-based culture of lecture and debate enable men and women to demonstrate both civic engagement and cultural competence? How does this knowledge-based culture and its changing expression give us ways to look at Victorian citizenship long before the extension of the franchise? With engaging and accessible prose Anne Rodrick draws from a variety of primary sources to provide fascinating answers to these pertinent questions. Based on the analysis of several thousand lectures and debates delivered over more than 50 years, this book digs deeply into what those individuals below the most elite levels thought, heard, debated, and claimed as a badge of cultural competence. By the turn of the 20th century, the popular lecture was competing for attention with new institutions of leisure and of higher education, and the discourse surrounding its place in contemporary England helps illuminate important debates over access to and deployment of knowledge and culture.

Knowledge-Based Culture and Participatory Citizenship

Lecturing the Victorians

Blacklists, McCarthyism, and the Making of Modern America

Red Scare

Dance and Sociability in the Long Eighteenth Century

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