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Whittle N: Crunch

Crunch

An Ode to Crisps

The Black Cryptologists

A History of Myself

Red, Red Robin

Routledge Medieval Translations

The Sermons of Chromatius of Aquileia

Eine Dokumentensammlung nebst Einführungen, 12. Band: Schaumburg-Lippe, Schleswig-Holstein / Lauenburg und Schwarzburgische Staaten

Deutsches Verfassungsrecht 1806 - 1918

Rome's Age of Revolution

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Early Modern British and Irish History 1500-1700: Society and Culture in Four Nations takes an innovative comparative approach to the social and cultural history of England, Ireland, Scotland and Wales during the period when they came under the rule of a single monarch. This accessible and engaging synthesis will be of use to teachers and students of any or all of the constituent parts of the British and Irish Isles in the early modern period, and will also appeal to anyone interested more generally in this turbulent period.

Within the context of recent debates on the 'New British History', the book looks at the experiences of the inhabitants of the islands and their contacts with their fellow citizens, whether locally or further afield. It explores the construction of ideas about national origins and identities, and considers how ideas about ethnic difference shaped both violent and peaceful interactions between and within nations. The development of competing religious identities is traced, but despite theological differences, many aspects of belief - in its widest sense - were familiar throughout the islands. Likewise, concerns with life from birth to death, with status and reputation, and with being part of families and communities, were common to the populations of different areas.

This will be a key text in British and early modern history for years to come

* Innovative textbook on the social and cultural history of England, Ireland, Scotland and Wales during the period when they came under the rule of a single monarch.       * Provides an accessible and engaging introduction to a key     and turbulent     period in British history.

Society And Politics in England, Ireland, Scotland And Wales

Early Modern British History 1485-1691

This book analyses the tendency in international law scholarship and criticism to seek a `new¿ international law. Drawing and building on scholarship around the political significance of theological ideas, it argues that underlying this tendency is a relationship between international law and messianic thinking.

This book analyses the tendency in international law scholarship and criticism to seek a â€˜newâ€™ international law. Drawing and building on scholarship around the political significance of theological ideas, it argues that underlying this tendency is a relationship between international law and messianic thinking.

The 'New' International Law

Total War

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Book is an exciting, readable and comprehensive, all-in-one resource for students of fashion across the English-speaking world. It is designed as an introduction to fashion studies that can be used in a range of fashion courses from fashion studies degrees to fashion modules, and majors in disciplines including cultural studies, cultural sociology, cultural geography, communications and media, anthropology and cultural history. The book will present current writings and research on major topics debates in fashion studies drawing on the literature on fashion theory and incorporating many global case studies (as easy-to-read boxed material). Graphs, tables and diagrams will add texture to the written material. Approximately 200 colour images are planned to generously illustrate the historical and the contemporary tapestry of fashion. A dedicated interactive website will complement the text and ensure that students are in touch with the latest news, issues and trends.

Crunch

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