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Edmond Rod: Cricket, Fiction and Nation

Cricket, Fiction and Nation

The Rise of NeXT Computers – and the Remaking of Steve Jobs

Begin Again

Lucien

Tracing the genre through fiction, visual art, film and videogames from the 1980s to the present, this book offers a comprehensive exploration of the intersection between neo-Victorianism, urban spaces and Steampunk. Characterised by its interplay between past and present and its anachronistic retro-speculation, Neo-Victorian-infused Steampunk remixes modern collective memory to produce a re-imagined vision of Victorian London. Investigating how Steampunk's re-calibrated Londons both source from and subvert Victorian discourse about the city, Steampunk London offers a deeper understanding of how a popular cultural memory of the Victorian past is shaped and transmitted in light of present-day identity politics. Covering key themes including retrofuturism, gender and sexuality, colonialism and postcolonialism, it considers such ideas as how early Steampunk synthesizes Victorian urban ethnography; how Victorian urban Gothic shapes shared transmedia memory to challenge reactionary, nostalgic meta-narratives; how Steampunk video games mobilize urban space as an immersive storytelling device with cities open to play; and how Steampunk interprets the modern metropolis as an opportunity for feminist and queer agency. Through examination of Victorian-era writers from Charles Dickens to Arthur Conan Doyle, the book digs into works of fiction and media alike, looking at The Difference Engine, Soulless, and The League of Extraordinary Gentlemen, From Hell, Guy Ritchie's Sherlock Holmes, cyberpunk classic Blade Runner, and Assassin's Creed: Syndicate and The Order 1886. An important intervention in the study of steampunk, Helena Esser demonstrates how the works explored invite participatory consumption and considers the genre's potential- and failures- to interrogate and challenge our relationship with the Victorian past.

Neo-Victorian Urban Space and Popular Transmedia Memory

Steampunk London

Lively, adventurous and comprehensive, this book offers a fascinating account of the contemporary culture of pedestrianism and serves as both investigation and celebration of walking and its literature. Pedestrians have joined the forward ranks of current political debate, social thought and aesthetic practice, with consequences that this book illuminates in literature, art, digital culture and political life from around the globe. Ingeniously structured around the root word 'gress', chapters move through ingress, egress, progress, regress, aggress, congress, digress, transgress and gress itself to touch on matters as diverse as walking as a political and activist activity; notions of pilgrimage; matters of race and indigineity; animal studies; environmental studies; and digital culture. Extraordinarily comprehensive in its coverage, it examines works by writers including W G Sebald; Anne Carson; Chinua Achebe; Cormac McCarthy; Jamaica Kincaid; Paul Celan; Arundhati Roy; Norman Mailer and many more. While its subject is as timeless as the Pliocene footprints preserved in the tuff of Laetoli it is also as timely as lockdown, social distancing, pedestrian-repurposed commercial streets and the anti-racism marches. It demonstrates the scale, diversity and impact of the extensive contemporary walking literature and art in the context of the social forces and politics this resurgence enables.

Foot Notes

Walking and the Pedestrian in Literature and Social Practice

Pre-order the latest book from the Booker Prize-winning author of Lincoln in the Bardo - a playful, wise, electric novel taking place at the bedside of an oil company CEO, in the twilight hours of his life, as he is ferried from this world into the next 'He will be read long after these times have passed' Zadie Smith Not for the first time, Jill "Doll" Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favourite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty three hundred and forty-three times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn't like the others: The powerful K.J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it. Isn't it? Vigil transports us, careening, through the wild final evening of an epic, complicated life. Crowds of people and animals - worldly and otherworldly, alive and dead - arrive, clamouring for a reckoning. Birds swarm the dying man's room, a black calf grazes on the loveseat, a man from a distant drought-ravaged village materialises, two oil-business cronies from decades past show up with chilling plans for Boone's post-death future. With the acuity and explosive imagination we've come to expect, George Saunders takes on the gravest issues of our time - the menace of corporate greed, the toll of capitalism, the environmental perils of progress - and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.

Vigil

Set in thirteenth-century Bruges, this debut novel follows a spirited young woman’s explorations of faith, agency, and love among a community of fiercely independent women. Aleys is sixteen years old and unusual: stubborn, bright, and prone to religious visions. She and her only friend, a young scholar, have been learning Latin together in secret—but just as she thinks their connection might become something more, everything unravels. When her father promises her in marriage to a merchant she doesn’t love, she runs away from home, finding shelter within a community of religious women who refuse to answer to the Church. Among the hardworking and strong-willed beguines, Aleys glimpses for the first time the joys of belonging: a life of song, meaning, and friendship in the markets and along the canals of Bruges. But forces both mystical and political are afoot. Illegal translations of scripture, the women’s independence, and a sudden rash of miracles all draw the attention of an ambitious bishop—and bring Aleys and those around her into ever-increasing danger, a danger that will push Aleys to a new understanding of love and sacrifice. Grounded in the little-told stories of medieval women—mystics, saints, anchoresses, and beguines—and introducing a major new talent, Canticle is a luminous work of historical fiction, vividly evoking a world on the verge of transformation.

A Novel

Canticle

Explaining how nations and narratives have been the products of transnational, cross-border forces of migration and cultural exchange, this open access volume presents a global history of the basic ideas that govern our understanding of the modern world and highlight the power of narratives in world history. From the Enlightenment forward, the nation and other global concepts have been conjured and repurposed to manage and make sense of what we now call globalisation. The authors in this volume show how social categories such as empire, race and labour were the centerpiece subjects of collective narratives. For the past two centuries, the practices of shared storytelling aimed to make sense of how groups like nations fit in the wider world. This volume explores how they created bonding narratives for co-members of these groups and bridging stories to explain how groups should relate to each other through trade, war, peace, and other worldmaking processes. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Princeton University, USA.

Narratives, Nations, and Other World Products in the Making of Global History

Kent State re-creates the divided cultural landscape of America during the Vietnam War and heightened popular anxieties around the country. On college campuses, teach-ins, sit-down strikes and demonstrations exposed the growing rift between the left and the right. Many students opposed the war, and were uneasy over poor and working-class kids drafted and sent to Vietnam in their place. Some developed a hatred for everything associated with authority, while others resolved to uphold law and order at any cost.
 
Focusing on the thirteen victims of the Kent State shooting and a painstaking reconstruction of the days surrounding it, Brian VanDeMark draws on new research and interviews-including the perspective of National Guardsmen who were there. The result is a complete reckoning with the tragedy that marked the end of the sixties.
&nbsp;
<ul>
<li>Longlisted for the 2024 National Book Critics Circle Award for Nonfiction 
 </li>
<li>A The New Yorker Best Book of 2024</li>
</ul>

An American Tragedy

Kent State

“Highly entertaining. But it’s not just one book; it’s at least three in one, all of which are highly enjoyable. He plays cleverly with form and structure—not just as a gimmick but as a fundamental part of the story. Wolf Haas has mastered the rules of writing so completely that he can just as easily ignore them.”—Der SpiegelA clever, electrifying puzzle of a novel, inspired by MC Escher’s optical illusions, in which two mirrored plots —a man waiting for an electrician and a mafia informant entering witness protection— converge in a mind-blowing finale.Franz Escher is waiting for the electrician. His power outlet has a loose connection. To pass the time, he buries himself in a book about a Mafia key witness named Elio Russo. Elio is in jail, awaiting release. He has betrayed so many people that he fears for his life. Unable to sleep, he lies awake at night reading a book about a man named Franz Escher who's waiting for the electrician. His power outlet has a loose connection.In Short Circuit, a dazzling display of literary pyrotechnics styled after one of M. C. Escher’s impossible drawings, two different stories gradually intertwine to solve each other. It is a brilliant, inventive detective novel that becomes an electrifying show of sparks culminating in one final short circuit.

“Highly entertaining. But it’s not just one book; it’s at least three in one, all of which are highly enjoyable. He plays cleverly with form and structure—not just as a gimmick but as a fundamental part of the story. Wolf Haas has mastered the rules of writing so completely that he can just as easily ignore them.”—Der SpiegelA clever, electrifying puzzle of a novel, inspired by MC Escher’s optical illusions, in which two mirrored plots —a man waiting for an electrician and a mafia informant entering witness protection— converge in a mind-blowing finale.Franz Escher is waiting for the electrician. His power outlet has a loose connection. To pass the time, he buries himself in a book about a Mafia key witness named Elio Russo. Elio is in jail, awaiting release. He has betrayed so many people that he fears for his life. Unable to sleep, he lies awake at night reading a book about a man named Franz Escher who's waiting for the electrician. His power outlet has a loose connection.In Short Circuit, a dazzling display of literary pyrotechnics styled after one of M. C. Escher’s impossible drawings, two different stories gradually intertwine to solve each other. It is a brilliant, inventive detective novel that becomes an electrifying show of sparks culminating in one final short circuit.

Short Circuit

"We are a much-lectured people," wrote Robert Spence Watson in 1897. Beginning at mid-century, cities and towns across England used the popular lecture for purposes ranging from serious education to effervescent entertainment and from regional pride to imperial belonging. Over time, the popular lecture became the quintessential embodiment of Victorian knowledge-based culture, which itself ranged from the production of new knowledge in the most elite of learned societies to the consumption of established knowledge in middle-class clubs and the hundreds of humble mechanics' institutions initially founded to provide scientific instruction to workers. What did the "average" Victorian talk and think about? How did the knowledge-based culture of lecture and debate enable men and women to demonstrate both civic engagement and cultural competence? How does this knowledge-based culture and its changing expression give us ways to look at Victorian citizenship long before the extension of the franchise? With engaging and accessible prose Anne Rodrick draws from a variety of primary sources to provide fascinating answers to these pertinent questions. Based on the analysis of several thousand lectures and debates delivered over more than 50 years, this book digs deeply into what those individuals below the most elite levels thought, heard, debated, and claimed as a badge of cultural competence. By the turn of the 20th century, the popular lecture was competing for attention with new institutions of leisure and of higher education, and the discourse surrounding its place in contemporary England helps illuminate important debates over access to and deployment of knowledge and culture.

Knowledge-Based Culture and Participatory Citizenship

Lecturing the Victorians

The often-forgotten global story of how the Confederacy lost its bid for sovereign nationhood In 1861, proslavery secessionists severed ties with the United States, launched the Confederacy, and readied their new government to join the international community as a sovereign nation. In The First Pariah State, Robert Bonner tells the story of how a transatlantic publicity campaign dashed Confederate hopes by ostracizing its rebellion as an immoral, global menace. The international anti-Confederate campaign built on existing antislavery themes but moved far beyond them. Improvised indictments circulated secessionists’ most incendiary words across the world. The Union and its foreign allies condemned the marauding Southern navy for disrupting high-seas commerce, violating civilized norms, and preparing for the resumption of the African slave trade. Abraham Lincoln and Senator Charles Sumner sought to convert rhetorical barbs and maritime anxieties into novel doctrines of international law designed to counter rogue regimes. And Union opinion-makers, including Black abolitionists, worked with European supporters to stymie the South’s naval expansion, war finances, and diplomatic efforts to gain formal recognition. International worries about the Confederate rebellion waned after U.S. victory, and the Southern pariahdom of the 1860s left few enduring traces in international law or overseas remembrances. In fact, over the next century and a half, the pro-Confederate “Lost Cause” mythology proved to be as powerful abroad as it was within the restored United States.

How the Proslavery Confederacy Menaced the World

The First Pariah State

Lovers XXX

Cricket, Fiction and Nation

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