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A humorous and informative journey through Britain and Ireland's racecourses

A humorous and informative journey through Britain and Ireland's racecourses

Clee Nicholas: Courses for Horses

Courses for Horses

A Journey Round Racing in Britain and Ireland

The Early Modern Englishwoman, 1500-1750: Contemporary Editions

The full texts of both 1680 editions of Elizabeth Cary's History of Edward II are here reproduced completely, along with an extensive introduction including biographical, cultural, and literary commentary on Elizabeth Cary, and also background on the debate surrounding the texts' authorship. This volume will be of interest to literary scholars working on Early Modern women as well as to historians and queer theorists, both of whom have made Edward II an important intellectual site in the last generation of scholarship.

The full texts of both 1680 editions of Elizabeth Cary's History of Edward II are here reproduced completely, along with an extensive introduction including biographical, cultural, and literary commentary on Elizabeth Cary, and also background on the debate surrounding the texts' authorship. In the recovery of women writers of early modern England, Elizabeth Tanfield Cary, Viscountess Falkland, has drawn substantial interest. Swan examines the post-publication history of both 1680 editions, revealing how the many hands at work in various subsequent editions have resulted in the obfuscation of the textual history, which has, in the past, led to the misattribution of the history to Henry Cary, Elizabeth's husband.  The reproduction of both versions allows scholars to easily compare the two, which is important in order to understand Cary's reworking of her text from early to late drafts. Both versions represent intentions and socially received states which are useful in presenting the text, in documenting Cary's changing attitudes and discursive strategies in the mid-1620's-the period of composition for all the manuscript states and a period of particular biographical significance-and in accounting for the more recent reception of the history.   Swan showcases here how Cary contributes significantly both to the development of resistance theory (essential to democratic-republican ideals at the root of Anglo-American politics and government), and to the development of non-fiction prose style in English. This volume will be of interest to literary scholars working on Early Modern women as well as to historians and queer theorists, both of whom have made Edward II an important intellectual site in the last generation of scholarship.

A Critical Edition

Elizabeth Tanfield Cary’s History of Edward II

Routledge Worlds

The Pictish World

Print Culture and Communication in the Stuart World explores the historiographical developments in the field and explains that print culture in Britain and Ireland was not an isolated phenomenon but a culture that operated within European and colonial contexts. The book is divided into five parts Communication and Print: HistoriansâEUR(TM) and Our Sources, Composition to Dissemination: The Mechanics of Communication in the Stuart World Beyond Print, Print and the State, Print and the Creation, Propagation and Elimination of Alien Cultures and British and Irish Print Culture in a European and Global Context. This book is perfect for students of early modern Britain and print culture.

Print Culture and Communication in the Stuart World explores the historiographical developments in the field and explains that print culture in Britain and Ireland was not an isolated phenomenon but a culture that operated within European and colonial contexts. The book is divided into five parts Communication and Print: Historiansâ€™ and Our Sources, Composition to Dissemination: The Mechanics of Communication in the Stuart World Beyond Print, Print and the State, Print and the Creation, Propagation and Elimination of Alien Cultures and British and Irish Print Culture in a European and Global Context. This book is perfect for students of early modern Britain and print culture.

An Introduction

Print Culture and Communication in the Stuart World

"We are a much-lectured people," wrote Robert Spence Watson in 1897. Beginning at mid-century, cities and towns across England used the popular lecture for purposes ranging from serious education to effervescent entertainment and from regional pride to imperial belonging. Over time, the popular lecture became the quintessential embodiment of Victorian knowledge-based culture, which itself ranged from the production of new knowledge in the most elite of learned societies to the consumption of established knowledge in middle-class clubs and the hundreds of humble mechanics' institutions initially founded to provide scientific instruction to workers. What did the "average" Victorian talk and think about? How did the knowledge-based culture of lecture and debate enable men and women to demonstrate both civic engagement and cultural competence? How does this knowledge-based culture and its changing expression give us ways to look at Victorian citizenship long before the extension of the franchise? With engaging and accessible prose Anne Rodrick draws from a variety of primary sources to provide fascinating answers to these pertinent questions. Based on the analysis of several thousand lectures and debates delivered over more than 50 years, this book digs deeply into what those individuals below the most elite levels thought, heard, debated, and claimed as a badge of cultural competence. By the turn of the 20th century, the popular lecture was competing for attention with new institutions of leisure and of higher education, and the discourse surrounding its place in contemporary England helps illuminate important debates over access to and deployment of knowledge and culture.

Knowledge-Based Culture and Participatory Citizenship

Lecturing the Victorians

Then And Now

Ottawa Then and Now

Swimming Scandinavia in Search of a Better Life

The Year I Lay My Head in Water

This book analyses how British China officials grappled with China's changing position in international affairs during the 20th century.

Understanding a Rising Superpower, 1922-1985

The Problem of China in the British Foreign Office Mind

Voyages of the Naughty Lass

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

A Caribbean History of Britain

Entangled Lands

Penguin Monarchs

Part of the "Penguin Monarchs" series, these are short, fresh and informative accounts of England's rulers.

Part of the Penguin Monarchs series: short, fresh, expert accounts of England's rulers in a collectible format Henry VII was one of England's unlikeliest monarchs. An exile and outsider with barely a claim to the throne, his victory over Richard III at Bosworth Field seemed to many in 1485 only the latest in the sequence of violent convulsions among England's nobility that would come to be known as the Wars of the Roses - with little to suggest that the obscure Henry would last any longer than his predecessor. To break the cycle of division, usurpation, deposition and murder, he had both to maintain a grip on power and to convince England that his rule was both rightful and effective. Here, Sean Cunningham explores how, in his ruthless and controlling kingship, Henry VII did so, in the process founding the Tudor dynasty.

Treason and Trust

Henry VII (Penguin Monarchs)

The compelling story of the inescapable return of Hong Kong to China, published for the 25th anniversary of the handoverBritish Hong Kong ended in the last minutes of 30 June 1997. Diplomacy Ends at Midnight traces the extraordinary twists and turns of Hong Kong's long drawn out, but unavoidable, reunion with China, when its 99-year leasehold on much of the colony's territory expired. 25 years ago, Britain did not want to return Hong Kong to its once and future owner, and most Hong Kongers didn't want them to either, but the choice was not theirs to make. Through exceptional archival research and interviews with many of the participants, Dalena Wright traces the intricate diplomacy by which the British sought to resist and then ultimately had to accept the inevitable reversion. The book tells the story of governors, prime ministers, presidents and Chinese leaders who believed for a century that ownership of the tiny entrepot was worth diplomatic standoffs. And when there were no more quarrels to be had, it explains how in the final years British diplomats and their political masters managed the reversion they had not wanted. For 99 years, while they waited for midnight, China and Britain - often as adversaries but occasionally as collaborators - watched Hong Kong grow into a glittering, world-class city. In the end it became a trophy that neither wanted the other to own. How Britain won and lost Hong Kong is the subject of this compelling new history.

The compelling story of the inescapable return of Hong Kong to China, published for the 25th anniversary of the handover British Hong Kong ended in the last minutes of 30 June 1997. Diplomacy Ends at Midnight traces the extraordinary twists and turns of Hong Kong's long drawn out, but unavoidable, reunion with China, when its 99-year leasehold on much of the colony's territory expired. 25 years ago, Britain did not want to return Hong Kong to its once and future owner, and most Hong Kongers didn't want them to either, but the choice was not theirs to make. Through exceptional archival research and interviews with many of the participants, Dalena Wright traces the intricate diplomacy by which the British sought to resist and then ultimately had to accept the inevitable reversion. The book tells the story of governors, prime ministers, presidents and Chinese leaders who believed for a century that ownership of the tiny entrepot was worth diplomatic standoffs. And when there were no more quarrels to be had, it explains how in the final years British diplomats and their political masters managed the reversion they had not wanted. For 99 years, while they waited for midnight, China and Britain - often as adversaries but occasionally as collaborators - watched Hong Kong grow into a glittering, world-class city. In the end it became a trophy that neither wanted the other to own. How Britain won and lost Hong Kong is the subject of this compelling new history.

The Long Return of Hong Kong to China

Diplomacy Ends at Midnight

Courses for Horses

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