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Nourry P: Corpus

Corpus

If you seek to change the world, permanently and measurably increasing your visitors' interest in your subject or your brand, read on. This book is for you. Deep Story is an expert practitioner's guide to the creation of truly transformational exhibits and visitor experiences that millions of people remember and treasure. At many locations in the US, and abroad, are examples of these attractions--the Las Vegas Raiders' Allegiant Stadium Tour, the Abraham Lincoln Presidential Library and Museum, and the Johnnie Walker Experience on Princes Street in Edinburgh, to name but a few. They transform visitors into lifelong fans of a brand, a team, a country, or a historical subject. The stories in this book, drawn from decades of the author's experience creating transformational attractions, show leaders and creators how to combine scholarship, showmanship, and salesmanship to do more than entertain or inform. More than merely sending a message or creating awareness, experiences powered by DEEP STORY seek to permanently lead visitors to see differently, act differently--to become different. As visitor's identities are changed, so are their subsequent actions. Learn how to fire the imagination and create real changes in behavior with Deep Story.

The Complete Guide for Creating Transformational Themed Attractions

Deep Story

Cholo Writing is the 20th century's oldest form of graffiti, a Mexican-American phenomenon evident in Los Angeles long before the appearance of tags and pieces in the late 1960s New York. It has had a major influence on the visual expressions of Californian popular culture, including the lowrider, surf, skate and hip-hop movements. Placas are territorial inscriptions created to define a gang's turf, a genuine, constantly evolving urban calligraphy with strict codes used by Latino gangs for street writing since the late 1930s. Here, the aesthetic evolution of Cholo Writing is documented and the influence of blackletter typefaces and calligraphic models such as Old English is traced through two collections of photographs. One by Californian Howard Gribble, who photographed Chicano gang graffiti over a wide geographic area in the early 1970s, and one by French graphic designer and writer Francois Chastanet, who traveled to the same Los Angeles neighborhoods in 2008 to document early 21st century inscriptions. After being out of print and in high demand for years, Cholo Writing: Latino Gang Graffiti in Los Angeles is finally available in a beautiful hardcover edition. The main essay of this second edition has been updated according to the latest historical research on lettering sources. After being out of print and in high demand for years, Cholo Writing is finally available in a beautiful hardcover edition. With foreword by OG Chaz Bojorquez, East Los Angeles graffiti pioneer and Godfather of West Coast Cholo Writing for over 50 years.

Latino Gang Graffiti in Los Angeles: Hardcover Edition

Cholo Writing

As she builds her own life anew, an Italian writer embarks on an all-consuming search for the true story of the mysterious princess H. H. Amrit Kaur of Mandi. On a sweltering day in 2007, having just lost her brother to illness, Livia Manera Sambuy finds herself at a museum in Mumbai, enthralled by a 1924 photograph of a stunningly elegant Indian princess. What she reads in the picture's caption will change her life forever. This alluring Punjabi royal had supposedly sold her jewels in occupied wartime Paris to save Jewish lives, only to be arrested by the Gestapo and sent to a concentration camp, where she died within a year. Could it be true? And if so, how could such a sensational story have gone unreported? Almost against her will, Manera becomes drawn into the mystery of Amrit Kaur. Delving into the history of the British Raj, its durbars and society balls and jubilees, she shows us the precipitous decline of India's royal caste through the lives of extraordinary figures such as Amrit's father, the larger-than-life Maharaja Jagatjit Singh of Kapurthala; the Jewish banker Albert Kahn; and the Russian explorer Nicholas Roerich-all while pursuing the elusive Amrit Kaur's story. When she meets with the princess's eighty-year-old daughter, Manera's search takes on a new dimension, as she strives to reintroduce an orphan to a mother who disappeared in 1933, leaving behind two children, her raja husband, and a legacy of activism in India's nascent women's civil rights movement. In Search of Amrit Kaur is an engrossing detective story, a kaleidoscopic history lesson, and a moving portrait of a woman seeking personal freedom against the backdrop of a world in upheaval.

A Lost Princess and Her Vanished World

In Search of Amrit Kaur

A leading scholar of the Russian avant-garde reevaluates its most iconic artistKazimir Malewicz (Malevich; 1879-1935) is undoubtedly one of the most significant artists of the 20th century, famed for his Suprematist works such as the so-called "Black Square" and White on White. Incredibly, his art only received its due in the West in the late 1950s; three more decades passed before it could be accessible to the Russian public. In this critical study, Andrei Nakov dissembles some foundational myths about the artist's ethnic background, such as his Polish origins (hence the rendering of the artist's name here as "Malewicz"), his affinity for the religious iconography of Russia and his place in modern European art. The artist's concept of Suprematist forms is central to Nakov's study, which interrogates certain anti-modernist visual and cultural prejudices. Andrei Nakov (born 1941) has published numerous theoretical studies, monographs and exhibition catalogs on the Russian avant-garde, Futurism, Dada, Constructivism, contemporary art and European abstract art.

A leading scholar of the Russian avant-garde reevaluates its most iconic artistKazimir Malewicz (Malevich; 1879–1935) is undoubtedly one of the most significant artists of the 20th century, famed for his Suprematist works such as the so-called “Black Square” and White on White. Incredibly, his art only received its due in the West in the late 1950s; three more decades passed before it could be accessible to the Russian public. In this critical study, Andrei Nakov dissembles some foundational myths about the artist’s ethnic background, such as his Polish origins (hence the rendering of the artist’s name here as “Malewicz”), his affinity for the religious iconography of Russia and his place in modern European art. The artist’s concept of Suprematist forms is central to Nakov’s study, which interrogates certain anti-modernist visual and cultural prejudices. Andrei Nakov (born 1941) has published numerous theoretical studies, monographs and exhibition catalogs on the Russian avant-garde, Futurism, Dada, Constructivism, contemporary art and European abstract art.

Malewicz: Beyond Censorship

Collected writings, artworks and manifestos outlining the developments in Indigenous cinema and its most adventurous practitionersPublished with COUSIN Collective. Founded in 2018, COUSIN Collective is dedicated to promoting Indigenous artists working with the moving image. Temporal Territories is the collective's critical anthology on Indigenous experimental cinema, bringing together new works, reprints of key writings, theoretical interventions, artist portfolios, intergenerational dialogues and manifestos. With topics ranging from science fiction to found-footage filmmaking to the strange case of the DeMille Indians, the volume surveys a varied and vital body of work, and suggests new forms still to come. As COUSIN writes in their introduction, "We hope this collection can be something like a celebration, a point along your path that fosters conversations and connections. ...There are no rules to this thing, and you are not alone." Contributors include: Raven Chacon, Colectivo Los Ingrávidos, Lou Cornum, Grace Dillon, Guillermo Gómez-Peña, Miguel Hilari, Sky Hopinka, Kite, Adam Khalil, Zack Khalil, Pedro Neves Marques, Fox Maxy, Michael Metzger, Jas M. Morgan, Caroline Monnet, Shelley Niro, Adam Piron, Tiare Ribeaux, Diana Flores Ruíz, Walter Scott, Girish Shambu, Paul Chaat Smith, Adam Spry, Elizabeth Weatherford.

Temporal Territories: An Anthology on Indigenous Experimental Cinema

The remarkable and little-known story of Henri Matisse and his groundbreaking time in Morocco, a fertile period that transformed his art and cemented his legacy. In winter of 1912, Henri Matisse—forty-two, nearing mid-career, and yet to find lasting critical acceptance, public admiration, or financial security since exploding to the forefront of the avant-garde in 1905 with his iconoclastic Fauve paintings—was struggling. Once the vanguard leader, the Parisian avant-garde now considered him passé. His important early collectors, including Gertrude and Leo Stein, had stopped buying his work and were fully championing Picasso, and he had exhibited little in the last few years. In the face of Cubism that was now dominating the art scene, Matisse needed to get away from Paris in order to advance his distinctive artistic vision. Almost on a whim, he went to Tangier. Matisse had already been profoundly inspired by Islamic art, and was primed for his arrival in the Moroccan city where such art was integrated into everyday life. Despite the challenges of rain, insomnia, depression, and finding models, the sojourn was such a success he returned the following winter, which would lead to even greater artistic triumph. Matisse in Morocco tells the story of the artist's groundbreaking time in Tangier and how it altered Matisse’s development as a painter and indelibly marked his work for the next four decades. Through Koehler's research and travel, we experience Matisse's time in Tangier, the paintings and their subjects, his relationships with his wife Amélie and his two important collectiors, and then come to understand the impact Morocco—its light, colors, culture, and artistic traditions—had on his art. From Landscape Viewed From a Window, to Zorah on the Terrace, from Kasbah Gate to the dream-like tableau Moroccan Café, these works from Morocco are now recognized as some of the most significant and dazzling of Matisse’s illustrious career.

A Journey of Light and Color

Matisse in Morocco

The first extended study of Frank Auerbach's remarkable portrait drawings reveals their complexity and ambition as works of graphic art

The first extended study of Frank Auerbach's remarkable portrait drawings reveals their complexity and ambition as works of graphic art

Drawings of People

Frank Auerbach

A strategic reconstruction of modern German thought from the standpoint of aesthetic theory, The Narrowest Path reveals the characteristically modern, revolutionary project of freedom-as-autonomy to be unresolvably antinomic. Basing himself on four seminal texts by Kleist, Hegel, Marx, and Adorno, Mehrgan develops four basic figures: the literary, the person, the republic, and the artwork. All flourished during the long period between the French Revolution and the aftermath of the Second World War in Europe. The key antagonist is the rule of capital, paradoxically enabling self-determination and thwarting it. Still present in contemporary revolutionary experiments, this daunting conflict, the book argues, shows itself best in the aesthetic -- but the resolution lies elsewhere.

Antinomies of Self-Determination in Four Aesthetic Studies

The Narrowest Path

What unleashed the forces of global capitalism which continue to shape the world that we live in? Economists and economic historians variously point to innovations in logistics and trade, the emergence of a new set of business-friendly values and the emergence of new forms of applied knowledge in early modernity to solve this riddle. This book focuses on the moving image as a factor of economic development. In a series of in-depth cases studies at the intersection of film and media studies, science and technology studies and economic and social history, Films That Work Harder: The Circulations of Industrial Film presents an in-depth, global perspective on the dynamic relationship between film, industrial organization and economic development. Bringing together new research from leading scholars from Europe, Asia, Australia and North America, this book combines the state of the art in the field with an agenda for a future research. Provides a in-depth, global perspective on the complex, dynamic relationship of film, visual and organizational rhetoric and economic development. It brings together the leading scholars in a burgeoning new field of film studies with original work not previously presented elsewhere. Contributes towards the further development of an exciting new interdisciplinary research paradigm at the intersection of film studies, economic history, science and technology studies and the social sciences.

The Circulation of Industrial Film

Films That Work Harder

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

British Manufacturing Industries

A portable art journal and field guide to enhance the pleasures of travel through painting, drawing, and writing. Encourages readers to deepen their engagement with the places they live in and travel through.

A portable art journal and field guide to enhance the pleasures of travel through painting, drawing, and writing. Encourages readers to deepen their engagement with the places they live in and travel through.

Southwest

Sketchbook Traveler Southwest

Corinne A. Kratz examines exhibition design as communication, analyzing how the multiple media combined and orchestrated through exhibit design create a platform through which visitors forge meanings and values during their exhibit encounters.

Exhibition Design and Communication in Museums and Beyond

Rhetorics of Value

Corpus

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