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Nourry P: Corpus

Corpus

The most comprehensive monograph available on the greatest living glassblower, Lino Tagliapietra.
 
 
 
 Lino Tagliapietra has been described as the world's greatest glassblower, a figure born from the five-hundred-year-old culture of Venetian glass, but one who also revolutionized glass as a discipline, inventing new techniques to create his masterful works. Even more astonishing, as Tagliapietra hit his full stride, he has become a notable figure in the unfolding story of modern sculpture - an artist whose distinctive works are coveted by collectors of contemporary abstract art and whose vision makes us think about art history in new and profound ways.
 
 
 
 This is the most comprehensive monograph available on his work and features insightful texts by Glenn Adamson and Henry Adams, as well as hundreds of new photographs, which showcase the impressive breadth and depth of Taglipietra's repertoire.

The most comprehensive monograph available on the greatest living glassblower, Lino Tagliapietra

Sculptor in Glass

Lino Tagliapietra

Begegnungen eines Fotografen mit Legenden, Stars und anderen Menschen

Das wüssten Sie wohl gerne!

A strategic reconstruction of modern German thought from the standpoint of aesthetic theory, The Narrowest Path reveals the characteristically modern, revolutionary project of freedom-as-autonomy to be unresolvably antinomic. Basing himself on four seminal texts by Kleist, Hegel, Marx, and Adorno, Mehrgan develops four basic figures: the literary, the person, the republic, and the artwork. All flourished during the long period between the French Revolution and the aftermath of the Second World War in Europe. The key antagonist is the rule of capital, paradoxically enabling self-determination and thwarting it. Still present in contemporary revolutionary experiments, this daunting conflict, the book argues, shows itself best in the aesthetic -- but the resolution lies elsewhere.

Antinomies of Self-Determination in Four Aesthetic Studies

The Narrowest Path

Paint a Whimsical Collection of Bewitching Treasures Build your own corner of witchcraft and wonder with Lizzy Gass's collection of charming watercolor artwork. Designed for artists of any skill level, these simple, spooky tutorials will transform your home art studio into a gorgeous realm of mystical findings. With easy-to-follow projects that range from potion bottles to cauldrons, you can sketch and paint each of these wonderful creations-then assemble them as beautiful shelves for every type of witch! Are you a Kitchen Witch, looking to brew up something magical? Paint a lovely Mortar and Pestle with Spelled Herbs to go alongside your Enchanted Kitchen Utensils. Perhaps you're the Cottage Witch, curled up next to your Cat Napping with Spelled Knitting. There is also the Sea Witch, with her trusted Octopus Familiar in a Magical Cauldron, ready to set sail. And of course, the Celestial Witch, with a Cauldron Full of Moonlight and the Essence of Starlight to guide the way. Let's not forget the mysterious Swamp Witch, with her Talking Alligator Skull with a Crystal Ball, ready to stir up some mischief! With just a swish of a brush, you'll be ready for your next artistic adventure-and discover your inner witch along the way.

75+ Easy Projects for Enchanting Art

Witchy Watercolor

Named one of the Best Books of the Year by the New Yorker. The complete last essays of acclaimed writer Peter Schjeldahl, the great New Yorker art critic and Pulitzer Prize finalist. "Sensitive and moving. Schjeldahl wrote until the end. We can be grateful for that because we have this book." (Dwight Garner, New York Times)Foreword by Steve Martin * Introduction by Jarrett Earnest When the New Yorker art critic Peter Schjeldahl published his widely read autobiographical essay "The Art of Dying" in December 2019, he reported that he had lung cancer and his oncologist had given him six months to live, but his experimental treatment was showing some improvement. "These extra months," he wrote, "are a luxury that I hope to have put to good use." And he did. The Art of Dying: Writings, 2019-2022 begins with that essay and collects all 46 pieces that he wrote for the magazine before his death in October 2022. These last works express Schjeldahl's hard-won reflections on art and life, against the backdrop of an intensely anxious period in America, spanning the pandemic, the George Floyd protests, the 2020 presidential election, and the war in Ukraine. Schjeldahl, who was the leading art writer of his generation, wrote with generosity and openness about the art world during these tempestuous three years.

Writings, 2019-2022

The Art of Dying

Die erste Biografie über Heinrich Hoffmann, den Fotografen, Propagandisten und engen Vertrauten Adolf Hitlers.

Unser Bild von Adolf Hitler wird bis heute entscheidend von den Fotografien eines Mannes geprägt: Heinrich Hoffmann. Der Münchner Fotograf war Nationalsozialist der ersten Stunde und stellte seine beruflichen Fähigkeiten rasch in den Dienst der Partei. Seit den frühen 1920ern prägten seine Aufnahmen das visuelle Image der NSDAP und ihres 'Führers', den Hoffmann im Sinne der NS-Propaganda inszenierte. Aus dem Leibfotografen wurde ein enger Vertrauter Hitlers, der aus dem inneren Kreis bald nicht mehr wegzudenken war. Und der diese einzigartige Position zu nutzen wusste: Ab 1933 stieg Hoffmann zum Verleger eines großen Unternehmens auf, das zur regelrechten Bildfabrik des 'Dritten Reichs' expandierte. Mit Hunderttausenden Propagandafotos schuf es den schönen Schein, der nicht zuletzt die brutale Gewalt des Regimes vertuschen sollte. Der Fotograf wurde so selbst zum einflussreichen Propagandisten - und zum Multimillionär. Erst mit der deutschen Niederlage ging das Imperium des selbsternannten 'Reichsbildberichterstatters' unter. Doch auch wenn Hoffmanns Person nach 1945 allmählich in der Bedeutungslosigkeit versank, führen seine Bilder ein Nachleben&nbsp;- das bis heute anhält.

Eine Biografie

Hitlers Fotograf Heinrich Hoffmann

Corinne A. Kratz examines exhibition design as communication, analyzing how the multiple media combined and orchestrated through exhibit design create a platform through which visitors forge meanings and values during their exhibit encounters.

Exhibition Design and Communication in Museums and Beyond

Rhetorics of Value

Tokyo Tattoo 1970 provides a rare glimpse into the world of traditional Japanese tattooing in 1970s Tokyo. Now in paperback for the first time, this unique collection of photographs and reflections from photographer Martha Cooper captures the art of Irezumi, its cultural significance and artistry, and the master of the practice at work. When Martha Cooper first visited Tokyo in 1969, she soon became fascinated by the local art of tattooing and began documenting the work of traditional Japanese tattooist Horibun I. In the early 1970s, Japanese tattoo was an underground art form. The masters of the traditional techniques worked in small studios, tattoo artists were rare, and the act of receiving a tattoo was taboo, reserved only for the infamous Yakuza. No one could foresee the incredible internationally popularity of tattoo art in the years to come. Horibun I worked with ancient Japanese methods; different sized bundles of needles bound to sticks which he dipped into colored inks and his motifs were derived from traditional Japanese legends. He allowed Cooper to photograph him at his workshop, meet his customers, show his tattoos and craft in detail, and follow him on a pilgrimage to a holy Shinto shrine. Tokyo Tattoo 1970 is Martha Cooper's first study of the underground art subculture, which launched her into an ongoing immersion into the graffiti and street art of New York City and beyond. The hardcover edition of Tokyo Tattoo 1970 (9789185639274) was released in 2012. It has been sold out for years and is considered a collector's item. Now the paperback edition is here, making this unique collection available for a new generation of tattoo fans. *The first print of the paperback edition is bound with Swiss binding which leaves the cover affixed to the rear hinge only wrapping the spine, allowing the cover to lie flat while open and making the interior pages of the book fully accessible. The following prints are bound with a sturdy thread binding that creates a beautiful and durable book.*

Tokyo Tattoo 1970

In Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation-an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.

Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia.

Black Aesthesis and the Critique of Form

Anteaesthetics

"Teaches the reader how to add details like armor, different types of clothing, weapons, and accessories to drawings of their rpg (role-playing game) fantasy characters, including how to draw a selection of creature companions, like a wyvern, unicorn, and owlbear, with over 500 step-by-step illustrations"--

Video game artist Chrissa Barton’s How to Draw Your RPG Character taught you how to draw your fantasy role; now learn how to customise your character with armour, weapons, accessories, and so much more!

Customize Your Fantasy Character Step by Step

How to Draw Your RPG Character: Armor, Weaponry & Creature Companions - Guide to Drawing Clothing, Armor, Swords, and Dragons for Role-Playing Elves, Orcs, Druids, Sorcerers, and More

More than 300 stickers by 50 graffiti artists from around the world! Graffiti artist's sense of color, shape and eyecatching characters are second to none. In The Graffiti Sticker Book, more than 50 renowned graffiti artists from, United States, Europe, United Kingdom and Australia have created the designs. Now it's up to you to stick them up! This is the real deal! Each page is packed with exclusive designs, showcasing the diverse styles and perspectives of top graffiti masters. This book offers a thrilling journey through the global graffiti scene. From Chino's classic New York throw up to Rens' funky 4-letter piece, seemingly peeled of a Copenhagen S-train, there is no shortage of graffiti royalties. Page after page is filled with dancing letters and bizarre characters, specifically designed for the book. Elevate your sticker game and own a piece of graffiti history today! - From cats and dogs to aliens and rats, along comic characters and much more. - Includes a full alphabet - write whatever you like! - Gorgeous, full-color stickers are perfect for scrapbooking, journaling, crafts, and personalizing planners and calendars. - Durable, premium stickers have a high-quality finish. - Sturdy paperback binding. - Book design by Mega DNS. Artists include: CES, USA MEGA, The Netherlands SERIO, Spain VAMP, Finland DIZY, Germany/India FLYING FÖRTRESS, Germany GESER, USA SKETCHY BAZOO, The Netherlands EGO, France IMOS, Italy MONKEY Germany NOAH, USA OBSKUR87, Germany OKOK, Sweden PETER PAID, USA RELAY, UK STYLEWRITING, Germany SWET, Denmark VENTS137, UK WORE ONE, USA CHINO, USAEVism, USA TRIM, USA DS, USA COMA, USA RIBS, USA TEO, USA ROMEO, The Netherlands and more!

300+ Stickers from 50+ Artists

The Graffiti Sticker Book

What unleashed the forces of global capitalism which continue to shape the world that we live in? Economists and economic historians variously point to innovations in logistics and trade, the emergence of a new set of business-friendly values and the emergence of new forms of applied knowledge in early modernity to solve this riddle. This book focuses on the moving image as a factor of economic development. In a series of in-depth cases studies at the intersection of film and media studies, science and technology studies and economic and social history, Films That Work Harder: The Circulations of Industrial Film presents an in-depth, global perspective on the dynamic relationship between film, industrial organization and economic development. Bringing together new research from leading scholars from Europe, Asia, Australia and North America, this book combines the state of the art in the field with an agenda for a future research. Provides a in-depth, global perspective on the complex, dynamic relationship of film, visual and organizational rhetoric and economic development. It brings together the leading scholars in a burgeoning new field of film studies with original work not previously presented elsewhere. Contributes towards the further development of an exciting new interdisciplinary research paradigm at the intersection of film studies, economic history, science and technology studies and the social sciences.

The Circulation of Industrial Film

Films That Work Harder

Corpus

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