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Veronika Groke interrogates the concept of the comunidad indígena (indigenous community) and the role it plays within contemporary Bolivian discourse by examining its relation to the history and social life of a Guaraní community in Bolivia.

Veronika Groke interrogates the concept of the comunidad indígena (indigenous community) and the role it plays within contemporary Bolivian discourse by examining its relation to the history and social life of a Guaraní community in Bolivia.

Groke V: Contested Community

Contested Community

Indigenous Land Rights and Identity Politics in Eastern Bolivia

Part I: The Comunidad in History - History in the ComunidadChapter 1. Cañón de Segura and Its HistoriesChapter 2. 'Tenemos Nuestra Historia': A Case of History ObjectifiedPart II: 'This Is a Free Community': Comunarios' Ideas about 'Comunidad'Chapter 3. Tranquility Beats Reciprocity? Of Shifting Meanings and Enduring SignificanceChapter 4. The Emergent CommunityPart III: Multiple Perspectives: Negotiating Different Meanings of 'Comunidad'Chapter 5. (N)GOs and the Economy of ProyectosChapter 6. Beautiful Culture, 'Shitty Indians': The Comunidades in Karai and Guaraní Identity PoliticsChapter 7. Changing Alliances: The Elusive Position of Guaraní Comunidades in Local and Regional Politics

The Cattleman, the Wind Prospector, and a War Out West

The Crazies

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

This book examines 'womanhood' and 'race' not only as disputed, converging, and constantly changing categories and lived experiences, but also as interrelated and unequal subjectivities and social realties that shaped all early-twentieth century Puerto Ricans. It empirically documents just how significantly 'womanhood' and 'race' were inextricably intertwined in Puerto Rico between 1914 and 1945, a decisive period in U.S. expansionism and in the transformation of this island. Through a comparative analysis and description of specific subjects in early-twentieth century Puerto Rico—mostly Puerto Ricans from different races and social classes, but also some North Americans as well—the book demonstrates the extent to which 'womanhood' and 'race' are a more thorny, volatile, and unstable than is commonly acknowledged within Women’s History and Caribbean Studies. This is the first book that examines the relationships between women in Puerto Rico from divergent social classes and racialized positions by mostly focusing on the socioeconomic and racial inequalities among colonized women in Puerto Rico. This is in marked contrast with most Women’s History globally which mainly concentrates either on the lives of elite women or, at best, on the unequal relationships between colonizer- and/or European-descended women vis-à-vis colonized- and/or non-white women. In this book 'womanhood' and 'race' are not seen as separate, nor as already given, historically and culturally immutable 'things.’ Those are some of the lacunae this book transcends, primarily in the case of white-Creole women relative to non-white Island women and the images socially constructed of them in Puerto Rico, as well as for racially located Puerto Ricans more broadly. Within this context, the book enables a different reading of already known documents while demonstrating the importance of examining unused or forgotten bibliographical sources, some of them previously untranslated.Gladys M. Jiménez-Muñoz is an Associate Professor at the Sociology Department at Binghamton University-SUNY.&nbsp;

Labile Bodies, Colonial Disparities

Womanhood and Race in Interwar Puerto Rico

Interdisciplinary and provocative study between an archaeologist and an artist discussing the disciplines' principles, while providing ways to rethink archaeology, the visual arts and the two subjects' shared themes.

Excavation and Contemporary Painting

Disrupting Archaeology and Art

Discover Hawaiʻi's indigenous culture, history and enduring relationship with foreign nations through a series of fascinating objects.&nbsp;&nbsp;&nbsp; &gt;The extraordinary artistry of Native Hawaiian makers and artists past and present is revealed through an amazing selection of objects, including ahu'ula cloaks, exquisitely made by weaving, binding and knotting together the feathers of honeyeater and honeycreeper birds; an akua hulu manu feathered figurehead depicting a god, with a startling gaze that would have been carried in procession on important occasions; and carved wooden bowls inlaid with pearl shell. Prints made at the time record the visit to Britain by the delegation from Hawaiʻi in 1824-6 and evidence the reception they received, while other more recent artworks highlight objects as continued presences and resources for the Hawaiian community today.

Hawai'i

What can one city tell us about the global textile waste problem? This Open Access study is the first detailed ethnography of clothing waste infrastructures that starts where the problem starts - the Global North. Based on more than 100 interviews, cultural anthropologist Heike Derwanz follows the journey of fast fashion in Hamburg, Germany: starting with two women from different socio-economic backgrounds sorting through their wardrobes, travelling through local flea markets, eBay, church clothes banks, upcycling brands and recycling sites, only to end up in homes and waste heaps in the Global South. Bringing together human agents such as designers, social workers and vintage sellers with objects from containers, plastic sacks and internet platforms to piles of sorted textiles, this on-the-ground cultural study reveals how the global economic system of fast fashion shapes local infrastructures entangled in everyday lives. Combining material culture, waste studies and economic perspectives to scrutinize the so-called circular economy of today's global textile recycling market, Derwanz investigates what agency modern consumers really have in the lifecycle of their clothes. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Bloomsbury Open Collections Library Collective.

The Circulation of Used Clothes in the Global North

Sorting Out Clothes

The 100-Year Struggle to Shape the American Economy

Marketcrafters

Scholars and contemporary artists reckon with decommissioned monuments, examining fraught narratives of the legacy of the Civil War and slavery as well as national identity in the United StatesThis volume features a selection of decommissioned monuments, many of them Confederate, presented alongside contemporary artworks that address American history and national identity. MONUMENTS, which accompanies the eponymous exhibition, marks the last several years of monument removals as a historic moment and aims to build a better understanding of our shared history and ideals, while holding the monuments accountable to the present. Featuring contributions by the exhibition curators, Bennett Simpson, Hamza Walker and Kara Walker, as well as scholars, poets and artists, the publication attends to the social, political, historical and art historical context of these monuments as well as the legacies of the people and events they commemorate. It includes additional essays by Sven Beckert, Emily Bingham, Thomas J. Brown, Karen Cox, Hilary N. Green, Grace Elizabeth Hale, Michael Lobel, Dani R. Merriman, Charmaine A. Nelson, Michael Ralph, Kirk Savage, Cherise Smith, Tsione Wolde-Michael and Dell Upton, and contributions by Derrick Austin, Mark Thomas Gibson, David Hartt, Ashley M. Jones, Melissa Lyttle and Kiki Petrosino. Artists include: Bethany Collins, Karon Davis, Abigail DeVille, Stan Douglas, Leonardo Drew, Torkwase Dyson, Kevin Jerome Everson, Nona Faustine, Jon Henry, Kahlil Robert Irving, Monument Lab, Walter Price, Martin Puryear, Andres Serrano, Cauleen Smith, Hank Willis Thomas, Davone Tines, Kara Walker. This book was published in association with The Museum of Contemporary Art, Los Angeles; The Brick.

Contested Community

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