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Commentaria et lexica Graeca in papyris
reperta (CLGP). Commentaria... / Aeschin

Commentaria et lexica Graeca in papyris reperta (CLGP). Commentaria... / Aeschines - Alcaeus

Elements in Music, 1600-1750

In early modern Italy, letters were not only written and read but, in some cases, sung. Musical settings of love letters rekindled a complex kind of vocality which was rooted in the letters of antiquity and endured in the musical sub-genre of the lettera amorosa. Epistolary poetry served to transform, or, to echo Achillini's lettera set by Monteverdi (1567-1643), to 'distill' a lover's thoughts and emotions into verse, and the music that set it was equally transformative. The history of musical letters spans several centuries. It begins in the early sixteenth with a setting of Ovid's Heroides by Tromboncino; returns in the early seventeenth through the lettere amorose of Monteverdi, D'India, and Frescobaldi; and ends with epistolary cantatas by Carissimi, Melani, and Domenico Scarlatti. This Element traces the breadth and significance of the musical love letter with a focus on the provocative lettere amorose of the seventeenth century.

Musical Love-Letters in Early Modern Italy

Lettera amorosa

Routledge Sourcebooks for the Ancient World

A Sourcebook

Greco-Roman Waters

Cambridge Classical Classics

This acclaimed and influential book examines the ways in which Greek and Roman historians claimed their authority to narrate events, and how these claims were inextricably bound up with traditions developed by their predecessors. Now reissued with a substantial new Introduction, the book remains essential for all students of historiography.

Authority and Tradition in Ancient Historiography

Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies

Roger Ascham is often classified as 'a great mid-Tudor humanist' and he is perhaps best known for his role as tutor to Elizabeth I. His most famous works, The Scholemaster and Toxophilus, have been extensively quarried and anthologised in studies on prose style and English humanism. By contrast, his Neo-Latin works that engaged with theology and key Reformation concerns have languished in the shadows of modern scholarship. Ascham's Themata Theologica ('Theological Topics') is one of these, and its content has the potential to open up many an investigative avenue into the intellectual and religious culture of the sixteenth century. This is the first volume to offer a corresponding English translation. 
 
The Themata can be dated to the early to mid- 1540s, and was composed by Ascham while still at Cambridge University and serving as a senior fellow at St John's College. The work mainly comprises a compendium of relatively short commentaries on Scriptural verses (both Old and New Testament), many of which developed into expositions on difficult philosophical concepts, such as the notion of felix culpa (literally, 'happy fault') and some of the most intractable theological questions of the day, including the nature of sin, adiaphora ('matters of indifference'), justification and free will. This little-known text offers a rare opportunity to trace the course of Ascham's own religious maturation, but also offers fresh insights into the confessional climate at Cambridge University during one of the most turbulent periods of the Reformation in England.

Roger Ascham is often classified as ‘a great mid-Tudor humanist’ and he is perhaps best known for his role as tutor to Elizabeth I. His most famous works, The Scholemaster and Toxophilus, have been extensively quarried and anthologised in studies on prose style and English humanism. By contrast, his Neo-Latin works that engaged with theology and key Reformation concerns have languished in the shadows of modern scholarship. Ascham’s Themata Theologica (‘Theological Topics’) is one of these, and its content has the potential to open up many an investigative avenue into the intellectual and religious culture of the sixteenth century. This is the first volume to offer a corresponding English translation. 
 
The Themata can be dated to the early to mid- 1540s, and was composed by Ascham while still at Cambridge University and serving as a senior fellow at St John’s College. The work mainly comprises a compendium of relatively short commentaries on Scriptural verses (both Old and New Testament), many of which developed into expositions on difficult philosophical concepts, such as the notion of felix culpa (literally, ‘happy fault’) and some of the most intractable theological questions of the day, including the nature of sin, adiaphora (‘matters of indifference’), justification and free will. This little-known text offers a rare opportunity to trace the course of Ascham’s own religious maturation, but also offers fresh insights into the confessional climate at Cambridge University during one of the most turbulent periods of the Reformation in England.

Roger Ascham’s Themata Theologica

Rutgers University Studies in Classical Humanities

This is the first full-length volume in English that focuses on the historiographical section of the Mirabilia and is an invaluable resource for students and scholars of the text, and of Greek philosophy, historiography, and literature more broadly.

Historiography and Mythography in the Aristotelian Mirabilia

Emilia Blumenherz

Emilia Blumenherz, Band 1 - Das geheime Pflanzeninternat

Classics after Antiquity

Medieval Responses to Ovid's Exile

Sammlung Tusculum

Unter dem Namen des ,Orpheus' kursieren in der Kaiserzeit und der Spätantike verschiedene Texte bzw. Textkorpora, deren wichtigste hier in neuer deutscher Übersetzung und mit Anmerkungen vorgelegt werden: die Orphischen Hymnen (ca. 2. Jh.), die Lithika (ca. 4. Jh.) und die Argonautika des Orpheus (ca. 5. Jh.).

Unter dem Namen des ‚Orpheus‘ kursieren in der Kaiserzeit und der Spätantike verschiedene Texte bzw. Textkorpora, deren wichtigste hier in neuer deutscher Übersetzung und mit Anmerkungen vorgelegt werden: die 
 Orphischen Hymnen
 (ca. 2. Jh.), die 
 Lithika
 (ca. 4. Jh.) und die 
 Argonautika des Orpheus
 (ca. 5. Jh.).

Texte aus Kaiserzeit und Spätantike

Dichtung des ›Orpheus‹

Classics and the Postcolonial

This is the first book to study how Haitian authors from independence to the present have adapted Greco-Roman material and harnessed it to Haiti's anti-colonial legacy. This fascinating study appeals to anyone interested in Haiti, Haitian literature and history, anti-colonial literature, or classical reception studies.

Hacking Classical Forms in Haitian Literature

Hellenic Studies Series

In this updated and expanded second edition of Regarding Penelope, Nancy Felson explores the relationship between Homer's construction of Penelope and his more general approach to poetic production and reception. Felson considers Penelope as an object of male gazes and as a subject acting from her own desire.

In this updated and expanded second edition of Regarding Penelope, Nancy Felson explores the relationship between Homer’s construction of Penelope and his more general approach to poetic production and reception. Felson considers Penelope as an object of male gazes and as a subject acting from her own desire.

From Character to Poetics, Second Edition

Regarding Penelope

Routledge Revivals

An Historical Introduction

Irony

Classical Scholarship in Translation

"The first English edition of a complete introduction to Mycenaean life and archaeology by one of Greece's most distinguished archaeologists, the Greek editions of which have been widely acclaimed. Discusses the main Mycenaean centres, the palaces and kingship, social structure, writing, religion, foreign relations, art and architecture"--

The first English edition of a complete introduction to Mycenaean life and archaeology by one of Greece's most distinguished archaeologists, the Greek editions of which have been widely acclaimed. Discusses the main Mycenaean centres, the palaces and kingship, social structure, writing, religion, foreign relations, art, and architecture.

Mycenaean Civilization

Commentaria et lexica Graeca in papyris reperta (CLGP). ...

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