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DiPaolo D: Coffee 2025 Deluxe Wall
Calendar

Coffee 2025 Deluxe Wall Calendar

A Portrait of John Singer Sargent

Beyond Beauty

Embark on a journey of self-discovery, healing and inner transformation with the new and updated smash-hit TikTok sensation and million-copy international bestseller.

The Shadow Work Journal

An IndependentBest Non-Fiction Book 2024A Publishers Weekly Top 10 Best Book 2024"A vibrant, multifaceted portrait of a music enigma" Guardian"A powerful portrait" Irish Independent"Displays a bracing rigour and an exhilarating curiosity about its subject, coming closer than most to catching up with Mitchell on her lonely road" Times

On the Path of Joni Mitchell

Travelling

Untitled Ella King Book 2

Mignon's first art book, it includes his original and commercial illustrations presented in full-color. From healthy charm, fresh and beautiful illustrations, to portraits so sexy that you'll want to eat them, this book is just chock full of what the title YUMMY TUMMY suggests. Including new illustrations, a making-of corner, as well as interviews, this is a must-have for fans and illustrators alike!

The Art of mignon

Yummy Tummy

From Texas to the Persian Gulf, Al Qadiri's installations underscore the wealth and infrastructures of regions dependent on oilBerlin-based artist Monira Al Qadiri's (born 1983) work examines "petro-cultures," where society is defined by its dependence on oil. For Refined Vision, Al Qadiri's film and installations were inspired by the infrastructure of the Texas Gulf Coast and the Persian Gulf region.

From Texas to the Persian Gulf, Al Qadiri’s installations underscore the wealth and infrastructures of regions dependent on oilBerlin-based artist Monira Al Qadiri’s (born 1983) work examines “petro-cultures,” where society is defined by its dependence on oil. For Refined Vision, Al Qadiri’s film and installations were inspired by the infrastructure of the Texas Gulf Coast and the Persian Gulf region.

Monira Al Qadiri: Refined Vision

Amber Rose Gill Book 3

This study overhauls canonical accounts of Surrealism, demonstrating how one woman artist expanded its activity and expression in bold new ways for the modern age

A Surrealist World

Dorothea Tanning

Studio Ghibli My Neighbor Totoro Bookmark 2024 (Pack of 10)

From Duchamp to Bourgeois, Harrison's curation of 20th-century sculpture looks at the study of the human bodyGuided by a desire to illuminate and inspire reflection on the sculptural form, Dominique Lévy of LGDR invited American artist Rachel Harrison (born 1966) to curate a presentation of 20th-century sculpture. The exhibition that emerged comprises a group of works that consider Modernism's devotion to that most fundamental of subjects: the human figure. Stage Fright features works by Louise Bourgeois, Constantin Brâncusi, Marcel Duchamp, Marisol, Alberto Giacometti and Alina Szapocznikow that represent the body in extremis--shown ruptured in pieces or pared down to the essentials. The individual pieces act as surrogates that stand in for the whole. Taken together, the works on view embody various conceptions of personhood as routed through objects, whether rendered with aching specificity, as in the clefts and folds of Szapocznikow's plaster Ventre (Belly) (1968), or invoked as a generic type, as in Marisol's totemic couple The Blacks (1962). Richly illustrated with installation views from the exhibition, Stage Fright features a new text by Harrison--framed as a dialogue between filmmaker Alfred Hitchcock and figure skater Peggy Fleming--that critically examines the presentation and the artist's own practice and approach.

From Duchamp to Bourgeois, Harrison’s curation of 20th-century sculpture looks at the study of the human bodyGuided by a desire to illuminate and inspire reflection on the sculptural form, Dominique Lévy of LGDR invited American artist Rachel Harrison (born 1966) to curate a presentation of 20th-century sculpture. The exhibition that emerged comprises a group of works that consider Modernism’s devotion to that most fundamental of subjects: the human figure. Stage Fright features works by Louise Bourgeois, Constantin Brâncusi, Marcel Duchamp, Marisol, Alberto Giacometti and Alina Szapocznikow that represent the body in extremis—shown ruptured in pieces or pared down to the essentials. The individual pieces act as surrogates that stand in for the whole. Taken together, the works on view embody various conceptions of personhood as routed through objects, whether rendered with aching specificity, as in the clefts and folds of Szapocznikow’s plaster Ventre (Belly) (1968), or invoked as a generic type, as in Marisol’s totemic couple The Blacks (1962). Richly illustrated with installation views from the exhibition, Stage Fright features a new text by Harrison—framed as a dialogue between filmmaker Alfred Hitchcock and figure skater Peggy Fleming—that critically examines the presentation and the artist’s own practice and approach.

Rachel Harrison's Stage Fright

The long-awaited definitive work on master wood engraver Paul Landacre (1893-1963), a key figure of California modernism

A Catalogue Raisonné

Paul Landacre: California Hills, Hollywood, and the World Beyond

Considering intergenerational and cultural inheritance through the prisms of intimacy and infrastructureDesigned as both a reader and an exhibition catalog, Intimate confession is a project explores the intersection between intimacy and infrastructure with a particular focus on the social landscape of Houston, where the corresponding exhibition took place. The 10 featured artists use multimedia works to think through infrastructure as an intimate holding cell, capable of great emotional power. Intended as a scholarly contribution to cross-disciplinary exchange between the visual arts and the humanities, the book includes essays by Ara Wilson, Kai Bosworth and Lara Mimosa Montes, as well as poetry by Juliana Sphar and Roberto Tejada. Artists include: Gwenneth Boelens, Benvenuto Chavajay, ektor garcia, Lonnie Holley, Anna Mayer, Na Mira, Kate Newby, Josie Ann Teets, Chiffon Thomas, Iris Touliatou, Clémence de La Tour du Pin.

Considering intergenerational and cultural inheritance through the prisms of intimacy and infrastructureDesigned as both a reader and an exhibition catalog, Intimate confession is a project explores the intersection between intimacy and infrastructure with a particular focus on the social landscape of Houston, where the corresponding exhibition took place. The 10 featured artists use multimedia works to think through infrastructure as an intimate holding cell, capable of great emotional power. Intended as a scholarly contribution to cross-disciplinary exchange between the visual arts and the humanities, the book includes essays by Ara Wilson, Kai Bosworth and Lara Mimosa Montes, as well as poetry by Juliana Sphar and Roberto Tejada. Artists include: Gwenneth Boelens, Benvenuto Chavajay, ektor garcia, Lonnie Holley, Anna Mayer, Na Mira, Kate Newby, Josie Ann Teets, Chiffon Thomas, Iris Touliatou, Clémence de La Tour du Pin.

Intimate Confession Is a Project

Coffee 2025 Deluxe Wall Calendar

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