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Wieland C: Christoph Martin Wieland:
Werke / Text

Christoph Martin Wieland: Werke / Text

[Clelia und Sinibald]

Companion to Central and Eastern European Humanism / Hungary

Frühe Neuzeit

Alle drei Bände der von Jörg Jochen Berns herausgegebenen Edition Von Strittigkeit der Bilder. Texte des deutschen Bildstreits im 16. Jahrhundert sind als preisreduziertes Set zu erwerben. Die Bände geben verlässlich Einblick in eine deutschsprachige, theologisch grundierte Mediendebatte. Singulär ist die umfassende Zusammenstellung zum einen wegen ihres Umfangs von neunundneunzig historischen Texten auf mehr als zweitausendeinhundert Seiten, zum andern wegen der regionalen Vielfalt und konfessionellen Vielstimmigkeit dieser Zeugnisse: von Amling, Bucer, Buchstab, Bullinger bis hin zu Quad, Schwenckfeld, Zwingli. Nicht nur werden viele der Dokumente hier erstmals seit vier Jahrhunderten wieder ediert, sondern auch zum ersten Mal zusammengestellt und so miteinander konfrontiert, dass es möglich wird, Gemeinsamkeiten und Differenzen zu erkennen, Leitbegriffe zu verfolgen und argumentative Muster freizulegen. Die Texte werden durch Anmerkungen und umfängliche Nachworte kommentiert und durch umfangreiche Register erschlossen. Als Handwerkszeug bildwissenschaftlichen Forschens, insbesondere auf kunsthistorischem, kirchengeschichtlichem, volkskundlichem, psychologiehistorischem, mediengeschichtlichen oder germanistisch-linguistischem Terrain, ist die Sammlung unverzichtbar.

Von Strittigkeit der Bilder / [Strittigkeit der Bilder, Bände 1-3]

In his compelling new book Ian Smith addresses the pernicious influence of systemic whiteness on our interpretation of Shakespeare's plays. Unmissable reading for students and scholars of drama, cultural and early modern studies.

In his compelling new book Ian Smith addresses the pernicious influence of systemic whiteness on our interpretation of Shakespeare's plays. Unmissable reading for students and scholars of drama, cultural and early modern studies.

Reading and Misreading Race

Black Shakespeare

Return of the Gods argues that the romantics turned to mythology for its potential to transform how we see ourselves, others, and the world. Engaging with authors such as William Blake, Friedrich Schlegel, Samuel Taylor Coleridge, Friedrich von Hardenberg (Novalis), and Percy Bysshe Shelley, Owen Ware combines intellectual history with philosophical analysis and literary criticism to offer a bold reflection on why mythology mattered for the romantics--and why it still matters today.

Mythology in Romantic Philosophy and Literature

Return of the Gods

This book seeks to break free from Eurocentric historical perspectives of medieval-era travel through Egypt and Sinai by focusing on the testimonies of 4th to 15th-century travellers from the African continent, especially pilgrim diaries from the Arab Muslim Egyptian world.

Egypt and Sinai as Seen by Medieval European and Arab Travellers (4th–15th Centuries)

African Landings

British law underwent significant changes in the eighteenth century as jurists and legislators adapted doctrines to fit the needs of an increasingly commercial, industrial, and imperial society. This volume reveals how legal developments of the period shaped and were shaped by imaginative writing. Reading canonical and lesser-known texts from the Restoration to the Romantic era, the chapters explore literary engagements with libel law, plague law, marriage law, naturalization law, the poor laws, the law of slavery and abolition, and the practice of common-law decision-making. The volume also considers the language and form of legal treatises and judicial decisions, as well as recent appropriations of the period's literature and legal norms by the Christian right. Through these varied case studies, the volume deepens our knowledge of law and literature's mutual entanglements in the long eighteenth century while shedding light on legal and ethical questions that remain of concern to this day.

British Law and Literature in the Long Eighteenth Century

The Routledge Philosophers

This outstanding introduction to Cavendish's philosophy explores the full span of her work. Including a chronology, glossary, and suggestions for further reading, Cavendish is an ideal starting point for anyone coming to Cavendish's philosophy for the first time.

Original, ingenuous, and heterodox the philosopher Margaret Cavendish (1661-1717) is one of the most important writers and thinkers of the seventeenth century. Almost entirely self-taught, as well as engaging deeply with the philosophical currents of her time she wrote on a rich array of topics including gender, science and manners. Her utopian novel, The Blazing World, is one of the earliest works of science fiction.In this outstanding introduction to Cavendish's philosophy Alison Peterman explores the full span of Cavendish's work. She begins by examining Cavendish's metaphysics, in particular her view that matter is divisible, sensitive and rational and that the only kind of change is motion, contrasting Cavendish's approach with that of other 'mechanical' philosophers Descartes, Hobbes, Boyle and Gassendi. Peterman then assesses Cavendish’s arguments concerning order and causation in nature, particularly her view that order can only be explained if nature is whole and that matter has ‘sense’ and ‘reason’, before turning to her theory of the human mind and perception, knowledge and scientific method. Finally, she explains and assesses Cavendish’s ethics and politics, returning to her distinction between the natural and artificial and how her moral and political views are evident in her poetry, fiction, plays and other literary writings.Including a chronology, glossary of key terms, and suggestions for further reading at the end of each chapter, Cavendish is an ideal starting point for anyone coming to Cavendish’s philosophy for the first time. It will also be of great interest to those studying seventeenth century philosophy, metaphysics, the history and philosophy of science, and women philosophers in early modern philosophy.

Cavendish

Routledge Revivals

Literature and Culture in Seventeenth-Century Europe

The Baroque

Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Harry R. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture.

Harry R. McCarthy's innovative study draws on theatre history and present-day performance to foreground how boys' physical skills shaped the plays in which they performed. Through in-depth readings of a wide range of plays, this book offers a critical reimagining of early modern theatrical culture.

Skill and Stagecraft in the Theatre

Boy Actors in Early Modern England

The Discourse of John Selden Esq. presents an annotated edition of the Table Talk of lawyer and historical and linguistic scholar John Selden (1584-1654). It draws on 21 manuscripts of the work with both general and textual introductions, the text itself, annotations, and significant emendations and collations, as well as a stemma.

The Discourse of John Selden Esq. presents an annotated edition of the Table Talk of lawyer and historical and linguistic scholar John Selden (1584-1654). It draws on 21 manuscripts of the work with both general and textual introductions, the text itself, annotations, and significant emendations and collations, as well as a stemma.

The Discourse of John Selden, Esq. (Table Talk)

This book explores how merchants and other commercial agents learned about business in the early modern British Atlantic World, considering how they gathered knowledge and then dispersed, stored, and used this information.

Knowledge, Information, and Business Education in the British Atlantic World, 1620–1760

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer’s overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey’s mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the ’Jupiter and Ganymede’ motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle’s knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

Christoph Martin Wieland: Werke / Text

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