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Brandow-Faller M: Child Creativity and
the Visual Arts: From Secessionist Vien

Child Creativity and the Visual Arts: From Secessionist Vienna to Postwar America

Manga has taken the world by storm. A richly diverse medium, the Japanese comics phenomenon has something for everyone-fantasy, horror, thrillers, romance, history, biography, sport, business, and even school textbooks.&nbsp; &nbsp; Manga A Visual History chronicles the evolution of manga from its samurai-era beginnings, through its post-WWII surge in popularity, to its meteoric rise overseas. The book explores the key writers and artists who have shaped an entire culture with their visions and stylings, the iconic characters now recognized worldwide, and manga's impact on anime and live-action film and TV. From classic favorites to lesser-known gems, Manga A Visual History is the definitive guide to Japanese comics. Featuring incisive insights from preeminent manga experts, this lavishly illustrated coffee-table compendium is a must for diehard otaku as well as the growing ranks of manga converts, who will treasure it for years to come.

Manga has taken the world by storm. A richly diverse medium, the Japanese comics phenomenon has something for everyone—fantasy, horror, thrillers, romance, history, biography, sport, business, and even school textbooks.&nbsp; &nbsp; Manga A Visual History chronicles the evolution of manga from its samurai-era beginnings, through its post-WWII surge in popularity, to its meteoric rise overseas. The book explores the key writers and artists who have shaped an entire culture with their visions and stylings, the iconic characters now recognized worldwide, and manga’s impact on anime and live-action film and TV. From classic favorites to lesser-known gems, Manga A Visual History is the definitive guide to Japanese comics. Featuring incisive insights from preeminent manga experts, this lavishly illustrated coffee-table compendium is a must for diehard otaku as well as the growing ranks of manga converts, who will treasure it for years to come.

Manga A Visual History

Cultivating Black Intellectualism and Economic Growth

Historically Black Colleges and Universities

Lauren Weisberger Untitled Book 2

Bloomsbury Studies in Modern Architecture

Robin Boyd was Australia's foremost architectural writer and critic from the late 1940s until his death in 1971. He was also a talented architect, designing houses, apartments, commercial and university buildings, as well as exhibits to represent Australia overseas. This book situates his architecture and writings within the context of post-WWII global architectural discourse and production. A voice from the margins, yet one intimately engaged with contemporary US and European architecture, Boyd's geographic impartiality also drew architectures from Australia and Japan into global dialogue. He also had a local mission: to build an architecture culture and discourse for his own country. But his acuity in design criticism, widely admired at the time, has been overlooked by subsequent historiography. This book will fill that gap - placing Boyd's work and writing into an international context for the first time. The book is structured into three parts: Dwelling; Discourse and Australia. The first, Dwelling, focuses on Boyd's development of his theoretical ideas based on the laboratory of the single-family house. The second, Discourse, outlines Boyd's fight to find a voice for Australian architecture and create a local pedigree for modernism and finally the third, Australia, focuses on Boyd's commitment to a broader national project and the shaping of Australian identity.

Robin Boyd was Australia’s foremost architectural writer and critic from the late 1940s until his death in 1971. He was also a talented architect, designing houses, apartments, commercial and university buildings, as well as exhibits to represent Australia overseas. 

This book situates his architecture and writings within the context of post-WWII global architectural discourse and production. A voice from the margins, yet one intimately engaged with contemporary US and European architecture, Boyd’s geographic impartiality also drew architectures from Australia and Japan into global dialogue. He also had a local mission: to build an architecture culture and discourse for his own country. But his acuity in design criticism, widely admired at the time, has been overlooked by subsequent historiography. This book will fill that gap - placing Boyd's work and writing into an international context for the first time.
     
The book is structured into three parts: Dwelling; Discourse and Australia. The first, Dwelling, focuses on Boyd’s development of his theoretical ideas based on the laboratory of the single-family house. The second, Discourse, outlines Boyd’s fight to find a voice for Australian architecture and create a local pedigree for modernism and finally the third, Australia, focuses on Boyd’s commitment to a broader national project and the shaping of Australian identity.

Australian Architect, International Critic

Robin Boyd

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

The Story of An Unlikely Friendship

We Should Not Be Friends

An Intellectual Biography

Hannah Arendt

This book will tell the full story of one of the most exciting, dramatic and shocking tales of modern times.

PREORDER THE HEART-STOPPING BOOK EVERYONE WILL BE TALKING ABOUT IN 2024 The extraordinary story that united the nation to bring a mother home On 3 April 2016 Nazanin Zaghari-Ratcliffe was at the airport in Tehran, getting ready to board her flight with her baby daughter. They'd been visiting family in Iran, and were looking forward to getting home and seeing Richard, who would be there to meet them. When a man suddenly appeared and marched Nazanin away, they couldn't know their family was about to be changed forever. That moment would test their love, confront five foreign secretaries and take an ordinary family behind the curtain of international hostage diplomacy and secret debts. Their story galvanised a campaign of hope for millions, which would eventually free Nazanin and bring her home. Six years later, almost to the day, Nazanin landed back in the UK. This is the full account of that long journey, told by Nazanin and Richard for the very first time.

A Story of Love, Resistance and Hope

A Yard of Sky

In the aftermath of WWII Australia undertook a number of war crime trials, and yet despite detailed records about Japanese military sexual slavery during the New Guinea Campaign, 'enforced prostitution' was not among the crimes prosecuted. This book asks why, when enforced prostitution was listed as a war crime, and both Australian and civilian authorities had reported the Japanese 'comfort women' scheme of military sexual slavery, its perpetrators were never called to justice. Bringing unpublished evidence to light, and employing both English and Japanese archival sources, this book describes the nature and extent of the trafficking and sexual slavery of women in the Pacific theatre of war, and connects it to sexual exploitation and violence in post-war Japan, Korea, Vietnam, Afghanistan and Australia. Highlighting the ways in which cultural assumptions about Asian women influenced the perception and treatment of the so-called 'comfort women' by Australians, it argues that this prevented the prosecution of perpetrators for war crimes, and contends that these cultural assumptions have continued to influence the business, and tolerance, of sexual slavery in Australia today.

In the aftermath of WWII Australia undertook a number of war crime trials, and yet despite detailed records about Japanese military sexual slavery during the New Guinea Campaign, ‘enforced prostitution’ was not among the crimes prosecuted. This book asks why, when enforced prostitution was listed as a war crime, and both Australian and civilian authorities had reported the Japanese ‘comfort women’ scheme of military sexual slavery, its perpetrators were never called to justice. Bringing unpublished evidence to light, and employing both English and Japanese archival sources, this book describes the nature and extent of the trafficking and sexual slavery of women in the Pacific theatre of war, and connects it to sexual exploitation and violence in post-war Japan, Korea, Vietnam, Afghanistan and Australia. Highlighting the ways in which cultural assumptions about Asian women influenced the perception and treatment of the so-called ‘comfort women’ by Australians, it argues that this prevented the prosecution of perpetrators for war crimes, and contends that these cultural assumptions have continued to influence the business, and tolerance, of sexual slavery in Australia today.

Enforced Prostitution in the New Guinea Campaign, 1942-1945

Australia and the Comfort Women

Michael Mann Project 2

Meltdown at Fukushima

Erica James Book 4

America

Child Creativity and the Visual Arts: From Secessionist Vienna to Postwar America

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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