NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Zahlung und Lieferung

Paiement et livraison

Nachhaltigkeit

Durabilité

Open Access

Datenschutz

Protection des données

Karriere

Carrière

Impressum

Mentions légales

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Thèmes principaux

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Kanzleien und Behörden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Infos, Tipps und Tricks

Infos, conseils et astuces

Vorankündigungen

Préavis

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

nagano: Chiikawa - Süßer kleiner Fratz
05 - Limited Edition

Chiikawa - Süßer kleiner Fratz 05 - Limited Edition

Heinrich Schliemann wird ewig im Gedächtnis bleiben als der Archäologe, der Troja fand. Zu seinem 200. Geburtstag wird eines seiner bekanntesten Tagebücher neu aufgelegt. Der Weg Schliemanns zum Entdecker war steinig. Nach einem Schulabbruch aus Geldmangel startete er seinen Berufsweg mit einer kaufmännischen Lehre. Nach erfolglosen Jahren wanderte er aus, lernte in kürzester Zeit zahlreiche Sprachen, wie z. B. Latein, Altgriechisch, Spanisch und Italienisch. Später konnte er sich als erfolgreicher Kaufmann dann seiner eigentlichen Berufung zuwenden, der Archäologie. Insbesondere die griechischen Dichtungen des Homer hatten es ihm angetan, deren Ortsangaben er wörtlich nahm und die ihn schließlich tatsächlich nach Troja führten. In seinem Tagebuch Ithaka, der Peloponnes und Troja schreibt Schliemann ausführlich von seinen Gedanken, Erfahrungen und seiner Suche nach Belegen für die Existenz der in den Sagen aufgeführten historischen Stätten. Dieses Buch ist eine spannende Zeitreise in die faszinierende Welt eines Abenteurers und seiner beharrlichen Forschung gegen alle Widerstände.

Hochwertiges Papier, edler Einband, feine Haptik - ein Buch für alle, die das Lesen in ganzer Fülle genießen möchten.

Auch in Zukunft wird es weitere edle Geschenkausgaben mit besonderen Inhalten und Ausstattungen geben, lassen Sie sich überraschen!

Heinrich Schliemann wird ewig im Gedächtnis bleiben als der Archäologe, der Troja fand. Zu seinem 200. Geburtstag wird eines seiner bekanntesten Tagebücher neu aufgelegt. Der Weg Schliemanns zum Entdecker war steinig. Nach einem Schulabbruch aus Geldmangel startete er seinen Berufsweg mit einer kaufmännischen Lehre. Nach erfolglosen Jahren wanderte er aus, lernte in kürzester Zeit zahlreiche Sprachen, wie z. B. Latein, Altgriechisch, Spanisch und Italienisch. Später konnte er sich als erfolgreicher Kaufmann dann seiner eigentlichen Berufung zuwenden, der Archäologie. Insbesondere die griechischen Dichtungen des Homer hatten es ihm angetan, deren Ortsangaben er wörtlich nahm und die ihn schließlich tatsächlich nach Troja führten. In seinem Tagebuch Ithaka, der Peloponnes und Troja schreibt Schliemann ausführlich von seinen Gedanken, Erfahrungen und seiner Suche nach Belegen für die Existenz der in den Sagen aufgeführten historischen Stätten. Dieses Buch ist eine spannende Zeitreise in die faszinierende Welt eines Abenteurers und seiner beharrlichen Forschung gegen alle Widerstände.

Hochwertiges Papier, edler Einband, feine Haptik – ein Buch für alle, die das Lesen in ganzer Fülle genießen möchten.

Auch in Zukunft wird es weitere edle Geschenkausgaben mit besonderen Inhalten und Ausstattungen geben, lassen Sie sich überraschen!

Ithaka, der Peloponnes und Troja

Japanese Architects in a Global World

Beyond Japan

The Full Moon Coffee Shop

The Full Moon Coffee Shop is the big next read for fans of BEFORE THE COFFEE GETS COLD, DAYS AT THE MORISAKI BOOKSHOP and BUTTER. 'Lose yourself in a world of talking cats with Mai Mochizuki's cult bestseller' Glamour IS THERE SUCH A THING AS DESTINY? AND HOW CAN YOU FIND YOURS? Under a glittering full moon, a Kyoto coffee shop with no fixed location or opening hours appears only where and when it's needed. Serving fragrant teas, the finest coffees and delicious desserts, it is entirely run by talking cats. The coffee shop attracts customers who have lost their way in their life, from a down-on-her-luck screenwriter and a lovesick TV director to a misunderstood stylist and a failed video game developer. In the middle of the night, the coffee shop's feline guides take them on an astrological journey which forces the characters to face up to the past, in order to discover their destiny. And as each of them uncovers their purpose, their paths all become somehow intertwined... Heartwarming and magical, The Full Moon Coffee Shop will remind you that it's never too late to discover your purpose. 'Beautifully crafted contemporary fantasy debut' - PUBLISHER'S WEEKLY 'Charming... perfect for readers of feel-good fiction, and all those needing a redirection in their own lives.' - THE BOOKLIST The Cult New Japanese Bestseller in July 2020.

HUMANS ARE STARS IN THEIR OWN RIGHT, MIZUKI. EVERY ONE OF THEM. Heartwarming and magical, THE FULL MOON COFFEE SHOP will remind you that it's never too late to discover your purpose... Under a glittering full moon, a Kyoto coffee shop with no fixed location or fixed hours appears only where and when it's needed. It is run by talking cats serving the finest teas and coffees, delicious desserts and age-old astrological wisdom. THE FULL MOON COFFEE SHOP attracts customers who have lost their way in their life, from a down-on-her-luck screenwriter to a failed video game developer. In the middle of the night, the feline guides will set them back on their fated paths. 'Lose yourself in a world of talking cats with this cult bestseller' GLAMOUR 'Perfect for readers of feel-good fiction' BOOKLIST READERS LOVE IT: 'Perfect for those who want a touch of magic in everyday life' ⭐ ⭐ ⭐ ⭐ ⭐ 'A warm hug of a book... I don't think I'll ever forget it' ⭐ ⭐ ⭐ ⭐ ⭐ AND BOOKSELLERS ADORE IT: 'A dream, a slice of magic I hope to one day discover is true' ⭐ ⭐ ⭐ ⭐ ⭐ 'There's just something so wonderfully captivating about this book' ⭐ ⭐ ⭐ ⭐ ⭐

The bestselling Japanese healing classic

Silence

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Unintentional Love Story

Tae-jun und Won-young haben endlich den Mut zur langersehnten Aussprache gefunden. Nun sind die beiden erneut ein Paar und nutzen jede Gelegenheit, miteinander intim zu werden. Um ihr gemeinsames Glück zu krönen, hat Tae-jun eine besondere Überraschung für seinen Geliebten vorbereitet: ihre erste gemeinsame Wohnung! Doch Won-youngs Freude wird schon bald ein weiteres Mal getrübt. Durch Zufall erfährt er, dass Herr Jung ihn all die Zeit für seine eigenen Zwecke benutzt hat - und sich seither schamlos auf den Lorbeeren ausruht, die eigentlich Won-young gebühren ...

Unintentional Love Story 5

The University of Sheffield/Routledge Japanese Studies Series

The cross-boundary and cross-disciplinary nature of this book is designed to elucidate heterogeneous Japan, in contrast to the more conventional understanding of Japan as a homogeneous and 'unified' whole. This collection offers a new approach to the understanding of contemporary Japan.

The cross-boundary and cross-disciplinary nature of this book is designed to elucidate heterogeneous Japan, in contrast to the more conventional understanding of Japan as a homogeneous and ‘unified’ whole. This collection offers a new approach to the understanding of contemporary Japan.

Structure, Actors, Norms and Challenges

Ending the Postwar in Japan

The Collective Eye – Thoughts on Collective Practice

Ingenious in the Mass. The artists' colonies of the nineteenth century championed the idea of a social and economic community of "city refugees" who lived and worked together, finding inspiration in nature; the artists' groups of the early twentieth century, on the other hand, rallied around artistic programs with which their members are now associated in histories of art. And yet the-male, white-artist was continually vaunted as a brilliant solitary creator. Until a few years ago, a consensus to which both the art market and artists readily acceded reproduced this phenomenon, and so artists' collectives that gained international acclaim, like General Idea, remained the exception. Why is that? Which conditions must be established for this paradigm to be defeated? And why is it that collective thinking and action have long been accepted and even standard practice in other domains, like theater and ballet, fashion, music, and cinema? Today, the effects of digital networking and globalization define the premises and nuances of community formation and collective artistic work. And yet the cult of the genuine artist, creating solely out of himself or herself, remains the status quo. Other disciplines appear to have long overcome this challenge. And the models of what making art looks like vary widely depending on formative social influences and cultural identities. These observations formed the basis for conversations that led The Collective Eye to complement its work organizing exhibitions and symposia with the production of a book series gathering Thoughts on Collective Practice. The first three volumes discuss practices of collective action with the artist duo Elmgreen &amp; Dragset; the collective Slavs and Tatars, which started out as a reading group; and the stage director Roberto Ciulli. The series seeks to chart an approach to a complex of issues that scholars have only just begun to study.

Ingenious in the Mass. The artists’ colonies of the nineteenth century championed the idea of a social and economic community of “city refugees” who lived and worked together, finding inspiration in nature; the artists’ groups of the early twentieth century, on the other hand, rallied around artistic programs with which their members are now associated in histories of art. And yet the—male, white—artist was continually vaunted as a brilliant solitary creator. Until a few years ago, a consensus to which both the art market and artists readily acceded reproduced this phenomenon, and so artists’ collectives that gained international acclaim, like General Idea, remained the exception. Why is that? Which conditions must be established for this paradigm to be defeated? And why is it that collective thinking and action have long been accepted and even standard practice in other domains, like theater and ballet, fashion, music, and cinema? Today, the effects of digital networking and globalization define the premises and nuances of community formation and collective artistic work. And yet the cult of the genuine artist, creating solely out of himself or herself, remains the status quo. Other disciplines appear to have long overcome this challenge. And the models of what making art looks like vary widely depending on formative social influences and cultural identities. These observations formed the basis for conversations that led The Collective Eye to complement its work organizing exhibitions and symposia with the production of a book series gathering Thoughts on Collective Practice. The first three volumes discuss practices of collective action with the artist duo Elmgreen &amp; Dragset; the collective Slavs and Tatars, which started out as a reading group; and the stage director Roberto Ciulli. The series seeks to chart an approach to a complex of issues that scholars have only just begun to study.

The Collective Eye – Thoughts on Collective Practice (englischsprachige Ausgabe)

Slavs and Tatars

This handbook covers East Asia as a region, and as individual countries. The military histories of each nation are distinct yet these peoples and states have a long history of interactions. An international team of contributors cover topics such as the People¿s liberation army, Japanese martial arts, the history of guns, and the Korean War. Divided into sections on Korea, China, Japan and East Asia, this handbook is an essential resource for anyone researching on East Asiäs military history.

The importance of East Asia has grown in recent decades as a result of the sharp rise in the region’s economic and military power. A similar increase in scholarship on the military history of East Asia now makes the time ripe for a handbook that will facilitate understanding of this critical aspect of its history and current state of relations. As a relatively recent field, East Asian military history is still somewhat uneven in scholarly coverage, making this handbook extremely useful for those attempting to engage the research.This handbook covers East Asia as a region, and as individual countries. The military histories of each nation are distinct yet these peoples and states have a long history of interactions. An international team of contributors cover topics such as the People’s liberation army, Japanese martial arts, the history of guns, and the Korean War. Divided into sections on Korea, China, Japan and East Asia, this handbook is an essential resource for anyone researching on East Asia’s military history.

Routledge Handbook of East Asian Military History

Princeton Legacy Library

Building upon a previous study of Japan's colonial empire, this volume examines the period from 1895 to 1937 when Japan's economic, social, political, and military influence in China expanded so rapidly that it supplanted the influence of Western powers competing there. These fourteen essays discuss how Japan's "informal empire" emerged in China an

Building upon a previous study of Japan's colonial empire, this volume examines the period from 1895 to 1937 when Japan's economic, social, political, and military influence in China expanded so rapidly that it supplanted the influence of Western powers competing there. These fourteen essays discuss how Japan's "informal empire" emerged in China an

The Japanese Informal Empire in China, 1895-1937

Routledge International Business in Asia

Contrary to the widely-held view that it was not until the late 1960s that Japan expanded its overseas investment, Japanese companies in fact had very extensive overseas interests, both portfolio and direct investments, in the early part of the twentieth century. Based on extensive original research, this book explores the causes, nature, characteristics, extent and impact of Japanese overseas investment before and during the Pacific War of 1941 to 45. The book shows that foreign investment was a major component of Japan's international expansion after the Meiji restoration, that in this period Japan was a lender rather than a borrower overseas, and that during the 1930s there was a massive outpouring of Japanese funds into the development of Manchuria, Korea, Formosa, and, to a lesser extent, Sakhalin and the mandated islands. The book examines Japanese investment in all of these areas; assesses the value of international business theories for understanding early Japanese foreign investment; and discusses the impact of the resources and profits procured on Japanese economic growth and the impact of the investments on the rapid post-war development of East Asia's 'newly industrializing countries'.

Foreign Investment by Japanese Companies Before the Pacific War

Japan's Economic Empire

Der Morgen beginnt für Akira wie immer ... bis ein vermummter Hüne auftaucht und ihm auf offener Straße ans Leder will! Akira ist zwar ein leidenschaftlicher Gamer, aber das Spiel, in das er hier hineingezogen wurde, fordert weit mehr als seine üblichen Skills ...

5 Seconds to Death 22

Chiikawa - Süßer kleiner Fratz 05 - Limited Edition

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema