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Mann T: Buddenbrooks / B

Buddenbrooks

A striking and beautifully touching new novel from the author of WHAT'S MINE AND YOURS, for fan of Kiley Reid's SUCH A FUN AGE.

Untitled Coster 2

Oxford World's Classics

Death in Venice and Other Stories

W&N Essentials

Helen Garner's last work of fiction before she turned her hand to narrative non-fiction, Cosmo Cosmolino consists of three artfully assembled linked works: two short stories and a novella

Cosmo, Cosmolino

The Palm House

Examining the rise of Irish crime novels in the twenty-first century, Maureen Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O¿Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Although several Irish writers produced crime novels before 2000, most of these books were set outside Ireland and brought out by non-Irish publishing houses. This situation changed radically in the early years of the twenty-first century when numerous novels and series set in Ireland and written by Irish authors were published and began generating strong sales at home and abroad. Maureen Reddy examines this phenomenon, analyzing the conditions that gave rise to it and the commonalities among the novels. Reddy places what she calls Hibernian Noir in the context of the social and economic conditions in Ireland from 1998 to 2012 and relates that period to the post-World War I United States that gave rise to hardboiled detective fiction. As Reddy shows, Irish hardboiled fiction participates in the genre’s tradition of placing previously marginalized individuals in positions of narrative authority. At the same time, Reddy argues that writers such as Ken Bruen, Benjamin Black, Tana French, Niamh O’Connor, Cormac Millar, Stuart Neville, Brian McGilloway, Declan Hughes, and Declan Burke are collectively working through the problem of defining Irishness and grappling with deep anxieties about a society that is rapidly changing in the face of a globalized, late capitalist culture.

Contesting Irishness in Crime Fiction

Noir and the Irish Nation

I find it funny that London still has street buskers. Like the band on the Titanic, buskers will play us straight through a mass extinction event. If you liked SEVERANCE and SUCH A FUN AGE, you'll love BAD VIBES. Hope isn't having fun coming of age during the uncoming of an age. One, she's the only black girl at school. Two, her activist parents just got fired. And when not casually surviving the end of times, she's basically invisible next to her blindingly blonde frenemy. A decade later, Hope is the uncredited workhorse behind the biggest fundraising charity on Earth. That is until she's chosen to lead a spiritual retreat for the elite - but as the weekend degenerates into ayahuasca-fuelled chaos, her big break might just end up breaking the system... BAD VIBES is a hilarious debut novel about hope and the struggle of keeping it alive as the world crumbles into a steaming cesspool of white supremacy and single-use plastic. PRAISE FOR AJA BARBER: 'Powerful... Essential' LAYLA SAAD 'A voice we MUST listen to' CLEMENTINE FORD 'SUCH integrity. Aja is no bullsh*t' FLORENCE GIVEN

THE PARABLE OF THE SOWER meets ELEANOR OLIPHANT IS COMPLETELY FINE in this eco-satire about the struggle of tending to our hope while the world crumbles into a steaming cesspool of white supremacy and single-use plastic

Bad Vibes

Transection

As an Irish-American family gathers for Thanksgiving weekend at their home on Long Island, they must confront the decades-old tragedy that haunts them all.

The Irish Goodbye

Now I Surrender

Mother, Ghost, Mango Seed

Unreliable Narrator

Salomé was bullied for years and no one did a single thing to help her.One day she finally snapped.Now at just sixteen years old, she''s being held in a secure unit for young offendersSalomé''s counsellor, the man whose good opinion is key to her release, is best known for his racist gaffes on reality TV. Her father has recently been diagnosed with liver cancer and her elder sister Miriam''s main preoccupation is to get out of their small, close-minded village as soon as possible. Both at home and in the unit, things are unbearably tense.Salomé finds it hard to keep her temper and harder still to think about the crime she is charged with committing. But as time passes, she finds new strength to delve into the reasons for her rage and arrive at her own understanding of punishment, penitence and the paradoxical demands made on her existence as a Black woman. Raw and unsentimental, Confrontations is a powerful depiction of racism and resilience from one of the Netherlands'' most exciting new literary voices.

Salomé was bullied for years and no one did a single thing to help her.
One day she finally snapped.
Now at just sixteen years old, she's being held in a secure unit for young offenders

Salomé's counsellor, the man whose good opinion is key to her release, is best known for his racist gaffes on reality TV. Her father has recently been diagnosed with liver cancer and her elder sister Miriam's main preoccupation is to get out of their small, close-minded village as soon as possible. Both at home and in the unit, things are unbearably tense.

Salomé finds it hard to keep her temper and harder still to think about the crime she is charged with committing. But as time passes, she finds new strength to delve into the reasons for her rage and arrive at her own understanding of punishment, penitence and the paradoxical demands made on her existence as a Black woman. Raw and unsentimental, Confrontations is a powerful depiction of racism and resilience from one of the Netherlands' most exciting new literary voices.

Confrontations

Buddenbrooks

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