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A new view of the brilliant, strikingly original Renaissance architect Filippo Brunelleschi.

A new  view of the brilliant, strikingly original Renaissance architect Filippo  Brunelleschi.

Trachtenberg Marvin: Brunelleschi and
the Moment of the Renaissance

Brunelleschi and the Moment of the Renaissance

The Life and Legacy of the Marquis de Morès

The First Fascist

A Memoir of Loss and Denial

Himmler’s Curtains

Peleliu

Feminist Media Histories

Archiving the Past&nbsp;uncovers&nbsp;the story of the women in&nbsp;France who, from the 1920s to the 1970s, played critical roles in the production of global cinema's history: as&nbsp;archivists&nbsp;charged with collecting films and other materials, as&nbsp;witnesses&nbsp;tasked with remembering their own film careers, and as&nbsp;activists&nbsp;committed to recovering women's contributions to film history. Reflecting on how gender politics informs the production of film history, Aurore Spiers&nbsp;recasts the film archive as a site of women's agency, modeling strategies for inclusivity, recuperation, and liberation within feminist film historiography.

Women’s Film History in France, 1927–1978

Archiving the Past

The Betrayals of Anthony Blunt

Master of Lies

The Lost Voices of Pompeii

Food, Scarcity and Power in Southeastern Europe During the Second World War

Classical Diaspora

"Pâeter Hajdu examines the cultivation of the Classics as an intellectual framework and crucial ingredient of the western aspect of Hungarian national identity. This book approaches the relationship of modern Hungarian culture to classical heritage from the various viewpoints of identity politics, education, translation history, scholarship, and its impact on literature. When the Hungarian nation-building project developed ideas of national identity, it necessarily incorporated the historical narrative according to which the Hungarians arrived at their current homeland in the Middle Ages, and only later did it adopt European culture. The duplicity of a mostly imagined Asian, pagan, barbaric or nomadic culture, and a Western, Christian, civilized identity, deeply rooted in European culture, has played and continues to play a role in the Hungarian discourse"--

Modern Hungarian Culture and the Classics

Lemelson Center Studies in Invention and Innovation series

Reinventing Building, Making History

American Bridge

Cesare Aldo series

Carnival of Lies

KINO - The Russian and Soviet Cinema

Manufacturing Visions of the Indigenous Peoples of the North

A Siberian History of Soviet Film

Corruption, sleaze and violence were woven into the fabric of 20th-century Sicilian life, as the Mafia rose to dominance; this is the story of the one man who stood in opposition. In 1986, the largest Mafia trial in Italy's history took place in Sicily. The maxi-processo saw 462 men and 4 women take the stand, accused of kidnapping, extortion, drug trafficking and thousands upon thousands of murders. Sitting in the galley was Leonardo Sciascia, then aged 65. One of the greatest European writers of the 20th century, he had published the only fictional account of the Mafia, The Day of the Owl, in 1961, and was widely seen by Italians as the one true moral figure in a county where corruption had seeped into every corner of public and private life. Sciascia was born in 1921 and came of age alongside the then-adolescent Mafia. Following the First World War, Sicily faced extreme poverty and hardship, and many Sicilians did not recognise Rome's leadership, leaving a void local gangsters would soon fill. Witnessing the spread of corruption and violence in his own hometown, Sciascia predicted it would soon spread north, and he was right: by the 1980s, the Mafia had infiltrated every level of Italian politics and grown into an international, highly successful business. In A Sicilian Man, prize-winning historian and biographer Caroline Moorehead charts Sciascia's life against the rise of the Mafia, and lays out the thrilling and devastating struggle that ensued for Italy's soul.

Leonardo Sciascia, the Rise of the Mafia and the Struggle for Italy’s Soul

A Sicilian Man

Brunelleschi and the Moment of the Renaissance

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