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DiDonato B: Brooke DiDonato: Take a
Picture, It Will Last Longer

Brooke DiDonato: Take a Picture, It Will Last Longer

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.
Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.
With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

A Lifetime of Drawing Resistance

Front Lines

An easy-to-follow, how-to guide to the art of outdoor light painting from Instagram sensations Eric Par? (400k followers) and Kim Henry (22k followers).

The Essential Field Guide

Outdoor Light Painting Photography

Marcel Duchamp in New York

Hal Fischer: Seminal Works collects Gay Semiotics with Fischer's rarely seen early photography and features a range of essays that provide vital perspectives on the enduring themes of his work.In the late 1970s, as gay men in San Francisco were enjoying a new era of liberation following the Stonewall Riots, Hal Fischer made a signal photo-text project that categorized denizens of the Castro and Haight-Ashbury neighborhoods by social type. Sly and systematic, Fischer's Gay Semiotics portrays the sartorial codes of queer street style--earrings, handkerchiefs, jeans, or leather--that broadcast a range of desires to potential sexual prospects. Fischer annotated his black-and-white photographs with commentary about gay archetypes, such as the jock or the hippie, with an occasional sense of irreverence. The series was published as an artist's book in 1978 and quickly became an influential record of a libertine era before AIDS, the rise of internet dating apps, and tech industry-accelerated gentrification transformed queer life in San Francisco forever. Hal Fischer: Seminal Works includes Gay Semiotics together with Fischer's rarely seen early photography and features essays that offer vital new perspectives on the enduring themes of his work, from the history of San Francisco to the gay rights movement's impact on shifting visions of race and masculinity.

Hal Fischer: Seminal Works

Dionne Lee's first monograph is a powerful meditation on the tension between the landscape as sanctuary and site of violence for African Americans. Dionne Lee's work across photography, video, and collage spans themes of dispossession, loss, survival, and resilience. Lee's formal interventions and innovative darkroom techniques--including rephotographing found imagery from wilderness survival manuals and using graphite pencils to create inscriptions on her photographs of the landscape--create new narratives that reclaim the great outdoors. Covering a decade of her work from 2016 to the present, Dionne Lee: Currents features contributions by curator Eric Booker and award-winning poet Camille T. Dungy, offering a timely reckoning with land, memory, and identity. It stands as an essential statement on the medium's potential today.

Dionne Lee: A Monograph

Seydou Keïta: A Tactile Lens

Photofile

Letizia Battaglia

Here and Now

Henri Cartier-Bresson

The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking. As the curator Matthew S. Witkovsky notes, "Nakahira's incisive writing cut apart standing views in literature, film, politics, and especially photography, and he published both articles and photographs at a feverish rate."

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

Modern Artists and the Quest to End Art

How to Be Avant-Garde

Nik Roche tells stories with the friends he makes. When NIk first met Tony in the street, he was annoyed that there was a beer waiting for him on a bar somewhere, the name of which he could not remember. They found it together and became good friends. Over the next three years Tony told Nik more about his life. Tony's was a colourful and unusual life. He had lived, for several years, in a cave in Nepal, after the leopard moved out. When they met, even though Tony had a house in an old South Wales mining village, he preferred to live in an arctic bell tent in the woods behind. Interwoven with darkly comical yet poetic text of conversations Nik and Tony had along the way, this is an intimate portrait of life outside of societal norms - a story of chance encounters and an exploration of friendship, love, and belonging.

as far as they’re concerned we are a normal family

Fifty years after first publication, one of the most important photobooks of the 20th century returns, offering an intimate glimpse into the daily lives of the Roma community in the 1960s and 1970s. Josef Koudelka's Gypsies remains one of his best-known series, offering a unique survey of the lives of the Roma community across then-Czechoslovakia, Romania, Hungary, France and Spain between 1962 and 1971. Originally published in 1975, five years after Koudelka left Prague following the Soviet Union's invasion, Gypsies is a classic of documentary photography. Now returning in its original, hardback format, this timely new edition is as much a pioneering photoessay as it is a lesson in book making. Carrying only his equipment, a rucksack and sleeping bag, Koudelka journeyed between different village and encampments. His nomadic existence, defined by a sense of displacement, allowed him to gain the trust of the Roma communities he encountered. The resulting series eschews the often-derogatory depictions of the community to instead provide unparalleled insight into their world, shining a light on their traditions, struggles and routines. The Roma in these images were photographed mostly in a state that no longer exists, ruled by a regime that dissolved in 1989. With such few historical depictions, Gypsies is not only a testament to the beauty of photography, but a vital historical document of a community often relegated to the shadows. Arriving at a moment of contemporary unrest and social marginalization, Gypsies is a poignant reminder of the often bleak reality of the disenfranchised, and the power of photography to bear witness.

Gypsies

Brooke DiDonato: Take a Picture, It Will Last Longer

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