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A sweeping history of the violence perpetrated by governments committed to extreme forms of secularism in the twentieth century

Howard Thomas Albert: Broken Altars

Broken Altars

Secularist Violence in Modern History

Based on first-hand accounts, original documentation and unpublished images, this is a highly illustrated history of the Flakpanzer in World War II. As the war progressed, Allied and Soviet forces began to deploy ground-attack aircraft armed with cannons, bombs or rockets to halt German armoured columns. Consequently, field commanders began to demand for their units to be issued with effective armoured anti-aircraft weapons. Renowned armour expert Thomas Anderson explains how the weapons were first mounted on light trucks and then, more effectively, on the chassis of light, medium or heavy half-tracks before orders were issued for a dedicated armoured Flakpanzer - the 2cm Flakpanzer 38(t) based on the chassis of a Czech-built PzKpfw 38(t). The effectiveness of this type saw the development of four further vehicles on the PzKpfw IV chassis: FlakPz IV Wirbelwind (whirlwind), the 3.7cm FlaK 43 L/50 Ostwind (east wind), the 3.7cm FlaK 43 L/60 Möbelwagen (furniture van) and the 2cm Vierlingsflak 38 L/55. The final stages of the war also saw German field engineers mounting Flak weapons on all types of heavy truck or half-track chassis available. Drawing on after-action reports, original wartime documents and rare and previously unseen photographs, this is a comprehensive and fully illustrated study of the German development of Flakpanzers throughout World War II.

Flakpanzer

An Essential History

The Making of Boko Haram

A photographic celebration of the great Spanish city, from Alfonso to Thomas StruthThis volume features more than 150 photographs by some of the greatest names in photography, both Spanish and international, together with an exhaustive essay by the writer Antonio Muñoz Molina on Madrid's illustrious history as a subject for photography. It includes the brilliant photographs of Alfonso, perhaps the greatest graphic chronicler of Madrid at the beginning of the 20th century; the prewar and wartime images of Henri Cartier-Bresson, Robert Capa and Gerda Taro; the postwar portraits of William Klein, Francesc Català-Roca and Ramón Masats, among others; the post-Franco developing society immortalized by photographers from Spain and elsewhere such as Gianni Ferrari; the mythical images of the Movida in Madrid by Alberto García-Alix; and the cultural and economic environment of the 21st century through the eyes of Cristina García Rodero and Thomas Struth.

Madrid: Portrait of a City

Interdisciplinary and provocative study between an archaeologist and an artist discussing the disciplines' principles, while providing ways to rethink archaeology, the visual arts and the two subjects' shared themes.

Excavation and Contemporary Painting

Disrupting Archaeology and Art

The Orient Within

Art and Identity in Spain, 1833–1956

The Biography

Hugh Trevor-Roper

Offers an arts-based, storying, textual and visual lens on gender-based violence in the UK and Mexico. This book is a unique image-based bilingual (English and Spanish) book of textual and visual narratives of gender-based violence (GBV) in the UK and Mexico, framed with a critical commentary that sets these stories in the context of GBV in both countries. Visual and textual stories convey the 'felt' experience of GBV, engaging readers and audiences in the apparently mundane as well as the shocking. Such stories help contest the prominence of crime statistics in evidencing GBV, statistics which often distort experience and reflect and maintain exclusionary policies and practices, particularly for minoritised communities. The transnational project on which this book is based invited artists and creative writers from diverse backgrounds in the UK and Mexico to respond to lived accounts of GBV in comic stories, short stories, poems, 3D installations, fine art photography, painting and film. This book brings together these visual and textual stories and sets out a series of readings and analyses that seek to further knowledge on GBV in different cultural contexts. This book is open access under a CC BY licence.

Storying the Immobilities of Gender Violence in the UK and Mexico

Jonathan M. Metzl has long been the forefront of a movement advocating for American gun reform as a matter of public health but in 2018 a racially charged mass shooting in Nashville led him on a path towards recognising the limitations of biomedical frameworks for fully diagnosing or treating the complexities of American gun politics. In What We've Become, Metzl looks at the cycle in which mass shootings lead to shock, horror, calls for action, and, ultimately, political gridlock, he explores what happens when violence is normalised as an acceptable trade-off for freedom. What We've Become points to mass shootings as a symptom of America's unresolved national conflicts, and sets out a path of alliance forging, racial reckoning and political power brokering that America must take to put things right.

Living and Dying in a Country of Arms

What We've Become

Biotechne: Interthinking Art, Science and Design

From the British Bauhaus to Cybernetics

Organic Modernism

Blacklists, McCarthyism, and the Making of Modern America

Red Scare

The General Strike of 1926: the tragic story of how the world's best organized working class confronted the world's most powerful, and self-confident, government. In May, 1926, nearly three million British workers downed tools to support nearly one million of their countrymen, miners whose employers meant to lengthen their working day and cut their pay. This General Strike brought the country to a grinding halt - which, according to Conservative Prime Minister Stanley Baldwin, represented a threat not merely to the nation but to the parliamentary system itself. For nine days, the world's best organized working class confronted the world's most powerful, and self-confident, government. And yet the outcome was never in doubt, for Britain's most important trade-union leaders thought as Baldwin did, although they kept saying they were engaged in a wages dispute only. Really, they feared winning even more than they feared losing. In Nine Days in May, award-winning author and historian Jonathan Schneer mines hitherto untapped archival sources to explain why and how the Strike came about, why and how it was waged and countered, why and how it ended. In addition to government reports and TUC reports, he uses reports of undercover agents and spies, "special" constables sworn in for the duration of the Strike, volunteer strike-breakers, Communist agitators, trade-union leaders and rank-and-file members of trade unions; also, of course, the papers of politicians of all parties. This is a tale of Shakespearian dimensions, replete with tragic heroes and villains and buffoons and opportunists and double-dealers, and contending, evenly matched, forces - both of which meant to do their duty whatever the cost. There may never be another general strike in Britain, but the General Strike of 1926 was one for the ages, illuminating the human condition.

The General Strike of 1926

Nine Days in May

The Astonishing Travels of an Indian Prince in the Age of Revolutions

A Passage to Europe

Broken Altars

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