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Barthet F: British Experiences in the
French Foreign Legion during the Interw

British Experiences in the French Foreign Legion during the Interwar Period

Myths and Realities

The award-winning novel about the colourful and captivating life of Frida Kahlo

Frida

A beautifully illustrated and accessible account of the medieval crusades, which covers areas such as art, literature and legacy that are not found in other introductions to the topic. It written by a team of fifteen experts in the field and is full of surprising insights from the latest research.

The Oxford Illustrated History of the Crusades

Asia Pacific Modern

Libraries and the Colonial Public in Vietnam

Bibliotactics

Die C. Müller Gummiwaren AG und der Beginn des Massenmarkts, 1875-1948

Körper, Kautschuk, Kolonien

Federalism and the Politics of Us Minimum Wage Policy

Raising the Floor

Rediscovering Britain’s Forgotten Trails And The People Who Walked Them

The Postal Paths

A Journey Round France in the Company of Great Writers

En Route

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

British Experiences in the French Foreign Legion during the Interwar ...

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