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A transgender and trans-genre exploration of life beyond the binary

A transgender and trans-genre exploration of life beyond the binary

Marzano-Lesnevich A: Both and Neither

Both and Neither

Routledge Culture, Society, Business in East Asia Series

This book charts the development of Hong Kong identity from the Second World War to the present. It argues that understanding popular culture is key to understanding how Hong Kong identity has evolved, and it discusses the various phases that popular culture has gone through in the post-war period. The book examines how the consumption of popular culture has been related to the changing geopolitical situation, to the politics of economic transformation, and to community building. It shows how behind all these aspects of popular culture lies the essential "in-between-ness" of Hong Kong, neither Eastern/traditional/conservative nor Western/modern/liberal.

This book charts the development of Hong Kong identity from the Second World War to the present. It argues that understanding popular culture is key to understanding how Hong Kong identity has evolved, and it discusses how, in the post-war period, popular culture has gone through various phases where particular aspects of popular culture dominated, for example tourism, television dramas and popular music in the 1970s, shopping culture in the 1980s, and sex culture in the 1990s. The book examines how the consumption of popular culture has been related to the changing geopolitical situation, to the politics of economic transformation, and to community building. It shows how behind all these aspects of popular culture lies the essential "in-between-ness" of Hong Kong, neither Eastern/traditional/conservative nor Western/modern/liberal.

Popular Culture and the Formation of Hong Kong Identity

Where slaves became drag queens - and changed the world

The House of Swann

We All Come Home Alive

A Memoir

Fire in Every Direction

A History of Myself

Red, Red Robin

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

The Story of An Unlikely Friendship

We Should Not Be Friends

A wild, soulful, hilarious chronicle of becoming a mother as you've never seen before, from the bestselling author, actor, comedian and co-creator of Marcel the Shell What happened was this: Jenny Slate was a human mammal who sniffed the air every morning hoping to find a person to love who would love her, and there was a deep dark loneliness she had to face and befriend, and then she did fall in love, and she was like chimes then, or a flock of clean breaths, but also she was rabid with fear of losing this love. And then what happened was that she became a wild-pregnant-mammal-thing, and then she exploded herself by having a whole baby blast through her vagina during a global plague, and then she was expected to carry on like everything was normal - but was this normal, and had she or anything ever been normal? Herein lies an account of this journey, told in the form of letters to a doctor, dreams of a stork, fantasy therapy sessions, gossip between racoons, excerpts from an imaginary old-timey play, theories about post-partum hair loss, and more. No one writes like Jenny Slate. 'A singular, zigzagging voice' New York Times 'Absurdist humor, magical realism, fanciful self-reflection . . . Jenny Slate is inviting you to the dreamscape of her mind' Washington Post 'A quirky, totally original book' San Francisco Book Review

from the bestselling author of Little Weirds

Lifeform

This book is about something special that we all desire - love. And it is also a book about what keeps us apart - the desire to be seen but being unwilling to do what needs to be done to see. This book will change your life. It wull give you all the wings you need to fly again.

His friends called him V. He used to feel intimidated by the fashion world but he got over it. He designed his first Louis Vuitton collection in three hours. He cared more about pageantry than clothes. He wasn’t precious about his ideas. He sometimes made work and added the meaning later. He contradicted himself all the time but he saw no problem with that. Fashion for him was one big art project, and also kind of a joke. He believed in God. He believed in logos. He thought insisting on novelty in fashion was farcical; a critique meant to keep people like him out. Some nights when he couldn’t sleep he wondered how people would remember him once he was gone. Virgil Abloh, who died unexpectedly in 2021 at age 41, defied categorization. Born in Rockford, Illinois to Ghanaian immigrants, he learned to sew as child, studied civil engineering in college and then architecture in graduate school. He entered the world of fashion sideways, without formal training, upsetting the status quo first with the stratospheric success of Off-White and then with his appointment as Artistic Director of menswear at Louis Vuitton. He pierced the divisions between pop culture and couture, fashion, music, and design, and was as influenced by Marcel Duchamp and Mies van der Rohe, Albert Murray, Rammellzee, Drake, DJ Benji B, Kylie Jenner, and Bella Hadid, as by the storied histories of high fashion houses. He was fascinated by the commodification of culture and the dialectic between appropriation and reappropriation, between ‘high’ and ‘low’. He admired the ready-made and the imitative for the way in which they force you to think carefully about the context in which they were created. He felt originality was a sham, and saw clearly the way Fashion, with a capital F, depends on the policing of who is allowed the mantle of ‘genius’. The establishment bridled at his approach even as they celebrated his work. He, in turn, understood that people wanted him to be a symbol, to fit an idea of the Black Designer, but he refused any kind of easy definition. Here, in Work in Progress, is a blueprint for a way to live, a conversation between friends, a challenge to any idea of black and white thinking. A portrait of an iconoclast, WORK IN PROGRESS takes us inside the mind of one of the most visionary and transformational designers of our time.

335876 TBA

Routledge Foundations in Linguistic Anthropology

Language, Gender, and Sexuality

Print Culture and Communication in the Stuart World explores the historiographical developments in the field and explains that print culture in Britain and Ireland was not an isolated phenomenon but a culture that operated within European and colonial contexts. The book is divided into five parts Communication and Print: HistoriansâEUR(TM) and Our Sources, Composition to Dissemination: The Mechanics of Communication in the Stuart World Beyond Print, Print and the State, Print and the Creation, Propagation and Elimination of Alien Cultures and British and Irish Print Culture in a European and Global Context. This book is perfect for students of early modern Britain and print culture.

Print Culture and Communication in the Stuart World explores the historiographical developments in the field and explains that print culture in Britain and Ireland was not an isolated phenomenon but a culture that operated within European and colonial contexts. The book is divided into five parts Communication and Print: Historiansâ€™ and Our Sources, Composition to Dissemination: The Mechanics of Communication in the Stuart World Beyond Print, Print and the State, Print and the Creation, Propagation and Elimination of Alien Cultures and British and Irish Print Culture in a European and Global Context. This book is perfect for students of early modern Britain and print culture.

An Introduction

Print Culture and Communication in the Stuart World

Why has Tunisia, widely considered an Arab Spring 'success story', seen such an explosion in violent Islamism among its women?

The Case of Tunisia

Female Jihadis

A Memoir of Hope

Saving Five

Both and Neither

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